| Foreword and acknowledgements |
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ix | |
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From science laboratory to conservation practice |
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Conservation science in the UK c.2007 |
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3 | (3) |
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Where is heritage science in the UK? |
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6 | (3) |
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Contributions made by science to the Italian theory of restoration: an art historian's views |
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9 | (6) |
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The education and training of conservation scientists |
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15 | (8) |
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Developments in conservation practice |
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Laser removal and chemical characterisation of graffiti paint spray and felt-tip markers on stone monuments |
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23 | (10) |
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Wax-based anti-graffiti coatings on artificially patinated copper: effects on copper release and patina composition |
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33 | (2) |
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Protection of stone surfaces against graffiti by perfluoropolyether derivatives |
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35 | (1) |
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Shake, rattle and roll: vibration effects at the Hampton Court Music Festival |
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36 | (4) |
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Development and evaluation of new treatments for outdoor bronze monuments |
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40 | (9) |
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Comprehensive investigation of the `organic patina' on Renaissance and Baroque indoor bronze sculptures from the collection of the Kunsthistorisches Museum, Vienna |
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49 | (7) |
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Analysis of pigments from Pompeian wall paintings in the house of Marcus Lucretius |
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56 | (2) |
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The agricultural side of world heritage: Italian case studies in a metropolitan area |
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58 | (7) |
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Decay markers in polymers for the conservation of outdoor stone monuments |
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65 | (8) |
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The My Son temples in Vietnam: study of the materials for the preservation project |
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73 | (7) |
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Problems in drawing up standards to evaluate effectiveness and harmfulness in cleaning operations |
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80 | (8) |
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Experimental study of the growth dynamics of artificially induced calcium oxalate films for the conservation of marble |
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88 | (1) |
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An evaluation of adhesives used for the repair of marble |
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89 | (1) |
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Chemical-physical and aerobiological measurements for indoor air quality at the Ca' Granda Historical Archive, Milan, Italy |
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90 | (2) |
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Microwave treatment: a non-invasive technique for disinfestation of works of art |
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92 | (2) |
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Monitoring microbial colonisation on works of art by confocal microscopy and molecular biology techniques |
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94 | (1) |
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Biodeteriogenic fungi isolated from historic window glass in Certosa di Pavia, Italy |
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95 | (2) |
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Exploring water-based methods for the consolidation of waterlogged wood |
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97 | (1) |
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The sustainable consolidation of waterlogged wood: new approaches of impregnation and polymerisation with a low environmental impact |
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98 | (2) |
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Analysis of organic materials in nineteenth-century wallpapers by infrared spectroscopy |
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100 | (1) |
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Maria Dolores Rodriguez-Laso |
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The characterisation of materials in a polychrome wooden sculpture and the evaluation of laser cleaning tests |
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101 | (2) |
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Propaint: improved protection of paintings during exhibition, storage and transit |
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103 | (2) |
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A study of Russian painting canvases |
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105 | (3) |
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Examining acrylic dispersion grounds and paints |
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108 | (2) |
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The restoration of two blue and white Chinese porcelain plates: new applications of colour science and analytical chemistry |
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110 | (6) |
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Raman and Fourier transform infrared (FTIR) characterisation of image deterioration in daguerreotypes from the studio of Southworth and Hawes |
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116 | (5) |
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Chemical imaging techniques for the characterisation of materials and techniques in the art of gilding: a case study from a mural by F. Lippi |
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121 | (10) |
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Optical and surface metrology applied to daguerreotypes |
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131 | (9) |
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Recent developments in fluorescence spectroscopy for the analysis of protein-based binding media found in art |
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140 | (7) |
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Scanning hyperspectral lidar fluorosensor: a new tool for fresco diagnostics |
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147 | (8) |
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A multi-analytical approach to the conservation of wall paintings |
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155 | (2) |
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Microspectrofluorimetry: a new technique to unveil red paints |
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157 | (2) |
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A multispectral approach to non-invasive investigation of weld lakes and weld-dyed textiles |
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159 | (1) |
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Application of surface-enhanced vibrational spectroscopy techniques for the non-invasive analysis of flavonoid dye molecules |
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160 | (2) |
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Jose Vicente Garcia-Ramos |
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Hyperspectral image spectroscopy: a 2D approach to the investigation of polychrome surfaces |
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162 | (7) |
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Non-invasive imaging of subsurface paint layers with optical coherence tomography |
