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El. knyga: Companion to Japanese Cinema [Wiley Online]

Edited by (University of Illinois, USA)
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Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema 

In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s. 

This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history. 

Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media’s response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes:  

  • A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style 
  • An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo 
  • A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition 
  • Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television 

Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.  

Notes on Contributors viii
Acknowledgements xv
Introduction 1(24)
David Desser
Section 1 History, Ideology, Aesthetics 25(244)
1 Kyoto - The "Hollywood of Japan"
27(22)
Diane Wei Lewis
2 The Pure Film Movement and Modem Japanese Film Style
49(18)
Laura Lee
3 Shiraito Redux: Text, Body, Desire from Kyoka to Mizoguchi
67(23)
Ayako Saito
4 The Adventures of Uchida Tomu
90(16)
Daisuke Miyao
5 Yoshimura Kozaburo and the Working Woman in the Old Capital
106(24)
Alexander Jacoby
6 Calico-World in Rainbow Colors: The Aesthetics of Gender in 1950s Toei Jidaigeki
130(19)
Junko Yamazaki
7 Silverscreen Dreamboats and the Polyvocal Address
149(25)
Earl Jackson
8 Mad, Bad, and Beautiful: Revisiting Kurosawa's Women
174(19)
Dolores P. Martinez
9 Biographies of Loss: The Cinematic Melancholy of Kawase Naomi
193(22)
Erin Schoneveld
10 Shaping the Anime Industry: Second Generation Pioneers and the Emergence of the Studio System
215(32)
Laura Montero-Plata
Marie Pruvost-Delaspre
11 Shapeshifting in Anime: Form and Meaning
247(22)
Richard J. Leskosky
Section 2 The Old and the New 269(200)
12 Ainu in Documentary Films: Promiscuous Iconography and the Absent Image
271(23)
Marcos P. Centeno-Martin
13 Modernity in Film Exhibition: The Rise of Modern Movie Theaters in Tokyo, 1920s-1930s
294(22)
Chie Niita
14 Female Stardom and National Identity in Postwar Japan
316(18)
Jennifer Coates
15 Wild, Sexy, and Funny: Toei Does "Pink"
334(18)
Laura Treglia
16 Behind the Voice that Brought Peace: The Emperor as Hero in The Emperor in August
352(17)
Griseldis Kirsch
17 Queer Time in Summer Vacation 1999
369(13)
Nina Cornyetz
18 Horror Old and New: Nakata Hideo's Ringu (1998) between J-Horror and Hibakusha Cinema
382(19)
Olga V. Solovieva
19 Youth, Trauma, and Contemporary Japanese Cinema
401(20)
Jay McRoy
20 "Female Director": Discourses and Practices in Contemporary Japan
421(25)
Alejandra Armendariz-Hernandez
Irene Gonzalez-Lopez
21 The Dying Art of Japanese Cinema
446(23)
Kirsten Gather
Section 3 Intermediality 469(189)
22 Before Media Mix: The Electric Ecology
471(22)
Alexander Zahlten
23 Gosho and the Gagman: Scriptwriting at the Time of the Talkie Crisis
493(17)
Lauri Kitsnik
24 Inventing Television through Film: Japanese Cinema and TV, 1953-1963
510(19)
Aaron Gerow
25 Scope and the City: Reframing a Modern Metropolis
529(18)
Jasper Sharp
26 Bodies in Motion: Japanese Film of the 1964 Tokyo Olympics Era between Mass Culture, Media, and Memory
547(21)
Ryan Cook
27 Adaptation as Cinematic Translation: Murakami Haruki and Ichikawa Jun's Tony Takitani
568(23)
Mika Ko
28 Blockbusters in Japan: Hit Film Culture and the Rise of Fuji Television as Commercial Film Studio
591(21)
Rayna Denison
29 Hani Susumu, Nouvelle Vague in Japan and Processive Cinema
612(27)
Takuya Tsunoda
30 The Cultural Turn in Post-3.11 Documentary: Kamanaka Hitomi's Accented Documentary
639(19)
Mitsuyo Wada-Marciano
Index 658
David Desser is Emeritus Professor of Cinema Studies, Comparative and World Literatures and East Asian Languages and Cultures, University of Illinois, USA. He has authored or edited over a dozen books on Japanese and Hong Kong cinema, including The Cinema of Hong Kong: History, Arts, Identity and Eros Plus Massacre: An Introduction to the Japanese New Wave.