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Companion to Television 2nd edition [Kietas viršelis]

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Edited by , Edited by (University of Oregon)
  • Formatas: Hardback, 536 pages, aukštis x plotis x storis: 246x170x33 mm, weight: 1089 g
  • Serija: Blackwell Companions in Cultural Studies
  • Išleidimo metai: 17-Feb-2020
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1119269431
  • ISBN-13: 9781119269434
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 536 pages, aukštis x plotis x storis: 246x170x33 mm, weight: 1089 g
  • Serija: Blackwell Companions in Cultural Studies
  • Išleidimo metai: 17-Feb-2020
  • Leidėjas: Wiley-Blackwell
  • ISBN-10: 1119269431
  • ISBN-13: 9781119269434
Kitos knygos pagal šią temą:

The latest edition of the acclaimed volume on television studies, featuring new original essays from leading scholars in the field

Although the digital age has radically altered the media and communications landscape worldwide, television continues to play a significant part of our lives. From its earliest beginnings through to the present day, television and its influence has been the subject of extensive study, critique, and analysis. A Companion to Television brings together contributions from prominent international scholars comprising a wide range of perspectives on the medium. Original essays define television in its current state, explore why it is still relevant, survey the ways in which television has been studied, discuss how television has changed, and consider what television might look like in the future. 

Now in its second edition, this compendium includes fresh chapters that cover technological changes affecting television, contemporary approaches to understanding television audiences, new programming trends and developments, and more. Addressing nine key areas of television studies, such as industry, genres, programs, and audiences, the Companion offers readers a balanced, well-rounded, integrative approach to scholarship in the field. This volume: 

  • Provides overviews of extensive original research from leading scholars and theorists
  • Examines television’s development and significance in various regions of the world
  • Includes national and regional outlines of television around the world
  • Features theoretical overviews of various critical approaches to television studies
  • Explores historical, economic, institutional, political, and cultural issues studied by media scholars 

Presenting diverse perspectives on topics ranging from television advertising to satirical representations of the industry, A Companion to Television, Second Edition is an invaluable resource for those in undergraduate courses in television studies, as well as in general media studies and communications.

Notes on Contributors ix
List of Tables and Figures xvii
Part I Introduction 1(14)
Introduction
3(12)
Janet Wasko
Eileen R. Meehan
Part II Theoretical Overview 15(24)
1 Critical Perspectives on Television from the Frankfurt School to the Politics of Representation
17(22)
Doug Kellner
Part III History 39(66)
2 Our TV Heritage: Tracing the Logics of the Television Archive
41(22)
Lynn Spigel
3 Locating the Televisual in Golden Age Television
63(16)
Caren J. Deming
Deborah V. Tudor
4 The Past Is Now Present Onscreen: Television, History, and Collective Memory
79(26)
Gary R. Edgerton
Part IV Industry 105(94)
5 Broadcasting in the Age of Netflix: When the Market is Master
107(22)
Sylvia Harvey
6 The Audiovisual Industry and the Structural Factors of the Television Crisis
129(16)
Giuseppe Richeri
7 Netflix, Inc. and Online Television
145(20)
Jane Shattuc
8 Television Advertising: Texts, Political Economy, and Ideology
165(18)
Matthew P. McAllister
Lars Stoltzfus-Brown
9 Contested Connections: Public Broadcasting and Culture in Common
183(16)
Graham Murdock
Part V Genres 199(86)
10 Reality TV: Performances and Audiences
201(20)
Annette Hill
11 Revisiting the Trade in Television News
221(26)
Andrew Calabrese
Christopher C. Barnes
12 Twitter Watchers: The Care and Feeding of Cable News Flow in the Age of Trump
247(18)
Deborah L. Jaramillo
13 Television and Sports
265(20)
Michael R. Real
William M. Kunz
Part VI Programs 285(40)
14 30 Rock and the Satirical Representation of the Television Industry
287(20)
Lauren Bratslaysky
15 Nothing New Under the Sun: The Reimplementation of 80s Sitcom Tropes in NBC's This is Us
307(18)
Novotny Lawrence
Part VII Audiences 325(78)
16 Children and Television: A Special Audience for a Special Medium
327(18)
Dafna Lemish
17 Watching Television: A Political Economic Approach
345(16)
Eileen R. Meehan
18 The Female Television Audience Updated: Women's Television Culture in the Age of New Media
361(18)
Andrea Press
Sarah R. Johnson
19 Television as a Moving Aesthetic: In Search of the Ultimate Aesthetic - The Self
379(24)
Julianne H. Newton
Part VIII International Case Studies 403(74)
20 Television in Latin America: Stages of Transition
405(18)
John Sinclair
21 Drama, Audiences, and Authenticity: Television Programming and Audiences in Post-Apartheid South Africa
423(16)
Ruth Teer-Tomaselli
22 Television in the Arab Region: History, Structure, and Transformations
439(20)
Joe F. Khalil
23 Sixty Years of Chinese Television: History, Political Economy, and Ideology in a Conflicted Global Order
459(18)
Yuezhi Zhao
Zhenzhi Guo
Index 477
Janet Wasko is the Philip H. Knight chair for Communication Research at the University of Oregon and President of the International Association for Media and Communication Research. She is the author of How Hollywood Works and Hollywood in the Information Age.

Eileen R. Meehan is Professor Emeritus in the Department of Radio, Television, and Digital Media at Southern Illinois University, Carbondale. Among her publications are studies of the Nielsen ratings and television's commodity audience, corporate profiles of global media conglomerates, and analyses of media artifacts.