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El. knyga: Companion to Dada and Surrealism [Wiley Online]

Edited by (University of Glasgow)
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This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.



This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field





Offers historical coverage as well as indepth discussion of thematic areas ranging from criminality to gender





One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century





Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
List of Figures viii
Editor xi
Notes on Contributors xii
Acknowledgments xvii
Introduction 1(18)
David Hopkins
Part I Histories/Geographies 19(178)
1 Dada's Genesis: Zurich
21(17)
Debbie Lewer
2 Neue Jugend: A Case Study in Berlin Dada
38(16)
Sherwin Simmons
3 Dada Migrations: Definition, Dispersal, and the Case of Schwitters
54(16)
Michael White
4 New York Dada: From End to Beginning
70(19)
David Hopkins
5 Nothing, Ventured: Paris Dada into Surrealism
89(21)
Elizabeth Legge
6 Surrealism and the Question of Politics, 1925-1939
110(21)
Raymond Spiteri
7 "Other" Surrealisms: Center and Periphery in International Perspective
131(13)
Michael Richardson
8 Dada and Surrealism in Japan
144(17)
Majella Munro
9 Dada and Surrealism in Central and Eastern Europe
161(16)
Krzysztof Fijalkowski
10 Surrealism in Latin America
177(20)
Dawn Ades
Part II Themes and Interpretations 197(186)
11 Dissemination: The Dada and Surrealist Journals
199(12)
Emily Hage
12 Artists into Curators: Dada and Surrealist Exhibition Practices
211(14)
Adam Jolles
13 Dada and Surrealist Poetics
225(17)
Eric Robertson
14 Chance and Automatism: Genealogies of the Dissociative in Dada and Surrealism
242(16)
Abigail Susik
15 Crime/Insurrection
258(12)
Jonathan P. Eburne
16 Re-enchantment: Surrealist Discourses of Childhood, Hermeticism, and the Outmoded
270(17)
David Hopkins
17 Surrealism and Natural History: Nature and the Marvelous in Breton and Caillois
287(17)
Donna Roberts
18 The Surrealist Collection: Ghosts in the Laboratory
304(15)
Katharine Conley
19 The Ethnographic Turn
319(15)
Julia Kelly
20 Desire Bound: Violence, Body, Machine
334(18)
Neil Cox
21 Equivocal Gender: Dada/Surrealism and Sexual Politics between the Wars
352(14)
Tirza True Latimer
22 Feminist Interventions: Revising the Canon
366(17)
Patricia Allmer
Part III Continuations/Aftermaths 383(81)
23 The Surrealist Movement since the 1940s
385(15)
Steven Harris
24 Dada, Surrealism and their Heritage? The North American Reception of Dada and Surrealism
400(16)
James Boaden
25 Surrealism and Counterculture
416(15)
Elliott H. King
26 Assimilation: Objects; Commodities; Fashion
431(18)
Ulrich Lehmann
27 Sightings: Surrealist Idiolect, Gothic Marxism, Global Perils
449(15)
Angela Dimitrakaki
Index 464
David Hopkins is Professor of Art History at the University of Glasgow. An acknowledged expert on Dada and Surrealism, he has published widely on these movements, and on artists such as Marcel Duchamp and Max Ernst. His books include Marcel Duchamp and Max Ernst: The Bride Shared (1998) and Dadas Boys: Masculinity After Duchamp (2007). He is also author of the bestselling short guide to the subject, Dada and Surrealism: A Short Introduction (2004).