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Colour in Glazes [Minkštas viršelis]

4.23/5 (42 ratings by Goodreads)
  • Formatas: Paperback / softback, 144 pages, aukštis x plotis x storis: 246x189x11 mm, weight: 455 g, 160
  • Serija: New Ceramics
  • Išleidimo metai: 08-Dec-2011
  • Leidėjas: A & C Black Visual Arts
  • ISBN-10: 1408131218
  • ISBN-13: 9781408131213
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 144 pages, aukštis x plotis x storis: 246x189x11 mm, weight: 455 g, 160
  • Serija: New Ceramics
  • Išleidimo metai: 08-Dec-2011
  • Leidėjas: A & C Black Visual Arts
  • ISBN-10: 1408131218
  • ISBN-13: 9781408131213
Kitos knygos pagal šią temą:
A complete guide to achieving a fantastic spectrum of colourful glazes for the studio potter, Colour in Glazes looks at all the methods of acheiving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Types of base glazes and the fluxes used to make them are discussed in relation to colour response. Emphasis is placed on using colouring oxides to achieve depth and variety of colour, rather than just resorting to commercial ceramic stains. The practical aspects of mixing, applying, testing and adjusting glazes are explained. and a large section of test tiles and glaze recipes is included, for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. A very useful book aimed at making glazes to achieve the colour you want, and to help you broaden your palette.

Recenzijos

A wonderful array of colourful glazes to whet the potter's appetite ... I would strongly recommend potters who use, or would like to develop the use of colour in their work, to give this book the serious attention that it deserves. * Craftsman Craft & Design * The format is precise throughout the book with clear explanations accompanied by sharp coloured images of a feast of contemporary British practitioners' work and beyond ... I learnt a lot! * London Potters News * Clearly set out, visually appealing with intense scientific detail balanced by clear text. Hard not to visit your larder full of glaze materials and start cooking up something new. * Shards: South Wales Potter Newsletter *

Daugiau informacijos

A complete guide to achieving a fantastic spectrum of colourful glazes for the studio potter.
Acknowledgements 7(2)
Introduction 9(2)
1 A brief history of colour in glazes
11(6)
2 Principles of glaze chemistry
17(4)
3 Glaze materials
21(6)
Silica
21(1)
Alumina
21(1)
Feldspars
21(1)
Secondary fluxes
22(1)
Wood ash
23(1)
Low-temperature fluxes
24(1)
Frits
25(2)
4 Base glazes
27(6)
Glossy and matt glazes
27(1)
Crystalline glazes
28(2)
Slip glazes
30(1)
Crater glazes
30(3)
5 Colouring oxides and colour development
33(78)
Colouring oxides
33(1)
Cobalt
34(1)
Copper
35(1)
Chromium
36(1)
Iron
37(1)
Rutile and ilmenite
38(1)
Manganese
39(1)
Nickel
39(1)
Vanadium
39(1)
Opacifiers
40(1)
Rare earth oxides
40(4)
Stains
44(2)
Colour development
46(1)
Blue glazes
47(7)
Green and turquoise glazes
54(18)
Purple glazes
72(7)
Pink glazes
79(7)
Red and orange glazes
86(6)
Yellow glazes
92(6)
Brown glazes
98(4)
White, black and grey glazes
102(9)
6 Mixing glazes
111(4)
Weighing
111(1)
Sieving
111(1)
Glaze additives
112(1)
Health and safety
113(2)
7 Applying glazes
115(4)
8 Testing glazes
119(4)
Test tiles and line blends
119(1)
Grids
119(4)
9 Firing
123(6)
Oxidation
124(1)
Reduction
124(1)
Wood and salt
125(2)
Salt glaze colour tests
127(1)
Adjusting glazes to fire at different temperatures
127(2)
10 Correcting glaze faults
129(3)
Crazing
129(1)
Crawling
129(1)
Shivering
129(1)
Pinholes and blisters
130(2)
Glossary
132(2)
Appendices
134(8)
1 Ceramic materials list
134(2)
2 Periodic table
136(1)
3 Glaze formula calculation
137(1)
4 Materials analysis for UK frits, clays and feldspars
138(1)
5 Materials analysis for US frits, clays and feldspars
139(1)
6 UK and US materials conversion chart
140(1)
7 Stains and alternative oxides (for oxidation)
140(1)
8 Orton pyrometric cone temperatures
141(1)
Suppliers 142(1)
Bibliography 143(1)
Index 144
Linda Bloomfield Bsc, PhD, originally trained as a materials scientist and worked as a scientific researcher. She then started her own studio pottery business and now sells her thrown tableware through shops and galleries across the UK and internationally. She regularly writes articles for Ceramic Review.