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El. knyga: Contemporary American Science Fiction Film [Taylor & Francis e-book]

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  • Formatas: 224 pages, 31 Halftones, black and white; 31 Illustrations, black and white
  • Išleidimo metai: 22-Feb-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003189961
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 224 pages, 31 Halftones, black and white; 31 Illustrations, black and white
  • Išleidimo metai: 22-Feb-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003189961
Kitos knygos pagal šią temą:
"Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of theimpactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film"--

Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era.

List of figures
ix
List of contributors
xi
Acknowledgements xiv
Introduction: The feats and fantasies of science fiction film: Genre as cultural artefact 1(13)
Terence Mcsweeney
Stuart Joy
1 A tale as old as time: Steven Spielberg's A.I. Artificial Intelligence (2001)
14(19)
Christine Muller
2 Through the lens of 9/11: Reflections of Bush-era politics and the post-9/11 milieu in Minority Report (2002) and V for Vendetta (2006)
33(20)
Fran Pheasant-Kelly
3 Precarious lives, human rights, and `the sense of today': The continuing resonance and relevance of Alfonso Cuaron's Children of Men (2006)
53(17)
Terence Mcsweeney
4 Seeing and touching the bodies of others: Evolving the male animal toward secular moral enlightenment in the Vianet of the Apes reboot franchise
70(21)
Carol Donelan
5 Time travel, trauma, and the futility of revenge in Looper (2012)
91(18)
Stuart Joy
6 Science fiction cinema between arthouse and blockbuster: From Stanley Kubrick's 2001 to Christopher Nolan's Interstellar (2014)
109(19)
Steffen Hantke
7 Twenty-first-century Star Wars: Profiles in (female) courage
128(14)
Stacey Peebles
8 Rationality, emotionality, and geopolitics in Arrival (2016): From structural oppositions and reconciliations to mixed modalities and claims to "quality" status
142(18)
Geoff King
9 `The world is built on a wall': Deconstructing Blade Runner 2049 (2017)
160(17)
Will Brooker
10 Speculative anger and collective economic strength in Boots Riley's Sorry to Bother You (2018)
177(16)
Paul Petrovic
11 Coping with the deconstruction of American identity: Hybridi zation and self-destruction in Alex Garland's Annihilation (2018)
193(16)
Andrew Schopp
12 Wakanda forever? On Ryan Coogler's Black Panther (2018)
209(14)
Gerry Canavan
Index 223
Terence McSweeney is Senior Lecturer in Film and Television Studies at Southampton Solent University and the author of The 'War on Terror' and American Film: 9/11 Frames Per Second (2014), Avengers Assemble! Critical Perspectives on the Marvel Cinematic Universe (2018), and Black Panther: Interrogating a Cultural Phenomenon (2021).

Stuart Joy is Senior Lecturer in Film and Television Studies at Southampton Solent University and the author of The Traumatic Screen: The Films of Christopher Nolan (2020), co-editor of, and contributor to, The Cinema of Christopher Nolan: Imagining the Impossible (2015), and Through the Black Mirror: Deconstructing the Side Effects of the Digital Age (2019).