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El. knyga: Comic Drunks, Crazy Cults, and Lovable Monsters: Bad Behavior on American Television

  • Formatas: PDF+DRM
  • Serija: Television and Popular Culture
  • Išleidimo metai: 01-Dec-2022
  • Leidėjas: Syracuse University Press
  • Kalba: eng
  • ISBN-13: 9780815655695
Kitos knygos pagal šią temą:
  • Formatas: PDF+DRM
  • Serija: Television and Popular Culture
  • Išleidimo metai: 01-Dec-2022
  • Leidėjas: Syracuse University Press
  • Kalba: eng
  • ISBN-13: 9780815655695
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"Diffrient explores the ways in which social imaginaries related to "bad behavior" have been humorously exploited over the years through his examination of a broad range of network and cable TV shows across the history of the medium"--

Contradictory to its core, the sitcom—an ostensibly conservative, tranquilizing genre—has a long track record in the United States of tackling controversial subjects with a fearlessness not often found in other types of programming. But the sitcom also conceals as much as it reveals, masking the rationale for socially deviant or deleterious behavior behind figures of ridicule whose motives are rarely disclosed fully over the course of a thirty-minute episode. Examining a broad range of network and cable TV shows across the history of the medium, from classic, working-class comedies such as The Honeymooners, All in the Family, and Roseanne to several contemporary cult series, animated programs, and online hits that have yet to attract much scholarly attention, this book explores the ways in which social imaginaries related to "bad behavior" have been humorously exploited over the years. The repeated appearance of socially wayward figures on the small screen—from raging alcoholics to brainwashed cult members to actual monsters who are merely exaggerated versions of our own inner demons—has the dual effect of reducing complex individuals to recognizable "types" while neutralizing the presumed threats that they pose. Such representations not only provide strangely comforting reminders that "badness" is a cultural construct, but also prompt audiences to reflect on their own unspoken proclivities for antisocial behavior, if only in passing.
List of Illustrations
vii
Acknowledgments ix
Contemporary TV Comedy: A "Good Place" for "Bad People" 1(34)
PART ONE TV's Alcoholic Imaginary: Comic Drunks, Militaristic Drinking, and the Rhetoric of Recovery
1 Very Drunken Episodes: Comedy TV's Discourses of Insobriety
35(36)
2 "Drinking the War Away": Alcoholic Merriment in M*A*S*H and Other Military-Themed Sitcoms
71(32)
3 The Big Book on the Small Screen: Alcoholics Anonymous, Standup Comedy, and Television's Road to Recovery
103(34)
PART TWO TV's Cult Imaginary: Comic Cultists, Pathologized Fandoms, and the Rhetoric of "Crazy" Talk
4 Very Crazy Episodes: Cultivating Misconceptions about Cults on American Television
137(31)
5 "Drinking the Kool-Aid" of Cult TV: Fans, Followers, and Fringe Religions in Strangers with Candy and Veronica Mars
168(29)
PART THREE TV's Monstrous Imaginary: Comic Creeps, Neighborly Terrors, and the Rhetoric of Trump
6 Very Spooky Episodes: Intertextual Monsters, Moral Panics, and the Playful Perversions of Halloween TV
197(26)
7 "Three-Headed Monster": Queer Representation, Social Class, and the Trumpist Rhetoric of Roseanne
223(26)
8 "Ugly Americans": Animating Monsters, Demonizing Others, and Racializing Fear on American Television
249(34)
Beyond Bad and Evil: Finding TV's "Good Place" 283(20)
Notes 303(28)
Bibliography 331(16)
Index 347
David Scott Diffrient is professor of film and media studies at Colorado State University. His books include Screwball Television: Critical Perspectives on "Gilmore Girls" and Movie Migrations: Transnational Genre Flows and South Korean Cinema.