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169 | (6) |
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Optical coherence tomography: a novel tool for the examination of oil paintings |
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175 | (8) |
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Spectral transparency of historic artists' pigments |
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183 | (2) |
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Production and characterisation of lead-tin-antimony based yellow pigments |
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185 | (2) |
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Studying restorations through colorimetry: Andrea Mantegna's Madonna dei Cherubini, and Madonna Forti formerly attributed to Antonello da Messina |
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187 | (2) |
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A portable XRF-XRD instrument for in-situ analysis of cultural heritage objects |
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189 | (6) |
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Portable XRF for the examination of artists' materials and cultural heritage |
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195 | (2) |
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Transcribing nature on paper: effortless complexity in Winslow Homer's watercolours |
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197 | (1) |
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X-ray fluorescence of the mural paintings in the crypt of St Bavo's Cathedral, Ghent, Belgium |
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198 | (1) |
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A scanning device for multispectral imaging of paintings |
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199 | (8) |
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A portable multispectral imaging system for remote in-situ examination of wall paintings |
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207 | (2) |
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Characterisation of cultural artefacts using electrochemical techniques |
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209 | (3) |
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Identification of degradation products in historical bricks by means of combined Raman spectroscopy and scanning electron microscopy |
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212 | (8) |
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Irantzu Martinez-Arkarazo |
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Ground penetrating radar: a non-destructive tool to assess the condition of rock art sites |
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220 | (2) |
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Progressive colour change in museum objects: a case study at the National Cinema Museum, Turin, Italy |
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222 | (2) |
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Characterisation of carbonaceous particulates at the molecular level by means of innovative optical techniques |
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224 | (3) |
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Paper, wood and other polymers |
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Study of degradation of ancient paper using neutron techniques |
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227 | (2) |
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Use of an ecopermanence index to characterise the oxidation of aged paper |
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229 | (1) |
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The use of polymeric materials in the field of paper conservation |
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230 | (5) |
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Biodeterioration effects of fungi on inorganic components in paper |
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235 | (1) |
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A substrate utilisation pattern (SUP) method for evaluating the biodeterioration potential of micro-aeroflora affecting libraries and archival materials |
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236 | (6) |
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Respirometry: a technique to assess the stability of archaeological wood and other materials containing sulphur compounds |
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242 | (5) |
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Consolidation of waterlogged woods by in-situ polymerisation of isoeugenol |
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247 | (7) |
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Observing penetration of acrylic solutions into wood with neutron radiography and Raman spectroscopy |
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254 | (6) |
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Fourier transform infrared (FTIR) monitoring of the artificial ageing of commercial acrylic and vinyl adhesives/consolidants |
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260 | (2) |
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On-site collections management: NIR characterisation and condition monitoring of modern textiles |
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262 | (8) |
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Investigations of an ultramarine blue acrylic artists' paint |
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270 | (2) |
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Ageing properties and stability of artists' alkyd paints |
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272 | (5) |
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Conservation meets modern architecture: technological study of the metal surfaces in the Tugendhat House in Brno, Czech Republic |
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277 | (2) |
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Martina Griesser-Stermscheg |
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Cast stone: characterisation, use, deterioration and conservation methods |
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279 | (2) |
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Preliminary investigation of Er: YAG laser ablation for the removal of lichen from stone |
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281 | (1) |
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Investigation of the conservation of epoxy resin-bonded artificial stone |
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282 | (1) |
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A new approach to conservation mortars designed for the urban environment |
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283 | (2) |
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New perspective on consolidation of historical mortars: silicate esters on alkaline substrates |
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285 | (1) |
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Polymeric grids for the rehabilitation of masonry structures |
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286 | (2) |
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Dry ice blasting as a cleaning method for historical buildings: preliminary assessment of feasibility, efficiency and compatibility |
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288 | (1) |
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Monitoring the deposition of airborne particulate matter on treated stone surfaces |
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289 | (2) |
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Problems caused by moisture and salt migration in the Capithulum Hall of the Dome Cathedral, Riga, Latvia |
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291 | (2) |
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Characterisation of mortars and stuccos from the Theatre of Marcellus and the Porticus Octaviae in Rome |
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293 | (2) |
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Brownish alterations on the marble statues of Orsanmichele (Florence): a diagnostic approach |
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295 | (2) |
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Mediterranean marble identification by chemical instrumental and chemometric methods |
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297 | |
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