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El. knyga: Contemporary British Ceramics and the Influence of Sculpture: Monuments, Multiples, Destruction and Display

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Contemporary British Ceramics and the Influence of Sculpture: Monuments, Multiples, Destruction and DisplayDidesnis paveikslėlis
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This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.

Recenzijos

'This is an essential read for the student of contemporary ceramics, providing a fresh perspective on "post-studio" ceramic practice.' Stephen Dixon, Manchester Metropolitan University, UK

List of Figures
vii
Acknowledgements x
Introduction xi
1 Becoming Partners?
1(11)
Creative Tension: Defining Ceramics
1(3)
Sculpture: A Category in Danger of Collapse
4(2)
The Art and Craft Divide
6(2)
An Overview of the Book
8(4)
2 Monumental Matters
12(29)
Monuments and the Collective Memory
12(3)
Two Approaches: The Logical and the Abstracted Monument
15(3)
Ceramics in Civic Space
18(2)
Wheel of Fortune: Monumentalizing Stoke-on-Trent
20(9)
Making it Big: The Monumental Style
29(12)
3 The Numbers Game: Multi-part Compositions
41(19)
Do Numbers Matter?
41(2)
Plane Thinking: Horizontal Groups
43(6)
High Rise: Stack, Build, Repeat
49(3)
The Expressive Possibility of Repetition
52(1)
Clare Twomey: Master Assembler
53(7)
4 The Art of Destruction: Ceramics, Sculpture and Iconoclasm
60(29)
What is Iconoclasm?
62(1)
Iconoclasm and Art
63(1)
Vases and Vandalism
64(1)
Out of the Ordinary: Destroying Domestic Ware
65(3)
Clay in Common
68(3)
Past Imperfect: The Art of Transformative Repair
71(3)
Destruction as Cultural Critique
74(4)
Please Do Not Touch: Destruction in the Vitrine
78(2)
Biting the Hand that Feeds? Iconoclasm as Institutional Critique
80(9)
5 Encounters: Ceramics on Show
89(20)
Thinking About Exhibitions
90(1)
Clay as an Authentic Material for Sculpture: The Raw and the Cooked
90(2)
Ceramics and Minimalism: The New White
92(2)
Ceramics Under Threat: A Secret History of Clay
94(1)
Post-Studio Practice: Possibilities and Losses
95(2)
Ceramics for the Home
97(1)
The Separation of Art and the Home
97(1)
Home Coming: Contemporary Ceramics in Domestic Space
98(6)
Domesticating the White Cube
104(5)
Conclusion 109(1)
Radical Plasticity 109(1)
A Single Material 110(1)
Workmanship 110(1)
The Vessel 111(1)
The Current of Influence 111(2)
The Future 113(1)
Bibliography 114(18)
Index 132
Laura Gray has a PhD in Art History from Cardiff Metropolitan University and is a freelance curator, writer and researcher specializing in contemporary art and craft, and twentieth-century sculpture.
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Pastovi nuoroda: https://www.kriso.lt/db/97813516264152e.html
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