List of Figures
Acknowledgements
Author Preface
Introduction
1. Private Life is Public Business: Contemporary Confessional Forms and Confessional Art
1.1. Outline and Definition of Confessional Art
1.2. Approaches to Subjectivity and the Confessional Subject through Fictitious Narratives and Disguise
1.3. Self-Disclosure or Verbalization within Historical Confessional Frameworks
1.4. Abandoning Privacy as a Transformative Mechanism
2. Technologies of the Self as Confessional Art
2.1. The Potential for the Self to Constitute Itself as a Subject
2.2 Outline and definition of technologies of the self
2.3 The self in performance and video art from the 1960s and beyond
2.4 The Radical Origins of Early Video Art as Political Tool
3. Re-imaging Public Spaces, Subjectivity and Confessional Art
3.1. Early 21st-century Definitions of Public and Private Spaces
3.2. Institutionalized Heteronormativity in Public Spaces
3.3. Politicizing Subjectivity and Re-imagining Public Space as a Space of Resistance
3.4. Speculative Subjectivity
3.5 Subjectivity in a Postmodern (neo-confessional) Landscape
3.6 The Emergence of Video Art and Subjectivity in the 1990s and Beyond
3.7 Post-millennial Confessional Video Art Practices
Conclusion
Notes
Bibliography