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El. knyga: Contemporary Post-Production: Create, Cut, Collaborate, Color, Deliver [Taylor & Francis e-book]

  • Formatas: 248 pages, 9 Tables, black and white; 20 Halftones, color; 12 Halftones, black and white; 20 Illustrations, color; 12 Illustrations, black and white
  • Išleidimo metai: 26-Jun-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003473152
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 248 pages, 9 Tables, black and white; 20 Halftones, color; 12 Halftones, black and white; 20 Illustrations, color; 12 Illustrations, black and white
  • Išleidimo metai: 26-Jun-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003473152
Kitos knygos pagal šią temą:
Contemporary Post-Production is an engaging and insightful guide through the often fraught and stressful phase of post-production. It brings the art and craft of editing to life, describes contemporary workflows, and demonstrates how to break the post-production process into manageable phases. It also explores editing approaches used by five award-winning filmmakers across fiction films, documentaries, and interactive works.

This text addresses key questions about the editors role in shaping a story, the roles of various members of the post-production team, when and how to delegate to specialists, and how to engage in the most efficient and constructive conversations with them. Another key focus is on career pathways, with each featured filmmaker sharing how they broke into the editing field and offering advice on building a lasting career.

The featured filmmakers reflect a diversity of life experiences and work, and their interviews shed light on the people behind the process. They provide guidance on cutting-edge tools, such as the most essential software to know, how they incorporate GenAI into their work, and how they utilize remote workflows. A brief look at the past offers valuable context for understanding the future, including a section on key innovators in film history. Examples include Alice Guy-Blachés pioneering use of sync sound and Oscar Micheauxs re-editing techniques to navigate censorship stories that illustrate past innovations and continue to inspire todays filmmakers to push creative and technical boundaries.

Each technical chapter includes class activities and exercises to help readers practice specific skills. Additional resources provide ample opportunities for continued learning.

This book serves as an invaluable resource for students in post-production courses and anyone looking to enter the industry or refine their skills.
Acknowledgments

1. Introduction

2. The Who, What, and Why for this Book

Part 1: PRACTICAL SKILLS

3. Create

4. Cut

5. Collaborate

6. Sound

7. Score

8. Color

9. Transcripts, Captions, and Subtitles

10. Exhibit and Deliver

Part 2: CREATIVE AESTHETICS

11. Interview: Aashish Kumar Body, Home, World

12. Interview: Allie Sultan and Ryan Rehnborg Incognitas Infamous
Adventures

13. Interview: Carla Gutķerrez FRIDA

14. Interview: Zeb Achonu White Nanny Black Child

Part 3: THE INDUSTRY

15. Looking Back To Look Forward

15a. Alice Guy-Blaché

15b. Oscar Michaeux

16. Emerging Issues in the Edit Room

Part 4: APPENDIXES: ACTIVITIES, CHARTS, AND SUPPLEMENTAL MATERIALS

Appendix
1. Story forms

Appendix
2. Ocean University Sample Introductory Briefing

Appendix
3. Class activity: Editor and Story Choices

Appendix
4. Class Activity: Create and Edit a Story

Appendix
5. Daily Logs and Naming Conventions

Appendix
6. Post-Production Workflow Guide

Appendix
7. Post-Production Guide by Form

Appendix
8. What Are We Going to Do About AI? Use It? Fear It?

ADDITIONAL SECTIONS:

i. Citations

ii. Image Credits

iii. Additional Resources

iv. Index
Melanie La Rosa is an award-winning filmmaker, film professor, and advocate for diversity in media. A 2022 Public Voices Fellow on the Climate Crisis with the OpEd Project and Yale Program on Climate Change Communication, her films have screened internationally and broadcast on PBS. Her work has won funding from NYSCA, Queens Council on the Arts, Brooklyn Arts Council, and Solutions Journalism Network. Her films include "How To Power A City," "The Poetry Deal: a Film with Diane DiPrima," and "Sir: Just A Normal Guy." Her articles appear in World War Zero, The Progressive, and Gateway Journalism Review, among other publications.