Foreword |
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ix | |
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1 | (76) |
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Preventive conservation: the research legacy |
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3 | (5) |
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Monitoring dust in historic houses |
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8 | (3) |
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Monitoring of deposited particle levels within the Royal Museum of Scotland: distribution patterns and the effects of nearby construction work |
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11 | (7) |
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Ceramics threatened by acid-induced salts |
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18 | (7) |
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Improvement of showcase environment at the Silberkammer, Vienna |
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25 | (7) |
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Assessment of materials used for anoxic microenvironments |
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32 | (7) |
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Museum collections: data sheets for improved management |
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39 | (5) |
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Risk Map: a project to aid decision-making in the protection, preservation and conservation of Italian cultural heritage |
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44 | (6) |
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Practical applications of reactivity monitoring in museums and archives |
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50 | (8) |
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Inhibiting the deterioration of plasticised poly (vinyl chloride) in museum collections |
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58 | (7) |
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The monitoring of painted wood panels by fibre Bragg grating sensors |
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65 | (5) |
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Dimensional change of Australian Aboriginal bark paintings using non-destructive monitoring techniques |
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70 | (7) |
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77 | (92) |
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The sulphur threat to marine archaeological artefacts: acid and iron removal from the Vasa |
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79 | (9) |
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Electrochemistry as a conservation tool: an overview |
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88 | (8) |
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The potential of inverse chromatography for investigating the interactions of consolidants and solvents with archaeological materials |
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96 | (5) |
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Laser cleaning of natural history specimens and subsequent SEM examination |
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101 | (6) |
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Comparing the bond strength of adhesive support treatments for textiles: peel strength versus work of adhesion |
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107 | (8) |
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Laminated materials from the National Anthropological Archives |
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115 | (6) |
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Characterisation and development of mortars for the conservation of Byzantine floor mosaics |
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121 | (6) |
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The application of science in the conservation of historic buildings and monuments |
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127 | (8) |
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Evaluating the use of bioremediation techniques in the conservation of hydrocarbon-contaminated stone monuments |
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135 | (6) |
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A scientific approach for the conservation of the outdoor bronze monument of Theodoras Kolokotronis |
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141 | (7) |
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Investigation of a potentiostatic reduction treatment for leaded copper alloys |
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148 | (7) |
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The effects of conservation treatments on the subsequent tarnishing of silver |
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155 | (7) |
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Disodium salt of secacic acid: a non-toxic corrosion inhibitor for ferrous artefacts in citric acid wash solutions |
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162 | (7) |
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169 | (102) |
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Monitoring the deterioration of historic textiles: developing appropriate micromethodology |
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171 | (6) |
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Conservator safety - mercury in felt hats |
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177 | (5) |
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Paper conservation chemistry: a review of chemiluminescence studies of cellulose stability |
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182 | (6) |
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Insight into early photographic processes: quantitative XRF approach |
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188 | (7) |
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Infrared spectroscopic studies of photographic material |
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195 | (6) |
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Non-destructive investigation of 19th-century Scottish photographs |
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201 | (7) |
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Non-destructive analysis of a 16th-century manuscript from the Gospel Book of Robert Quercentius |
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208 | (7) |
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Image recovery of worn-off hallmarks on silver and gold objects |
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215 | (7) |
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Non-destructive characterisation of gilded bronze using swept and pulsed eddy current techniques |
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222 | (5) |
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`Crystals from an aged Merlin.' Corrosion deposits found in the engines of the historic Avro-Lancaster bomber, G-for-George |
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227 | (9) |
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The investigation of degradation effects in silvered copper alloy Roman coins (AD 250-350) |
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236 | (7) |
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The chemical characterisation of alkyd resins by thermally assisted hydrolysis and methylation-gas chromatography mass spectrometry and Fourier transform infrared spectroscopy |
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243 | (6) |
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Fourier transform interferometric imaging spectrometry: a new tool for the study of reflectance and fluorescence of polychrome surfaces |
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249 | (5) |
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Neutron activation autoradiography of paintings by Rembrandt at the Berlin Picture Gallery |
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254 | (5) |
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Claudia Laurenze-Landsberg |
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Unequal Lovers at the laboratory: non-destructive analysis of a 16th-century Netherlandish painting |
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259 | (5) |
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Low vacuum scanning electron microscopy at the National Museums and Galleries of Wales |
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264 | (7) |
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Development of protocols for a large analytical database project of historic pigments |
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271 | |
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