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El. knyga: Color Studies

4.33/5 (24 ratings by Goodreads)
, (Sam Houston State University, USA)
  • Formatas: 256 pages
  • Išleidimo metai: 21-Nov-2013
  • Leidėjas: Fairchild Books
  • Kalba: eng
  • ISBN-13: 9781609018597
Kitos knygos pagal šią temą:
Color StudiesDidesnis paveikslėlis
  • Formatas: 256 pages
  • Išleidimo metai: 21-Nov-2013
  • Leidėjas: Fairchild Books
  • Kalba: eng
  • ISBN-13: 9781609018597
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The 3rd edition of Color Studies introduces students from all concentrations of visual arts to color theory, the physiology and psychology of color perception, and the physics of color. This text discusses in detail the four dimensions of color - hue, value, intensity and temperature - with tips for putting knowledge into practice in a variety of disciplines, from painting and other fine arts to interior design, architecture, fashion design, textile design, and graphic design. Feisner and Reed provide an up-to-date discussion of sustainable color applications and green materials as the underlying component of colorants, dyes, and inks in textiles, printmaking and paints. A new chapter on color and digital technology discusses illuminating with color (LED), color tools and management (Pantone), as well as color consulting and marketing. Taking a multidisciplinary approach, this lavishly illustrated edition balances traditional and modern perspectives and examples in all areas of fine art and design.

Recenzijos

Finally a book on colour that is written with designers in mind, not just artists - highly comprehensive. -- Valerie Mace, London College of Communication, UK Good publication - wide range of colour applications and topics covered. Informative and knowledgeable about colour - recommended. -- Fiona Candy, University of Central Lancashire, UK I found this publication informative, visually pleasing and a useful discourse on not only the theory of colour but consideration of cultural value and interpretation. Easy to access and understand, I will certainly be recommending this to my students and as part of their recommended reading for their course. -- Patricia Woods, South Devon College, UK One of the best books I have seen on this subject. -- Julie Brown, University of Bolton, UK

