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El. knyga: Companion to Modern and Contemporary Latin American and Latina/o Art [Wiley Online]

Edited by (William Paterson University), Edited by (University of Connecticut), Edited by (Harvard University)
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In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present

A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. 

By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include:

  • The development of avant-garde art in the urban centers of Latin America from 1910-1945
  • The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959
  • The influence of the political upheavals of the 1960s on art and art theory in Latin America
  • The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s
  • The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010

With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field. 

List of Illustrations ix
About the Editors xiii
Notes on Contributors xiv
Series Editor's Preface xx
Introduction: Latin American and Latina/o Art xxi
Alejandro Anreus
Robin Adele Greeley
Megan A. Sullivan
Part I 1910-1945: Cosmopolitanisms and Nationalisms 1(80)
This section focuses on the origins and development of avant-garde art movements based in the major urban centers of Latin America.
It addresses the rising tensions between social and aesthetic agendas (especially around issues of race and class), redefinitions of national identities, and the confrontation between cosmopolitanism and nationalism.
This set of essays explores various movements and critical voices in relation to relevant aspects of the international avant-garde and key moments of social and political history.
1 Art After the Mexican Revolution: Muralism, Prints, Photography
5(15)
Leonard Folgarait
2 The Reinvention of the "Semana de Arte Moderna"
20(17)
Francisco Alambert
3 Jose Carlos Mariategui and the Eternal Dawn of Revolution
37(15)
Martin Oyata
4 National Values: The Havana Vanguard in the Revista de Avance and the Lyceum Gallery
52(15)
Ingrid W. Elliott
5 Photography, Avant-Garde, and Modernity
67(14)
Esther Gabara
Part II 1945-1959: The Cold War and Internationalism 81(100)
This group of essays addresses the rise of abstraction and consolidation of "internationalist" formalism, the polemics between the proponents of social realism, and indigenism as "authentic" art forms versus the subsequent development of alternative movements such as geometric, concrete, and gestural abstraction.
It examines these movements within the social and political context of the Cold War and the rise of modernization theory and state-led developmentalism across Latin America.
It also highlights the importance of the rise of institutions, museums, and events, such as the Seto Paulo Biennial, in the growing internationalization of Latin American art.
6 Wifredo Lam, Aime Cesaire, Eugenio Grand!, Andre Breton: Agents of Surrealism in the Caribbean
85(16)
Lowery Stokes Sims
7 The Oscillation Between Myth and Criticism: Octavio Paz Between Duchamp and Tamayo
101(16)
Cuauhtemoc Medina
8 Latin American Abstraction (1934-1969)
117(17)
Juan Ledezma
9 Architectural Modernism and Its Discontents: Brazil and Beyond
134(17)
Fabiola Lopez-Durrin
10 The Realism-Abstraction Debate in Latin America: Four Questions
151(14)
Megan A. Sullivan
11 Sao Paulo and Other Models: The Biennial in Latin America, 1951-1991
165(16)
Isobel Whitelegg
Part III 1959-1973: Revolution, Resistance, and the Politicization of Art 181(114)
This section deals with the upheavals in art and politics in the decade of the 1960s.
Significant changes in the visual arts (the dematerialization of the art object, the rise of happenings, and the politicization of art) are read against the political and social turmoil of the Cuban Revolution, the 1968 student protests, and polarization of the political spectrum across Latin America.
Several key theorists of this intense period of artistic and political development (Marta Traba, Jose Gomez Sicre, Ferreira Gullar, and Oscar Masotta) are particularly highlighted.
12 Art and the Cuban Revolution
185(15)
Alejandro Anreus
13 The Myths of Helio Oiticica
200(17)
Irene V. Small
14 Between Chaos and the Furnaces: Argentine Conceptualism
217(17)
Daniel Quiles
15 Chicana/o Art: 1965-1975
234(15)
Terezita Romo
16 Cold War Intellectual Networks: Marta Traba in Circulation
249(15)
Florencia Bazzano
17 Jose G6mez Sicre and the Inter-American Exhibitions of the Pan American Union
264(17)
Claire F. Fox
18 "...A Place for Us": The Puerto Rican Alternative Art Space Movement in New York
281(14)
Yasmin Ramirez
Part IV 1973-1990: Dictatorship, Social Violence, and the Rise of Conceptual Strategies 295(86)
This section examines the rise of conceptual aesthetic strategies and new media in the 1970s and 1980s in relation to the repressive dictatorships, the retreat of democracy throughout the region, and international trends.
In addition to examining new artistic collectives and movements, this section explores several key art critics crucial to theorizing these experimental aesthetic strategies, including Juan Acha, Nelly Richard, and Willy Thayer.
19 An "Other" Possible Revolution: The Cultural Guerrilla in Peru in 1970
299(18)
Emilio Tarazona
Miguel A. Lopez
20 Art in Chile After 1973
317(13)
Miguel Valderrama
21 Cold War Conceptualism: Mexico's Grupos Movement
330(19)
Robin Adele Greeley
22 Asco in Three Acts
349(19)
Robb Hernandez
23 A Real Existence: Conceptual Art, Conceptualism, and Art in Brazil and Beyond
368(13)
Sergio B. Martins
Part V 1990-2010: Neoliberalism and Globalization 381(106)
This section deals with the most recent production in Latin American and Latina/o art.
It focuses on the rise of identity politics, the repercussions of globalization on Latin American and Latina/o art, and the burgeoning art market (dealers, auctions, collectors) and exhibitions under the economic effects of neoliberalism.
24 Border Art
385(13)
Ila N. Sheren
25 Walking with the Devil: Art, Culture, and Internationalization: An Interview with Gerardo Mosquera
398(12)
Alejandro Anreus
26 Is This What Democracy Looks Like? Tania Bruguera and the Politics of Performance
410(13)
Stephanie Schwartz
27 Shadows of the Doubtful Straight: Cuban-American Artists, 1970-2000
423(14)
Rocio Aranda-Alvarado
28 Notes on the Dominican Diaspora in the United States
437(15)
E. Carmen Ramos
29 Antigonismos: Metaphoric Burial as Political Intervention in Contemporary Colombian Art
452(12)
Ana Maria Reyes
30 Art, Memory, and Human Rights in Argentina
464(23)
Andrea Giunta
Part VI Approaches, Debates, and Methodologies 487(59)
This group of essays addresses broader theoretical and historical trends as well as key methodological approaches that have shaped the field.
Essays explore the development of institutions, categories, models, and discourses that have shaped our conceptions of modern and contemporary Latin American and Latina/o art in the Western hemisphere.
31 Time and Place: Notes on the System of the Arts in Latin America
489(15)
Natalia Majluf
32 Is There Such a Thing as Latina/o Art?
504(10)
Chon A. Noriega
33 The Expansion of Culture: Drawbacks for Cities and Art
514(6)
Nestor Garcia Canclini
34 A Question: The Term "Indigenous Art"
520(7)
Ticio Escobar
35 What Is "Latin American Art" Today?
527(19)
Jose Luis Falconi
Index 546
Alejandro Anreus, PhD, is Professor of Art History and Latin American Latina/o Studies at William Paterson University, New Jersey, USA.

Robin Adčle Greeley, PhD, is Associate Professor of Art History at the University of Connecticut, Connecticut, USA.

Megan A. Sullivan, PhD, is Assistant Professor of Art History at the University of Chicago, Illinois, USA.