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Computational Drawing: From Foundational Exercises to Theories of Representation [Minkštas viršelis]

3.94/5 (16 ratings by Goodreads)
  • Formatas: Paperback / softback, 292 pages, aukštis x plotis: 227x178 mm, weight: 810 g, 250 Illustrations, color
  • Išleidimo metai: 09-Jun-2023
  • Leidėjas: Oro Editions
  • ISBN-10: 1957183454
  • ISBN-13: 9781957183459
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 292 pages, aukštis x plotis: 227x178 mm, weight: 810 g, 250 Illustrations, color
  • Išleidimo metai: 09-Jun-2023
  • Leidėjas: Oro Editions
  • ISBN-10: 1957183454
  • ISBN-13: 9781957183459
Kitos knygos pagal šią temą:
This book explores computation, specifically the craft of writing computer code, as a medium for drawing. Exercises, essays, algorithms, diagrams and drawings are woven together to offer instruction, insight and theories that are valuable to practising architects, artists and scholars. This book can serve as a primer for those new to programming or motivation and context for those with experience.











'Computing' and 'drawing' are both deeply historical and loaded terms. Although digital media is often positioned in opposition to the 'manual' act of drawing, the broader territory of 'computing' includes matters of language, rules, procedures and orders that are very much compatible with the presence of ink on paper. Indeed, the nature of drawing - a temporal medium governed by marks that can be precisely defined, but not easily edited - provides welcome structure for computational methods.

Recenzijos

"With acupuncture-like precision, Lostritto unpacks genetic connections between drawing and computing, on the prowl for new visual bodies and alternative forms of knowledge constructions--revelatory insights a double key click or bodily gesture away. Operating in the space between a guidebook and Jorge Luis Borges' encyclopedic Celestial Emporium of Benevolent Knowledge, Computational Drawing gathers, dissects, and resplices assumptions about the generative potential of computing and drawing, realigning things taken for granted..."--Perry Kulper "associate professor of Architecture, A. Alfred Taubman College of Architecture and Urban Planning " "In a historical moment when pedagogies of drawing and computing are still being debated, this timely contribution identifies, unpacks, and repositions the instrumentality of the tools that underlie varied media. Linking strategies that range from the compositional to the rule-based, Lostritto historicizes these tools, the ideas that precede them, and their results. What surfaces is a refreshing respite from the limiting dichotomies we have all endured in the trenches of curricular debates. Beyond the intellectual precision of the book's argument, Lostritto's drawings form an indispensable body of work whose figures and configurations embody, line by line, the evidence through which the instruments of the discipline must manifest that debate."--Nader Tehrani "dean of the Irwin S. Chanin School of Architecture and Principal of NADAAA " "With acupuncture-like precision, Lostritto unpacks genetic connections between drawing and computing, on the prowl for new visual bodies and alternative forms of knowledge constructions--revelatory insights a double key click or bodily gesture away. Operating in the space between a guidebook and Jorge Luis Borges' encyclopedic Celestial Emporium of Benevolent Knowledge, Computational Drawing gathers, dissects, and resplices assumptions about the generative potential of computing and drawing, realigning things taken for granted..."--Perry Kulper "associate professor of Architecture, A. Alfred Taubman College of Architecture and Urban Planning " "In a historical moment when pedagogies of drawing and computing are still being debated, this timely contribution identifies, unpacks, and repositions the instrumentality of the tools that underlie varied media. Linking strategies that range from the compositional to the rule-based, Lostritto historicizes these tools, the ideas that precede them, and their results. What surfaces is a refreshing respite from the limiting dichotomies we have all endured in the trenches of curricular debates. Beyond the intellectual precision of the book's argument, Lostritto's drawings form an indispensable body of work whose figures and configurations embody, line by line, the evidence through which the instruments of the discipline must manifest that debate."--Nader Tehrani "dean of the Irwin S. Chanin School of Architecture and Principal of NADAAA "

Acknowledgments 8(2)
Preface 10(5)
Additional Notes for the Beginning Programmer
12(1)
Architecture and Other Disciplines
12(1)
Start
12(3)
Chapter 1 Definitions
15(64)
What drawing is not and what computing cannot do
18(2)
A drawing cannot be edited
20(5)
A computer cannot draw
25(3)
A drawing is not final
28(1)
Misunderstandings about Computing
29(3)
Image Formats in this Book
32(1)
Exercise 1.1 Codinga mark
33(2)
Exercise 1.2 Draw from a function library
35(44)
Chapter 2 Structures
79(94)
From Dirty Marks to Lines, Shapes & Representations
79(11)
A Taxonomy of Taxonomies of Lines
90(2)
The existence taxonomy
92(10)
The temporal taxonomy
102(6)
The geometry-material taxonomy
108(2)
The behavior scope taxonomy
110(4)
The auto-what? Taxonomy
114(1)
Exercise 2.1 One mark, two readings
114(1)
Exercise 2.2 Line Finder
114(1)
Exercise 2.3 Line-Maker+Line-Finder+Line-Maker
114(59)
Chapter 3 Strategies
173(42)
From Willful Misuse to Opportunistic Surprise
174(1)
Exercise 3.1 Re-Code a Common Digital Tool
174(4)
Misplacing Intelligence
178(1)
Exercise 3.3 Dumb Algorithm
178(4)
The Computational Underlay
182(1)
Exercise 3.4 Non-Grid Graph Paper
182(33)
Chapter 4 Form
215(62)
Objects and Space / matter and machines
215(1)
Depth & Projection
216(2)
Exercise 4.1 Automatic Drawing
218(1)
Depth is Inherently Difficult
218(1)
Depth Cues
219(1)
Exercise 4.2 The depthy line
220(1)
Exercise 4.3 Pursuit of flatness
220(1)
Objects
221(1)
Surfaces
222(1)
Two and a half dimensional objects and pseudo-spaces
223
The Form of Ink
220(57)
Chapter 5 Futures
277(10)
Still on Paper, Still Difficult, Slower, Longer
279(1)
Craft
280(1)
Drawing Discipline
281(1)
Making and Re-making Technology
282(5)
Appendix 287(2)
Index 289
Carl Lostritto is Graduate Program Director and Assistant Professor of Architecture at Rhode Island School of Design in Providence, Rhode Island. He operates an artistic practice that involves writing custom software and adapting machines to create drawings.