Atnaujinkite slapukų nuostatas

El. knyga: Contemporary Publishing and the Culture of Books

Edited by (University of Ulster at Coleraine, Ireland), Edited by (University of Avignon, France), Edited by (Kingston University, UK)
  • Formatas: 346 pages
  • Išleidimo metai: 16-Jan-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317696308
  • Formatas: 346 pages
  • Išleidimo metai: 16-Jan-2020
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317696308

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Contemporary Publishing and the Culture of Books is a comprehensive resource that builds bridges between the traditional focus and methodologies of literary studies and the actualities of modern and contemporary literature, including the realities of professional writing, the conventions and practicalities of the publishing world, and its connections between literary publishing and other media. Focusing on the relationship between modern literature and the publishing industry, the volume enables students and academics to extend the text-based framework of modules on contemporary writing into detailed expositions of the culture and industry which bring these texts into existence; it brings economic considerations into line alongside creative issues, and examines how employing marketing strategies are utilized to promote and sell books.

Sections cover:











The standard university-course specifications of contemporary writing, offering an extensive picture of the social, economic, and cultural contexts of these literary genres





The impact and status of non-literary writing, and how this compares with certain literary genres as an index to contemporary culture and a reflection of the state of the publishing industry





The practicalities and conventions of the publishing industry





Contextual aspects of literary culture and the book industry, visiting the broader spheres of publishing, promotion, bookselling, and literary culture

Carefully linked chapters allow readers to tie key elements of the publishing industry to the particular demands and features of contemporary literary genres and writing, offering a detailed guide to the ways in which the three core areas of culture, economics, and pragmatics intersect in the world of publishing.

Further to being a valuable resource for those studying English or Creative Writing, the volume is a key text for degrees in which Publishing is a component, and is relevant to those aspects of Media Studies that look at interactions between the media and literature/publishing.
List of contributors
vii
Introduction 1(21)
Alison Bauerstock
1 The structure and workings of a publishing house
22(24)
David Barker
2 Types of publishing houses
46(12)
Per Henningsgaard
3 The UK's reading culture and consumers' emotional response to books
58(19)
Alison Lawson
4 Sunk treasure: can the traditional public library service survive in contemporary Britain?
77(19)
Ellie Bowker
Clare Somerville
5 How can shared-reading create a community? What The Kingston University Big Read and The University of Mississippi Common Reading Experience have in common, and learned from each other
96(21)
Alison Baverstock
6 The review and the reviewer
117(16)
Claire Squires
7 The fish and the stream: publishing, genre, and life-writing's crisis of form
133(19)
Robert Fraser
8 Creative writing courses and the pragmatics of publishing
152(18)
R. Lyle Skains
9 The modern literary agent
170(15)
Angus Phillips
10 The real new publishing: how interconnected `outsiders' are setting the trends
185(21)
Caroline Harris
11 Parallels between fiction and food writing
206(19)
Amy Burns
12 The history and influence of travel writing
225(12)
Peter Bolan
13 Understanding our place: publishing's role in the reading ecosystem under neoliberal economics
237(16)
Jasmin Kirkbride
14 Trie fourth format-, how audiobooks have become a standard format for general publishers alongside hardback, paperback, and e-book
253(25)
Nicholas W. N. Jones
15 French children's literature and autism: a case for more children's books on autism and for autistic children
278(41)
Lucie Ducarre
Index 319
Alison Baverstock is Professor of Publishing within the Kingston School of Art, Kingston University, UK.

Richard Bradford is Professor of English and Senior Distinguished Research Fellow at the University of Ulster, Ireland.

Madelena Gonzalez is Professor of English Literature at Avignon University, France.