Daugiau informacijos

Color Studies is a complete introduction to color theory and application for students in a broad range of design disciplines.
Preface xi
Acknowledgments xiii
Foreword xv
PART I COLOR FOUNDATIONS
Chapter 1 What Is Color?
2(8)
Objectives
2(1)
Physiology
2(3)
How Light Gives Objects Color
5(1)
Factors in Perception
5(1)
Media and Techniques
5(1)
Eye and Brain
6(1)
Psychology and Culture
6(1)
Local, Optical, and Arbitrary Color
7(1)
Concepts to Remember
8(1)
Key Terms
9(1)
Exercises
9(1)
Chapter 2 Color Systems and Color Wheels
10(6)
Objectives
10(1)
The Pigment Wheel
11(1)
The Process Wheel
12(1)
The Munsell Wheel
13(1)
The Light Wheel
14(1)
Concepts to Remember
15(1)
Key Terms
15(1)
Exercises
15(1)
Chapter 3 Color Theorists
16(16)
Objectives
16(1)
Color Theory in the Ancient World
16(1)
Leonardo da Vinci
17(1)
Sir Isaac Newton
18(1)
Moses Harris
19(1)
Johann Wolfgang von Goethe
19(1)
Philipp Otto Runge
20(1)
J. C. Maxwell
21(1)
Michel Eugene Chevreul
21(1)
Ogden Rood
21(1)
Ewald Hering
22(1)
Albert Munsell
22(2)
Wilhelm Ostwald
24(1)
CIE
25(1)
Johannes Itten
25(1)
Alfred Hickethier
26(1)
Josef Albers
27(1)
Faber Birren
28(1)
Frans Gerritsen
29(1)
Concepts to Remember
30(1)
Key Terms
30(1)
Exercises
31(1)
Chapter 4 Coloring Agents
32(10)
Objectives
32(1)
Additive Color Mixing
32(1)
Subtractive Color Mixing
33(1)
Pigments and Dyes
33(4)
Binders and Grounds
37(2)
Color Printing
39(1)
Traditional Photography: Film and Transparency
40(1)
Concepts to Remember
41(1)
Key Terms
41(1)
Exercises
41(1)
Chapter 5 Digital Color Media and Technology
42(24)
Objectives
42(1)
Electronic and Digital Media
42(1)
Computer Technology and the Web
43(1)
Digital Color Tools, Models, and Palettes
43(1)
RGB Color Model
44(1)
HSL Color Model
45(1)
CMYK Color Model
46(1)
Hexadecimal or HTML Color Model
47(1)
Digital Color Palettes
48(1)
Computer Color Monitors
48(1)
CRT Monitor
48(1)
LCD Monitor
49(1)
LED Monitor
49(1)
OLED Monitor
50(1)
Digital Photography
51(1)
Color Depth
51(2)
Electronic Image Types
53(1)
Raster Images
53(1)
Vector Images
53(1)
Color Printers and Scanners
53(1)
Paper Color and Printing
54(1)
Scanners
54(2)
Color Management
56(1)
Densitometer
56(1)
Spectrophotometer vs Colorimeter
57(1)
GretagMacbeth ColorChecker
58(1)
Digital Color in Contemporary and Applied Arts
59(3)
Concepts to Remember
62(1)
Key Terms
63(1)
Exercises
63(3)
PART II DIMENSIONS OF COLOR
Chapter 6 The Dimension of Hue
66(8)
Objectives
66(1)
Mixing Hues
66(1)
Pigment Wheel
66(1)
Munsell Wheel
67(1)
Light Wheel
67(1)
Process Wheel
68(1)
Broken Hues
69(1)
Hues in Compositions
70(2)
Concepts to Remember
72(1)
Key Terms
72(1)
Exercises
73(1)
Chapter 7 The Dimension of Value
74(14)
Objectives
74(1)
The Values of Hues
74(1)
Discords
75(3)
Value and Spatial Clarity
78(1)
Shading
78(2)
Pattern and Texture
80(1)
Emotion
80(1)
Definition and Emphasis
80(1)
Contrast and Toning
80(2)
Value in Compositions
82(1)
Order
83(3)
Concepts to Remember
86(1)
Key Terms
86(1)
Exercises
87(1)
Chapter 8 The Dimension of Intensity
88(10)
Objectives
88(1)
Chroma
88(1)
Colored Grays
89(1)
Complementary Hues
89(1)
Complementaries on the Different Wheels
90(1)
False Pairs
91(1)
Glazing
92(1)
Intensity in Compositions
93(1)
Balance
93(1)
Intensity and Value
94(1)
Effects of Depth
94(1)
Proportion
95(1)
Concepts to Remember
96(1)
Key Terms
96(1)
Exercises
96(2)
Chapter 9 The Dimension of Temperature
98(12)
Objectives
98(1)
Mixing
98(1)
Neutrals
99(1)
"Relative" Temperatures
100(1)
The Effects of Backgrounds
101(1)
Tonality
102(1)
Proportion
103(2)
Metals
105(2)
Concepts to Remember
107(1)
Key Terms
108(1)
Exercises
108(2)
PART III COLOR IN COMPOSITIONS
Chapter 10 Color and the Principles of Design
110(20)
Objectives
110(1)
Rhythm
110(3)
Balance
113(3)
Proportion
116(2)
Scale
118(1)
Emphasis
119(3)
Harmony
122(5)
Concepts to Remember
127(1)
Key Terms
128(1)
Exercises
128(2)
Chapter 11 Color and the Elements of Design
130(24)
Objectives
130(1)
Space
131(2)
The Illusion of Transparency
133(3)
Translucency
136(1)
Volume Color
136(1)
Film Color
137(1)
Intensity and Space
138(1)
Presentation
138(2)
Line
140(1)
Outlining
140(2)
Legibility
142(1)
Other Types of Line Formation
142(2)
