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Contemporary Appliqué: Cutting edge design and techniques in textile art [Kietas viršelis]

3.86/5 (12 ratings by Goodreads)
  • Formatas: Hardback, 128 pages, aukštis x plotis: 281x224 mm
  • Išleidimo metai: 07-Aug-2014
  • Leidėjas: Batsford
  • ISBN-10: 1849941580
  • ISBN-13: 9781849941587
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 128 pages, aukštis x plotis: 281x224 mm
  • Išleidimo metai: 07-Aug-2014
  • Leidėjas: Batsford
  • ISBN-10: 1849941580
  • ISBN-13: 9781849941587
Kitos knygos pagal šią temą:
Appliqué is a classic embroidery technique that has recently been experiencing a revival. Appearing in the most cutting-edge contemporary textile work, it can be interpreted in many different ways layering, patching, applying, overlaying and offers endless creative possibilities. Each technical variation of appliqué has traditionally had its own set boundaries, but nowadays all the rules are being broken and the technique has become relevant, up-to-date and suitable for all varieties of textile art.

This impressive book takes a fresh look at the world of appliqué and surface embellishment, showing you how to develop distinctive and individual designs, create exciting compositions and use unusual combinations of materials. It covers the traditional variations, including bonded appliqué, broderie perse, cut-away appliqué and Mola work, and explains how the standard techniques can be developed to give exciting results in your own textile work, in both hand and machine embroidery.

Accompanying the techniques is a wealth of examples of contemporary appliqué to inspire you. The authors are renowned for their thoughtful, creative but practical approach to teaching textiles, making this book suitable for beginners and established textile artists alike.
Foreword 6(1)
Introduction 7(3)
Part 1 Applique in context
Historical perspectives
10(10)
Ancient applique
10(2)
Medieval applique
12(1)
Sixteenth to eighteenth centuries
12(2)
Nineteenth and twentieth century to the present day
14(6)
Cultural contexts
20(8)
Dress
21(1)
Banners
22(1)
Narrative hangings
23(1)
Interiors
24(3)
Symbolism -- shape and colour
27(1)
Applique now
28(8)
Planning and forming ideas
28(2)
What shall I make?
30(2)
Keeping records
32(1)
Conclusion to Part 1
33(3)
Part 2 Design skills
Design for applique
36(14)
Why design?
36(1)
Formal elements
36(6)
Formal principles
42(5)
Conclusion to Part 2
47(3)
Part 3 Applique: the basics
Materials and equipment
50(8)
Fabrics
50(4)
Threads
54(2)
Tools and equipment
56(2)
Transferring designs
58(26)
Transfer methods
60(6)
Applique by hand and machine
66(1)
Preparing fabrics
66(2)
Stabilizing fabrics
68(1)
Hand-stitched applique
68(6)
Machine-stitched applique
74(7)
Conclusion to Part 3
81(3)
Part 4 From tradition to innovation
Applique techniques
84(20)
Mola work
84(2)
Indian-style applique
86(4)
Inlaid applique
90(2)
Bonded applique
92(2)
Broderie Perse
94(1)
Cutaway applique
95(1)
Shadow applique
96(2)
Collage
98(2)
Three-dimensional applique
100(2)
Sculptural forms
102(2)
Pushing the boundaries
104(18)
Specialist fabrics
105(2)
Unusual materials
107(3)
Breaking the rules
110(4)
Non-stitch
114(6)
Applique or embellishment?
120(1)
Conclusion to Part 4
121(1)
Glossary 122(2)
Suppliers 124(2)
Bibliography and further reading 126(1)
Acknowledgements and picture credits 127(1)
Index 128
Rachel Lombard is an award-winning textile artist and designer. Living in County Durham, Rachel runs her own business creating functional, tactile and decorative artworks. She also runs a programme of talks and workshops. Rachel is the internal verifier for StitchBusiness City and Guilds courses and has written for Stitch, Classic Stitches and Flair magazines. She exhibits her work and is an active member of Fusion and InterfaceArts.Julia Triston is a designer-maker and educator in stitched textiles and contemporary art and design techniques. She is the co-founder and co-director of STITCHBUSINESS, an award-winning international stitch school. Julia has over 25 years experience teaching in the creative industries, lectures at degree level, and delivers seminars and training courses in universities, colleges and schools. She runs her own programme of workshops and talks, and also tutors courses for respected art and textile businesses nationwide. Julias work has been filmed by both the BBC and independent television companies, as well as being extensively documented in written media. Julia has an MA with distinction in Contemporary Applied Arts, is an active member of the prestigious Prism Textile Group and is Chair of Fusion. She has exhibited her quirky and distinctive artwork internationally.