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Collected Poems: 3: Poems 1997-2003 [Kietas viršelis]

  • Formatas: Hardback, 320 pages, aukštis x plotis: 222x146 mm, weight: 614 g, Illustrations
  • Išleidimo metai: 27-Jun-2003
  • Leidėjas: Bloodaxe Books Ltd
  • ISBN-10: 1852246243
  • ISBN-13: 9781852246242
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 320 pages, aukštis x plotis: 222x146 mm, weight: 614 g, Illustrations
  • Išleidimo metai: 27-Jun-2003
  • Leidėjas: Bloodaxe Books Ltd
  • ISBN-10: 1852246243
  • ISBN-13: 9781852246242
Kitos knygos pagal šią temą:
Peter Reading was one of Britains most original and controversial poets: angry, uncompromising, gruesomely ironic, hilarious and heartbreaking as funny as he was disconcerting. Over four decades he became our most skilful and technically inventive poet, mixing the matter and speech of the gutter with highly sophisticated metrical and syllabic patterns to produce scathing and grotesque accounts of lives blighted by greed, meanness, ignorance, phony media flimflam, political ineptness and cultural impoverishment. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can now be seen to link the 24 books which make up his Collected Poems. This was published in three volumes from Bloodaxe: Poems 1970-1984 (1995), Poems 1985-1996 (1996) and Poems 1997-2003 (2003). He subsequently produced two later collections, -273.15 (2005) and Vendange Tardive (2010). He died in 2011. The collections included (in full) in Volume 3 of his Collected Poems are: Work in Regress (1997), Ob. (1999), Marfan (2000), [ untitled] (2001), Faunal (2002), Civil (2002) and d (2003).

Recenzijos

Reading has spent 25 years creating a body of work which vindicates Tom Paulins description of him as the unofficial laureate of a decaying England Now that his entire corpus, astonishing in its range and integrity, is available, it is hard to see how Readings role has for so long been under-recognisedReading has completed a quarter-century masterpiece which has successfully blended the personal, the national and the global. The result is an epic lament for a species given to cruelty and self-destruction, employing a vast array of traditional forms and genres. -- Robert Potts * Guardian *

WORK IN REGRESS (1997)
Three
15(6)
Fireworks
21(1)
Shropshire Lads
21(1)
The farewell
22(1)
Mimnermian
22(1)
Seed
23(1)
Shakespearean
23(1)
Nomenclature
24(1)
Ovidian
24(3)
Horatian
27(1)
Integration
27(1)
Nips
28(1)
'Prince Urges the West to Learn from Islam'
28(1)
Propertian (III. viii)
29(1)
I.M., G.MacB.
30(1)
From the Chinese
30(1)
Gula
31(2)
I.M., G.E.
33(1)
Callimachan
33(1)
Raphus cucullatus
34(1)
En Attendant
35(1)
Theognian
36(1)
Nips
36(1)
[ Untitled] 'five-lane motorway...'
37(1)
From the Chinese
38(1)
Catullan (CIII)
38(1)
Clear Beggars from Streets, says Blair'
39(1)
From the Chinese
39(1)
alopian
40(1)
Obit
41(1)
[ Untitled] 'Inadequate lines...'
41(1)
Tristia
42(1)
Theocritan
42(2)
[ Untitled] 'Bards write to the dead...'
44(1)
OED
44(1)
Luger
45(1)
Untitled] 'Only in abject despair they glimpse...'
45(1)
Propertian (IV. vii)
46(2)
Distich
48(3)
OB. (1999)
Meanings
51(1)
Veracruz
51(1)
Coplas de Pie Quebrado
52(3)
51st
55(1)
Chiricahuas, Arizona,
55(1)
Workshop
56(1)
Flyer
56(1)
At the Reading
56(31)
In the SCR
87
Catullan
57(1)
[ Untitled] 'Unfortunately...'
57(1)
Veracruz
58(2)
Recollection
60(1)
Mnemonic
60(1)
At Chesapeake Bay
61(1)
Shropshire Lads
62(1)
[ Untitled] 'A reach of Severn...'
