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Contemporary Transnational Feminist Visual Activism and Gender-Based Violence [Kietas viršelis]

Edited by (Art History Institute (NOVA FCSH, Lisbon), Portugal)
  • Formatas: Hardback, 272 pages, aukštis x plotis: 246x174 mm, 21 Halftones, color; 22 Halftones, black and white; 21 Illustrations, color; 22 Illustrations, black and white
  • Išleidimo metai: 30-Sep-2025
  • Leidėjas: Routledge
  • ISBN-10: 1032797096
  • ISBN-13: 9781032797090
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 272 pages, aukštis x plotis: 246x174 mm, 21 Halftones, color; 22 Halftones, black and white; 21 Illustrations, color; 22 Illustrations, black and white
  • Išleidimo metai: 30-Sep-2025
  • Leidėjas: Routledge
  • ISBN-10: 1032797096
  • ISBN-13: 9781032797090
Kitos knygos pagal šią temą:
This book illuminates arts activist interventions that raise consciousness and advocacy for womens right to a life free from violence.

In a context where Gender-Based Violence (GBV) has continued to intensify across the globe, the international range of essays focus on violations of bodily integrity and autonomy, reproductive, domestic and sexual violence, femicide and feminicide. Comparing and interrogating arts activist strategies and visual methods, the book also explores tactics employed by arts activists attentive to effects and lived experiences of GBV, and imagining potential solutions founded in feminist thinking to change behaviours and raise awareness generating systemic change. The case studies of feminist transnational contemporary arts activism include examples from Austria, Brazil, Canada, Ghana, Guatemala, Hong Kong, Mexico and the United States. Arts engaged with include textile work, crafts-making, performance art, clay work, protest art, and documentary art, indicating the breadth and richness of the work of feminist political artists. At a time when, according to the UN Womens estimates, almost one in three women have been subjected to violence, it is critical to understand how feminist politics catalyses social, cultural and political changes.

This book will be of interest to scholars working in art history, womens studies, gender studies, and visual culture.
Introduction Opening chapter: The Patchwork Healing Blanket: An Ongoing
Network of Resistance to Gender Violence Part I: Violations of bodily
integrity and autonomy
1. Stolen Blak female bodies: necklaces as resistance
and disruptors
2. The visual sociology of the manqhapacha. Anķbal Lópezs
Anthology of the violence in Guatemala and gender-based violence in Latin
American art
3. Anonymous in Menstrual Red: arts activism against
honour-based killing in Kuwait
4. Female Genital Mutilation: The Dead Kapok
Tree as a Metonymical Tool of Resistance in Rural Ghana Part II: Reproductive
violence
5. Abortion Tales by Beata Rojek and Sonia Sobiech: feminist
storying of reproductive healthcare in Poland
6. Breadbox: promoting access
to safe abortion care through peer-to-peer education and art
7. The Trouble
with Showing: Visualising Forced Pregnancy Part III: Domestic violence
8.
Writing as a Strategy of Weak Resistance in Transnational Feminist Arts
Activism
9. In the home but not at home: the invisible violence on migrant
domestic workers in Hong Kong Part IV: Sexual violence
10. Against the
Torture of Women: women artists and the limits of representations
11.
Feminist Storytelling in Films Comfort (2020) and Twenty Two (2015): Vomiting
Ak, Affective Interpellations, and Radical Chronologies in the Visual
Activisms of Comfort Women
12. Beyond Tropes and Tragedy: Stakeholders
Shaping Arts-Based Activism on Gender-Based Violence in Nepal
13.
Performative aesthetics of resonance and sound as transgressive in selected
works of Gabrielle Goliath and Lara Foot Part V: Femicide and feminicide
14.
Resistance against Feminicides: Transnational Visuality and the Feminist
Public Sphere
15. Intervening Multiple Spaces. Sonia Madrigals La muerte
sale por el Oriente.
16. Materialising the Missing: Christi Belcourts
Walking With Our Sisters.
Basia Sliwinska is Researcher at the Institute of Art History of Universidade NOVA de Lisboa and Founding Editor of Taylor&Francis journal Feminist Art Practices and Research: COSMOS.