Contributors |
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viii | |
Preface |
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xv | |
Acknowledgments |
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xvii | |
Introduction |
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1 | (20) |
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Part 1 The Context: Social-Historical Factors in Artistic Production |
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21 | (128) |
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1 A Taxonomy of Art Patronage in Renaissance Italy |
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23 | (21) |
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2 Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters |
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44 | (21) |
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3 Religion, Politics, and Art in Late Medieval and Renaissance Italy |
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65 | (20) |
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85 | (21) |
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5 Italian Art and the North: Exchanges, Critical Reception, and Identity, 1400-1700 |
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106 | (21) |
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6 The Desiring Eye: Gender, Sexuality, and the Visual Arts |
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127 | (22) |
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Part 2 The Artist: Creative Process and Social Status |
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149 | (102) |
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151 | (17) |
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8 Drawing in Renaissance Italy |
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168 | (21) |
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9 Self-Portraiture 1400-1700 |
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189 | (21) |
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10 Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age |
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210 | (19) |
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11 From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe |
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229 | (22) |
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Part 3 The Object: Art as Material Culture |
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251 | (108) |
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12 The Birth of Mass Media: Printmaking in Early Modern Europe |
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253 | (22) |
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13 The Material Culture of Family Life in Italy and Beyond |
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275 | (20) |
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Jacqueline Marie Musacchio |
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14 Tapestry: Luxurious Art, Collaborative Industry |
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295 | (21) |
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15 The New Sciences and the Visual Arts |
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316 | (20) |
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16 Seeing Through Renaissance and Baroque Paintings: Case Studies |
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336 | (23) |
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Part 4 The Message: Subjects and Meanings |
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359 | (146) |
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17 Iconography in Renaissance and Baroque Art |
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361 | (20) |
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18 Renaissance Landscapes: Discovering the World and Human Nature |
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381 | (21) |
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19 The Nude Figure in Renaissance Art |
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402 | (20) |
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20 Genre Painting in Seventeenth-Century Europe |
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422 | (20) |
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21 The Meaning of the European Painted Portrait, 1400-1650 |
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442 | (21) |
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22 All the World's a Stage: The Theater Conceit in Early Modern Italy |
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463 | (21) |
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23 Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700 |
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484 | (21) |
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Part 5 The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse |
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505 | (97) |
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24 Historians of Northern European Art: From Johann Neudorfer and Karel van Mander to the Rembrandt Research Project |
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507 | (18) |
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25 Artistic Biography in Italy: Vasari to Malvasia |
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525 | (16) |
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26 With a Critical Eye: Painting and Theory in France, 1600-43 The Case of Simon Vouet and Nicolas Poussin |
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541 | (20) |
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27 The Italian Piazza: From Gothic Footnote to Baroque Theater |
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561 | (21) |
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28 Building in Theory and Practice: Writing about Architecture in the Renaissance |
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582 | (20) |
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Index |
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602 | |