62(1)
Veracruz
63(1)
[ Untitled] 'In this Stygian city...'
63(1)
Nocturne
64(1)
[ Untitled] 'Shostakovich 5's...'
64(1)
?
64(1)
Chinoiserie
65(18)
Copla de Pie Quebrado
83(1)
Everglades
83(1)
Nocturne
84(1)
Veracruz
85(1)
Little Ones
86(1)
Melancholic
87(1)
Everglades
88(1)
Coplas de Pie Quebrado
89(1)
Medieval
90(1)
Axiomatic
91(1)
The New Book
92(1)
Nouvelle Cuisine
92(1)
Ob.
92(1)
Stone
92(1)
MARFAN (2000)
Marfan
93(56)
[ UNTITLED] (2001)
Repetitious
149(5)
Petroglyphs,
154(1)
[ untitled] 'Proud warriors once...'
155(1)
Alert !
156(10)
Hispanic
166(1)
[ untitled] 'Styx, Acheron, Cocytus, Phlegethon...'
167(1)
Hispanic
168(1)
Copla a Pie Quebrado,
169(2)
Alcaic
171(1)
[ untitled] 'Your Weird is beyond you...'
171(1)
From the Chinese
171(1)
Hibernian
171(1)
Collage
172(1)
[ untitled] 'Rough sacking, serving as a door, was lifted...'
173(1)
21.i.2000 (0400-0500 hrs.)
174(1)
[ untitled] 'Shaving-mirror. Hmmm...'
175(1)
[ untitled] 'In unmarked graves and splendid catafalques...'
176(1)
Collage
177(1)
Graffiti
178(1)
Collage
179(1)
Dog's Tomb
180(1)
[ untitled] 'This very simple...'
181(1)
Homme de Lettres
182(1)
Collage
183(1)
Apophthegmatic
184(19)
FAUNAL (2002)
On Bruny Island, off Tas.,
203(1)
Neighbourhood Watch
204(2)
Field Note
206(1)
[ Untitled] 'They sprawl round the pool...'
207(1)
That find of Longisquama insignis,
208(1)
Anthropological
209(2)
Congress Avenue Bridge in Austin, Texas,
211(1)
Cetacean
212(1)
Thanksgiving
213(1)
Beethovenstraat,
214(1)
Lit.
214(1)
Educative
215(2)
From the Chinese
217(1)
Soap
218(2)
In Glen Waverley, Melbourne,
220(1)
Emission
220(1)
Faunal
221(2)
At Pelee Point
223(1)
[ Untitled] 'The small skiff has been rowed...'
223(1)
Axiomatic
224(1)
Reiterative
224(1)
[ Untitled] 'Tanker founders...'
225(1)
Brr...
225(1)
Those Alligator mississippieusis
226(1)
[ Untitled] 'In the Library...'
226(1)
Axiomatic
227(1)
Up in the Chiricahuas,
227(1)
Port Fairy,
228(1)
Bird Lady
229(1)
That Nine-banded Armadillo
230(1)
In Victoria
230(1)
Field Note (Everglades)
231(1)
Journal
232(6)
Endangered
238(1)
[ Untitled] 'Costa del Parvenu...'
239(1)
Laertidean
240(20)
Afflatious
260(3)
CIVIL (2002)
Civil
263(12)
(2003)
All poems are untitled:
'This obfusc forest...'
275(1)
'In the tavern of Cristoval...'
276(1)
'A spectrum sphere, child's blown bubble...'
277(1)
'Pendulous-globed vine girdles the wall-angle...'
277(1)
'In this Market Place...'
278(1)
'No, there is nothing, no thing...'
279(1)
'The Great Hall...'
279(1)
'Well, callow wet-eared whelp, you presume to...'
280(1)
'Dusk falls: young girls...'
280(1)
'Many malign pestiferous phlegm-slimes...'
281(1)
'This Sixth Molar...'
282(1)
'Poor parasite: you require Valerius' lucrum to live on?...'
