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El. knyga: Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory

Edited by (University of Canberra), Edited by (RMIT University), Edited by (Independent researcher), Edited by (RMIT University and Swinburne University of Technology)
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Constructions of the Real features a wide range of writing from non-fiction and documentary filmmakers who undertake theoretically informed practice and think through making. These global filmmakers and writers straddle the divide between the academy and industry and they reflect on, interrogate and explicate their filmmaking practices in relationship to questions of form, content, and process.





The book is in four sections. The first is on intimate, first-person works where memory and identity are explored. The second features responses to and interventions in historical and dominant relationships to place. The third explores multivarious forms of essay films. In the final section, filmmakers discuss the precarity of non-fiction filmmaking in its form and financial rewards. This book is anti-colonial, in that it offers diverse new voices and new practices promoting hybridity and experimentation and makes claims for knowledges that fall outside of traditional scholarship. This book presents the silenced and the marginalized.





It engages with current debates about the role of creative scholarship and makes a claim for non-fiction filmmaking as a knowledge-making practice for revealing, critiquing, and interpreting the world.





Contributors include Kaveh Abbasian, Judith Aston, Nicholas Andueza, Elisabeth Brun, Joanna Callaghan, Gerda Cammaer, Philip Cartelli, Lorena Cervera, Jill Daniels, Kath Dooley, Aggie Ebrahimi Bazaz, Andréa Franēa, Catherine Gough-Brady, Robert Hardcastle, Alex Johnston, Elizabeth Miller, Ros Mortimer, Kim Munro, Minou Norouzi, Stefano Odorico, Rebecca Ora, Sheersha Perera, Christine Rogers, Isabel Seguķ, Jeni Thornley and Masha Vlasova.
List of Figures 

Foreword

Judith Aston and Stefano Odorico

Thinking through Making in Non-Fiction Film

Christine Rogers, Kim Munro, Liz Burke and Catherine Gough-Brady





PART 1: THIS LENS MY EYE: FIRST PERSON, ETHNOGRAPHIC AND AUTOBIOGRAPHICAL
FILMMAKING

Christine Rogers

1. The Enigma of Film Memory Film: A Filmmakers Diary

Jeni Thornley

2. Psychogeographical Choreography: On Filming Hand-Held

Masha Vlasova

3. Remaking Absurd Pictures

Rebecca Ora/rora

4. Creating/Recreating Memory: Cultural Menstruation Rituals through the
Making of the Hybrid Documentary Big Girl

Sheersha Perera

5. Phantom Limbs and Failed Messages: A Phenomenological Provocation of First
Person Film

Joanna Callaghan

6. Korimako and Macrocarpa Trees: Exploring Mori Experiences of Place
through a Lens

Christine Rogers



PART 2: CONTESTED PLACES: FROM COLONIZATION TO CO-CREATION

Kim Munro

7. Interrogating Power and Unsettling Relations to Place in Documentary

Elizabeth Miller and Aggie Ebrahimi Bazaz

8. Acclimations: Speculations on Making Documentary in the Climate Emergency

Kim Munro

9. In Search of Ambiguity

Philip Cartelli

10. Can Sound Be Used to Challenge the Colonial Legacies of Silent Archival
Film?

Robert Hardcastle

11. Fraught Narratives, Archival Traces: Documentary Experiments in Carceral
History

Alexander Johnston





PART 3: THE EXPANDED ESSAY FILM: THINKING WITH IMAGES AND SOUNDS

Liz Burke

12. Cinematic Aesthetics of Resistance: Reframing the Non-fiction
Oppositional Film

Jill Daniels

13. Flaunting Artifice: Restaging History as Critical Fabulation in The
Deathless Woman

Roz Mortimer

14. Tracing Yugoslavia: The Use of Narrative Time and Narrative Space to
Re-Vision a Disappeared lieux de memoire (Memory-Site)

Mila Turajlic

15. The Creative Ti(d)es of Sea-Changes: Musings on the Making of an
Eco-Avant-Doc

Gerda Cammaer

16. Weaving Fragments Together: Narrative and the Korsakow-Based Film

Liz Burke

17. The Expanded Essay Film: The Researcher-Filmmaker as a Topographical
Thinker

Elisabeth Brun



PART 4: NOTICING THE FRAME AND THE FORM

Catherine Gough-Brady

18. Refugee Filmmaking: Finding Agency through the Lens

Kaveh Abbasian

19. Passeio Pśblico: The Life of Images and the Irresistible Fascination of
Archival Film

Andréa Franēa and Nicholas Andueza

20. #PrecarityStory: Academic Casualization and Feminist Filmmaking



Lorena Cervera and Isabel Seguķ



21. Exploring Viewer Positioning and Attention Cues in a Cinematic Virtual
Reality Documentary: A Creative Research Project

Kath Dooley

22. Not Another Moment of Your Salvation: Documentary, Art Practice and Their
Empathic Misadventures

Minou Norouzi

23. Three Questions: A Practitioners Approach to the Documentary Form

Catherine Gough-Brady



Notes on Contributors
Christine Rogers is a Pkeh/Ngi Tahu filmmaker, scholar and textile artist whose work explores belonging and identity.





Kim Munro is a documentary maker and lecturer in digital media at the University of South Australia.





Liz Burke is a filmmaker and documentary producer who teaches producing at Swinburne University of Technology.





Catherine Gough-Brady is an award-winning documentary producer and director who explores the relational nature of filmmaking in her research.
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