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Continuous Revolution: Making Sense of Cultural Revolution Culture [Kietas viršelis]

4.06/5 (32 ratings by Goodreads)
  • Formatas: Hardback, 502 pages, aukštis x plotis x storis: 254x178x34 mm, weight: 1089 g, 125 halftones
  • Serija: Harvard East Asian Monographs
  • Išleidimo metai: 04-Feb-2013
  • Leidėjas: Harvard University, Asia Center
  • ISBN-10: 0674065816
  • ISBN-13: 9780674065819
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 502 pages, aukštis x plotis x storis: 254x178x34 mm, weight: 1089 g, 125 halftones
  • Serija: Harvard East Asian Monographs
  • Išleidimo metai: 04-Feb-2013
  • Leidėjas: Harvard University, Asia Center
  • ISBN-10: 0674065816
  • ISBN-13: 9780674065819
Kitos knygos pagal šią temą:
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda artmusic, stage works, prints and posters, comics, and literaturefrom the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China.

Taking the aesthetic experience of the Cultural Revolution (19661976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.

Recenzijos

Mittlers groundbreaking study assesses Cultural Revolution artsmusic, drama, opera, painting, comics, and literatureas more than propaganda, demonstrating that they were paradigm-shifting works that left indelible impacts on Chinas artistic culture Magisterial in scope, this book proves that art of the Cultural Revolution period was not an aberration but rather the most complete expression of trends that had begun in the early 20th century, when yearnings for a great hero first entered popular discourse. As the apotheosis of mass culture, the Cultural Revolution produced truly popular art that spoke to uneducated farmers and urbane intellectuals alike and was experienced in multiple ways that belie claims of hegemony. Accompanied by a website that includes further text, images, music, and video clips, this will serve as the definitive study of its genre for years to come. -- N. E. Barnes * Choice *

Daugiau informacijos

Winner of John K. Fairbank Prize in East Asian History 2013. Nominated for Joseph Levenson Book Prize 2014 and ICAS Book Prize 2015.
Preface xi
Illustrations and Online Resources xiii
Introduction: Nose-Smells 1(32)
Popular Culture And Cultural Revolution Culture: Theory, Practice, And Experience
3(4)
Art as Propaganda
7(4)
(Subjective) Receptions of Propaganda
11(6)
(Objective) Forms of Propaganda
17(10)
Variety and Availability: Art as Education
18(3)
Propaganda and Pop: Art for Entertainment
21(4)
Continuity and Repetition: Art in History
25(2)
Propaganda as Art
27(6)
Part I: Ears-Sounds 33(96)
Prologue
35(4)
1 From Mozart To Mao To Mozart: Musical Revolutions In China
39(58)
Prelude: Chinese Music and New Chinese Music
39(2)
Exposition: China and Mozart
41(5)
Development: Mao
46(4)
Excursion
1. Chinese Opera as a Genre of Change: A View from History
50(37)
"To Wield through the Old to Create the New": Musical Traditions in the Model Works
53(11)
"To Wield through the Foreign to Create a Chinese National Art": Approaches to Foreign Music in the Model Works
64(14)
Serving the People: The Politics of Model Music and Performance
78(9)
Excursion
2. Chinese Opera Reform: A View from History
87(10)
The Artistic Success of the Model Works
89(3)
Recapitulation: Mozart and China
92(4)
Coda: Foreign Music and Foreign-Style Chinese Music
96(1)
2 The Sounds Amidst The Fury: Cultural Revolution Songs From Xian Xinghai To Cui Jian
97(32)
"Red Is the East"
100(12)
The "Internationale"
112(5)
Medley: Mixing Sounds from amidst the Fury
117(8)
Coda
125(4)
Part II: Mouth-Words 129(128)
Prologue
131(8)
3 Destroying The Old And Learning From Black Material: The Political Fate Of A Famous School Primer
139(50)
Old and New: The Three Character Classic before and after the Cultural Revolution
141(15)
Black Material: The Three Character Classic and the Cultural Revolution
156(29)
Rethinking Confucius before the Cultural Revolution
165(8)
Rethinking Confucius during the Cultural Revolution
173(12)
Memories: Reconfiguring Confucius after the Cultural Revolution
185(4)
4 The Foolish Old Man Who Moved The Mountains: Superscribing A Foundational Myth
189(68)
Prelude: Depicting the Power of Words
189(7)
The Story
196(3)
The (Hi)Story behind the Story
199(9)
Quoting the Story during the Cultural Revolution
208(22)
(Hi)Story and Quotation beyond the Cultural Revolution
230(19)
Coda: Rethinking the Power of Words
249(8)
Part III Eyes-Images 257(114)
Prologue
259(8)
5 Mao Wherever You Go: The Art Of Repetition In Revolutionary China
267(64)
Repeating Mao: MaoArt and Its Implied Audience
269(35)
Repetition?
270(10)
Not to Be Repeated! Part Modernisms?
280(10)
Not to Be Repeated! Part 2: Traditionalisms?
290(5)
Repetition Squared: Repeating the Repeated
295(8)
Repetition Reconsidered
303(1)
Receiving Mao: The Actual Audience of MaoArt
304(20)
Ubiquity!
304(3)
Ubiquity?
307(6)
Deity!
313(4)
Deity?
317(7)
Revisiting Mao: MaoArt Then and Now
324(7)
6 . Chain(ed) Pictures And Chained By Pictures: Comics And Cultural Revolutions In China
331(40)
Heroes, Villains, and Sexuality
335(18)
Readers, Readings, and Popularity
353(12)
Monkeys, Demons, and Continuity
365(6)
Conclusion: Hands-Touch 371(18)
Cultural Revolution Culture And Popular Culture: Theorizing Practice And Experience
373(16)
Propaganda's Grammar
373(4)
Propaganda's Space
377(3)
Propaganda's Time
380(4)
Turning the Pages of History?
384
Appendixes
1 List Of Interviewees
389(2)
2 Interview Questions
391(3)
3 Chronology Of The Model Works
394(1)
Reference Matter
Works Cited
395(42)
Index Of Names, Titles, And Slogans
437(32)
Subject Index
469
Barbara Mittler is Professor of Chinese Studies at the University of Heidelberg, Germany.