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El. knyga: Companion to Documentary Film History [Wiley Online]

Edited by (Indiana University)
  • Formatas: 544 pages
  • Išleidimo metai: 06-May-2021
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1119116171
  • ISBN-13: 9781119116172
Kitos knygos pagal šią temą:
  • Wiley Online
  • Kaina: 216,69 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Formatas: 544 pages
  • Išleidimo metai: 06-May-2021
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1119116171
  • ISBN-13: 9781119116172
Kitos knygos pagal šią temą:

This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field

In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes.

The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume:

  • Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media
  • Explores documentary's multiple, complex geographic and geopolitical frameworks
  • Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China
  • Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources
  • Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices.

A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.

List of Contributors ix
Introduction: Expanding Documentary Histories xi
Joshua Malitsky
Part I Documentary Borders and Geographies 1(94)
Alice Lovejoy
Introduction
3(6)
Alice Lovejoy
1 A Distant Local View: The Small-Town Film and US Cultural Diplomacy and Occupation, 1942-1952
9(18)
Martin L. Johnson
2 The Work of Displacement in Colonial Documentary: History, Movement, and Collectivity Between the Postwar Metropole and Colonial French West Africa
27(20)
Paul Fileri
3 Negation of the Negation: Tracking Documentary Film Theory in Japan
47(24)
Naoki Yamamoto
4 The Topographical Aesthetic in Late Stalinist Soviet Documentary Film
71(26)
Raisa Sidenova
Part II Authors, Authorship, and Authoring Agencies 95(112)
James Leo Cahill
Introduction
97(10)
James Leo Cahill
5 Documentality: The Postwar Mental Health Film and the Database Logic of the Government Film Agency
107(16)
Zoe Druick
6 Unmanned Capture: Automatic Cameras and Lifeless Subjects in Contemporary Documentary
123(24)
Joshua Neves
7 Corporate Authorship: French Industrial Culture and the Culture of French Industry
147(18)
Brian R. Jacobson
8 A Skillful Isis: Esfir Shub and the Documentarian as Caretaker
165(22)
Alla Gadassik
9 Now and Then: On the Documentary Regime, Vertov, and History
187(22)
Philip Rosen
Part III Films and Film Movements 207(76)
Joshua Malitsky
Introduction Films and Film Movements
209(8)
Joshua Malitsky
10 Documentary Dreams of Activism and the "Arab Spring"
217(22)
Jane M. Gaines
11 A Culture of Reality: Neorealism, Narrative Nonfiction, and Roberto Rossellini (1930s-1960s)
239(16)
Luca Caminati
12 The Romantic Becomes Dialectic?: Joris Ivens, Cold Warrior and Socialist Realist, 1946-1956
255(30)
Thomas Waugh
Part IV Media Archaeologies 283(108)
Malte Hagener
Introduction
285(6)
Malte Hagener
13 A Concise History and Theory of Documentaries on the Visual Arts
291(20)
Steven Jacobs
14 Documentary in the Age of Mass Mobility: Minzu wansui and the Epic Gesture of Ethnographic Propaganda
311(26)
Weihong Bao
15 Documentary Plasticity: Embryology and the Moving Image
337(30)
Oliver Gaycken
16 Hans Richter and the Filmessay: A Media Archaeological Case Study of Documentary Film History and Historiography
367(26)
Yvonne Zimmermann
Part V Audiences and Circulation 391(88)
Brian Winston
Introduction
393(8)
Brian Winston
17 Nonfiction Film in and out of the Moving Picture Theater: Roosevelt in Africa (1910)
401(20)
Gregory A. Waller
18 The Marginal Spectator
421(16)
Brian Winston
19 "Every Spectator Is Either a Coward or a Traitor": Watching The Hour of the Furnaces
437(24)
Mariano Mestman
20 From Media Effects to the Empathy Machine: The Nature of the Audience and the Persistence of Wishful Thinking
461(18)
William Uricchio
Index 479
Joshua Malitsky is Associate Professor of Cinema and Media Studies and Director of the Center for Documentary Research and Practice at Indiana University.He works on a range of topics related to documentary and other nonfiction media genres and has published a number of articles on documentary history and theory including topics such as the relationship between documentary and nation-building, documentary and science, documentary studies and linguistic anthropology, and the sports documentary.He is the author ofPost-Revolution Non-Fiction Film: Building the Soviet and Cuban Nations.