282(1)
'r That viejo...'
283(1)
'Sir Edward Elgar...'
284(1)
'Oars of smoothed pine polished white by the waves of...'
285(1)
'In irriguous terraces...'
285(1)
'In the tavern of Cristoval...'
286(1)
'That trumpet-rattle of Sandhill Cranes...'
286(1)
'Here, in Bolivia...'
287(1)
'Down in what seemed to me the deepmost slime-pit...'
287(1)
'Men at the medubenc!, meditate...'
288(1)
'Somebody mentioned that Caesar's mother...'
288(1)
'A track switchbacked above the Malebolge...'
289(1)
'He is reading to his wife...'
289(1)
'And the evening and the morning were the first day...'
290(1)
'Defunct calligraphist...'
291(1)
'May morwening...'
291(1)
'"Those were the days!", you say? Mneah!...'
292(1)
'Twenty years are gone from me...'
292(1)
'Again, dread dreams...'
293(1)
'This morning he scrawled...'
294(1)
'As Artemis or golden Aphrodite...'
294(1)
'Mister, we are worse than the excrement of hogs...'
295(1)
'Dirges of viols...'
295(1)
'In the tavern of Cristoval...'
296(1)
'You, whom I choose to dismiss in a distich...'
296(1)
'We have ditched most of the draff...'
297(1)
'My Guide to me...'
298(1)
'Astrophysicists...'
298(1)
'Then the warrior-king, red-haired Menelaus...'
299(1)
'Senor, you ask me the route to Xalapa?...'
300(1)
'We give them fresh-cut willow-sprigs...'
301(1)
'That of which H. sap. is capable is no longer surprising...'
301(1)
'[ These were the words of the auspex: Inter-...'
302(1)
'I salute you, Californian...'
303(1)
'Dawn's lume...'
304(1)
'Herewith, a deep-delv'd draught to Luscinia...'
305(1)
'Outside, the Big Superstitions rage...'
306(1)
'In your nightmare, you and I descend...'
307(1)
'From leaf-mould-moist copses...'
308(1)
'That which you do...'
309(1)
'I...'
310(2)
Index of titles and first lines 312
(Collected Poems: 3)
Peter Reading (1946-2011) was born in Liverpool. After studying painting at Liverpool College of Art, he worked as a schoolteacher in Liverpool (1967-68) and at Liverpool College of Art, where he taught Art History (1968-70). He then worked for 22 years as a weighbridge operator at an animal feedmill in Shropshire, a job which left him free to think, until he was sacked for refusing to wear a uniform introduced by new owners of the business. His only break was a two-year residency at Sunderland Polytechnic (1981-83). After leaving Liverpool, he lived for 40 years in various parts of Shropshire, in recent years in Ludlow. The benevolence of Americas Lannan Foundation rescued him from poverty. He was the first writer to hold the one-year Lannan writing residency in Marfa, Texas (in 1999), and is the only British poet to have won the Lannan Award for Poetry twice, in 1990 and 2004, as well as the only poet to read an entire lifes work for the Lannan Foundations DVD archive his filmed readings for Lannan (made in 2001 and 2010) of 26 poetry collections make up the only archive of its kind. His other honours included the Cholmondeley Award, the Dylan Thomas Award for Diplopic (1983), and the Whitbread Prize for Poetry for Stet (1986). Work in Regress was shortlisted for the T.S. Eliot Prize in 1997. All his poetry is published by Bloodaxe Books, along with Isabel Martins critical study Reading Peter Reading (2000). His first collection was Water and Waste (1970), published when he was 24, and his last, 26th collection, was Vendange Tardive, published forty years later in 2010. Each of his collections is self-contained, as carefully constructed and plotted as a novel, interweaving voices and narrative strands which can be seen to link the 24 books which make up his Collected Poems, published in three volumes: 1: Poems 1970-1984 (1995), 2: Poems 1985-1996 (1996) and 3: Poems 1997-2003 (2003). His later collections from Bloodaxe are -273-15 (2005) and Vendange Tardive (2010).