Form and Shape
144(1)
Texture
145(1)
Reflective Surfaces
146(2)
Light
148(1)
Types of Lighting
149(2)
Concepts to Remember
151(1)
Key Terms
152(1)
Exercises
152(2)
Chapter 12 Color Interactions
154(12)
Objectives
154(1)
Afterimages
154(1)
Successive Contrast
155(1)
Simultaneous Contrast
156(1)
Achromatic Simultaneous Contrast
156(1)
Chromatic Simultaneous Contrast
157(1)
Bezold Effect
158(1)
Optical Mixing
159(5)
Concepts to Remember
164(1)
Key Terms
165(1)
Exercises
165(1)
Chapter 13 Color and the Effects of Illumination
166(18)
Objectives
166(1)
Shadows
166(5)
Time and Weather
171(3)
Metamerism and Color Constancy
174(3)
Chromatic Light
177(1)
Structural Color
177(1)
Luminosity
177(2)
Iridescence
179(1)
Luster
180(1)
Concepts to Remember
181(1)
Key Terms
182(1)
Exercises
182(2)
PART IV THE INFLUENCE OF COLOR
Chapter 14 Color Symbolism
184(22)
Objectives
184(1)
How Color Influences Life
184(1)
Color Associations in Language and Emotion
185(1)
Black, White, and Gray
185(1)
Red and Pink
186(1)
Orange and Brown
186(1)
Yellow
186(1)
Green
187(1)
Blue
187(1)
Purple, Violet, and Indigo
188(1)
Influences of the Dimensions of Color
188(1)
Religious Symbolism
189(1)
The Bible
189(1)
Christianity
189(3)
Judaism
192(1)
Islam
192(1)
Buddhism and Taoism
192(1)
Hinduism
192(1)
Cultural Symbolism
193(1)
The Zodiac
194(1)
Academic Color
194(1)
Flags and Heraldry
195(2)
Color and the Environment
197(1)
Color in Nature
197(1)
Human Use of Natural Effects of Color
197(2)
Color and Health Care
199(1)
Chromophobia
200(1)
Color and Universal Design
201(2)
Synesthesia
203(2)
Concepts to Remember
205(1)
Key Terms
205(1)
Exercises
205(1)
Chapter 15 Putting Color to Use---Past, Present, and Future
206(30)
Objectives
206(1)
A Brief Survey of Color in Art History
206(1)
The Paleolithic Era
206(5)
Ancient Egypt
211(1)
Egyptian Painting
211(1)
Color in Egyptian Fashion
211(1)
Ancient Greece
212(1)
Greek Sculpture and Ceramics
212(1)
The Greek Color Palette
212(1)
Ancient Rome
213(1)
The Middle Ages
213(1)
Early Medieval Mosaics
213(1)
Medieval Manuscript Illumination
214(1)
Medieval Stained Glass
214(1)
Medieval Tapestries
214(1)
The Renaissance
214(2)
The Baroque
216(1)
The Modern World and Color
216(1)
Neoclassicism and Romanticism
216(1)
Impressionism and Postimpressionism
217(1)
Decorative Arts in the Nineteenth Century
218(1)
Modernism and the Late Twentieth Century
218(2)
Color Application in Contemporary Arts
220(1)
Environmental Arts
221(1)
Architecture
221(1)
Landscape Design
222(1)
Interior Design
223(1)
Product Design
224(2)
Studio Arts
226(1)
Sculpture
226(1)
Ceramics
226(1)
Glass
227(1)
Photography
227(1)
Fiber Arts
228(1)
Fashion
229(1)
Clothing
229(1)
Jewelry
230(1)
Commercial Arts
231(1)
Graphic Design
231(1)
Color Consulting and Training
232(1)
Color Marketing and Forecasting Trends
233(1)
Conclusion
234(1)
Concepts to Remember
235(1)
Key Terms
235(1)
Exercises
235(1)
Appendices
Appendix 1 Color Content Identification Charts
236(7)
Appendix 2 Chronological List of Color Theorists
243(3)
Appendix 3 Coloring Agents---Dry Binders
246(1)
Appendix 4 Coloring Agents---Liquid Binders
247(1)
Appendix 5 Coloring Agents---Pigment Origins and Characteristics of Common Colors
248(1)
Appendix 6 Hue---Various Art Media Matched to Color-aid Paper Pure Hues
249(4)
Appendix 7 Web Sites for Educational Resources
253(1)
Appendix 8 Helpful Organizations
254(2)
Glossary 256(10)
Bibliography 266(6)
Index 272
Edith Anderson Feisner is a Visiting Specialist / Assistant Chair (Retired) in the School of Fine Arts at Montclair State University, USA. She has taught courses in color, design, and introduction to visual arts. She has held many positions in the Embroiderers' Guild of America including certified teacher, teacher certification board, as well as the author of the master craftsman programs in color and design. Her fine art works are in both public and private collections.

Ron Reed is an Assistant Professor and Program Coordinator for Interior Design in the School of Family and Consumer Sciences at Texas State University--San Marcos, USA. Reed served as the IDEC Southwest Regional Chair between 2011-2012.
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