Notes on Contributors |
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viii | |
Acknowledgements |
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xv | |
Introduction |
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1 | (24) |
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Section 1 History, Ideology, Aesthetics |
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25 | (244) |
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1 Kyoto - The "Hollywood of Japan" |
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27 | (22) |
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2 The Pure Film Movement and Modem Japanese Film Style |
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49 | (18) |
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3 Shiraito Redux: Text, Body, Desire from Kyoka to Mizoguchi |
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67 | (23) |
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4 The Adventures of Uchida Tomu |
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90 | (16) |
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5 Yoshimura Kozaburo and the Working Woman in the Old Capital |
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106 | (24) |
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6 Calico-World in Rainbow Colors: The Aesthetics of Gender in 1950s Toei Jidaigeki |
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130 | (19) |
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7 Silverscreen Dreamboats and the Polyvocal Address |
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149 | (25) |
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8 Mad, Bad, and Beautiful: Revisiting Kurosawa's Women |
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174 | (19) |
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9 Biographies of Loss: The Cinematic Melancholy of Kawase Naomi |
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193 | (22) |
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10 Shaping the Anime Industry: Second Generation Pioneers and the Emergence of the Studio System |
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215 | (32) |
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11 Shapeshifting in Anime: Form and Meaning |
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247 | (22) |
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Section 2 The Old and the New |
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269 | (200) |
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12 Ainu in Documentary Films: Promiscuous Iconography and the Absent Image |
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271 | (23) |
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13 Modernity in Film Exhibition: The Rise of Modern Movie Theaters in Tokyo, 1920s-1930s |
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294 | (22) |
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14 Female Stardom and National Identity in Postwar Japan |
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316 | (18) |
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15 Wild, Sexy, and Funny: Toei Does "Pink" |
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334 | (18) |
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16 Behind the Voice that Brought Peace: The Emperor as Hero in The Emperor in August |
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352 | (17) |
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17 Queer Time in Summer Vacation 1999 |
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369 | (13) |
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18 Horror Old and New: Nakata Hideo's Ringu (1998) between J-Horror and Hibakusha Cinema |
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382 | (19) |
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19 Youth, Trauma, and Contemporary Japanese Cinema |
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401 | (20) |
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20 "Female Director": Discourses and Practices in Contemporary Japan |
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421 | (25) |
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Alejandra Armendariz-Hernandez |
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21 The Dying Art of Japanese Cinema |
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446 | (23) |
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Section 3 Intermediality |
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469 | (189) |
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22 Before Media Mix: The Electric Ecology |
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471 | (22) |
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23 Gosho and the Gagman: Scriptwriting at the Time of the Talkie Crisis |
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493 | (17) |
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24 Inventing Television through Film: Japanese Cinema and TV, 1953-1963 |
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510 | (19) |
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25 Scope and the City: Reframing a Modern Metropolis |
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529 | (18) |
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26 Bodies in Motion: Japanese Film of the 1964 Tokyo Olympics Era between Mass Culture, Media, and Memory |
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547 | (21) |
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27 Adaptation as Cinematic Translation: Murakami Haruki and Ichikawa Jun's Tony Takitani |
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568 | (23) |
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28 Blockbusters in Japan: Hit Film Culture and the Rise of Fuji Television as Commercial Film Studio |
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591 | (21) |
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29 Hani Susumu, Nouvelle Vague in Japan and Processive Cinema |
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612 | (27) |
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30 The Cultural Turn in Post-3.11 Documentary: Kamanaka Hitomi's Accented Documentary |
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639 | (19) |
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Index |
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658 | |