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Conflicted Identities: Housing and the Politics of Cultural Representation [Kietas viršelis]

(Penn State University, University Park, PA)
  • Formatas: Hardback, 210 pages, aukštis x plotis: 234x156 mm, weight: 566 g, 21 Halftones, black and white; 1 Illustrations, black and white
  • Serija: Routledge Research in Architecture
  • Išleidimo metai: 05-Nov-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138784818
  • ISBN-13: 9781138784819
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 210 pages, aukštis x plotis: 234x156 mm, weight: 566 g, 21 Halftones, black and white; 1 Illustrations, black and white
  • Serija: Routledge Research in Architecture
  • Išleidimo metai: 05-Nov-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138784818
  • ISBN-13: 9781138784819
Kitos knygos pagal šią temą:
Nation-states have long used representational architecture to create symbolic identities for public consumption both at home and abroad. Government buildings, major ensembles and urban plans have a visibility that lends them authority, while their repeated portrayals in the media cement their image as icons of a shared national character. Existing in tandem with this official self, however, is a second, often divergent identity, represented by the vast realm of domestic space defined largely by those who occupy it as well as those with a vested interest in its cultural meaning. Using both historical inquiry and visual, spatial and film analysis, this book explores the interaction of these two identities, and its effect on political control, class status, and gender roles.Conflicted Identities examines the politicization of both public and domestic space, especially in societies undergoing rapid cultural transformation through political, social or economic expansion or restructuring, when cultural identity is being rapidly "modernized", shifted, or realigned to conform to new demands. Using specific examples from a variety of national contexts, the book examines how vernacular housing, legislation, marketing, and media influence a large, but often underexposed domestic culture that runs parallel to a more publicly represented one. As a case in point, the book examines West Germany from the end of World War II to the early 1970s to probe more deeply into the mechanisms of such cultural dichotomy. On a national level, post-war West Germany demonstratively rejected Nazi-era values by rebuilding cities based on interwar modernist tenets, while choosing a decidedly modern and transparent architecture for high-visibility national projects. In the domestic realm, government, media and everyday citizens countered this turn to state-sponsored modernism by embracing traditional architectural aesthetics and housing that encouraged patriarchal family structures.Written for readers interested in cultural theory, history, and the politics of space as well as those engaged with architecture and the built environment,Conflicted Identities provides an engaging new perspective on power and identity as they relate to architectural settings.
List of figures
ix
Acknowledgments xi
PART 1 Why space is political
1(102)
1 Space is political
3(21)
Public and private
3(2)
Space and spatial
5(4)
Culture
9(3)
Space as a cultural and political framework
12(1)
The power to shape space
13(1)
Gender, class, and the question of agency
13(2)
The power of choice
15(3)
Outline of chapters
18(3)
The power of social rupture
21(3)
2 Public space
24(34)
The monumental as symbol
26(7)
The city of social ideals
33(7)
The process of seclusion
40(11)
Laissez-faire urbanity
51(7)
3 Private space
58(45)
The security of tradition
62(5)
Improving one's lot
67(4)
Selling emotional warmth
71(6)
The image of power
77(4)
Furnishing a lifestyle
81(2)
Anywhere but here
83(2)
Modernity, tradition, and the question of agency
85(1)
Failures
86(17)
PART 2 The West German example, 1945--68
103(78)
4 The official modernity
105(42)
Icons of the new republic
107(7)
Rethinking the city
114(2)
Legislating new housing
116(6)
Building for a new society
122(2)
The power of precedent
124(5)
The lure of suburbia
129(4)
The promise of the high-rise
133(4)
Building for the automobile
137(3)
Redefining the landscape, redefining modernity
140(7)
5 Countering the modern
147(34)
Film homes and modernist immorality
149(12)
A woman's place
161(2)
The sanctity of space
163(2)
Housing guidebooks
165(5)
Movie homes for sale
170(7)
Negotiating between traditionalism and modernity
177(4)
PART 3 Conclusion
181(6)
6 The power of social rupture
183(4)
References 187(14)
Index 201
Alexandra Staub is a professor in the Department of Architecture, Stuckeman School of Architecture and Landscape Architecture, Penn State University.