A bilingual edition of a renowned work of Puerto Rican literature, Cortijos Wake/El entierro de Cortijo is novelist Edgardo Rodrķguez Juliįs vivid description of the funeral of legendary Puerto Rican musician Rafael Cortijo. El entierro de Cortijo became an immediate bestseller following its original publication in Puerto Rico in 1983. An unparalleled Afro-Puerto Rican percussionist and bandleader, Cortijo (19281982) revolutionized the countrys musical culture. His band, Cortijo y Su Combo, captivated Caribbean and Latin American audiences as it emerged in the mid-1950s. Immensely popular across Puerto Rican social classes, the band both modernized the traditional vernacular forms of bomba and plena and forcefully reestablished their African and working-class roots. The groups innovations have been integral to salsa since the 1960s. Winding through the streets of working-class San Juan with Cortijos funeral procession, Rodrķguez Juliįs autobiographical chronicle provides a rare portrait of the impoverished society from which Cortijos music emerged. Along with detailed renderings of grief-stricken mournersincluding Cortijos childhood friend and fellow musician, the celebrated singer Ismael ("Maelo") RiveraRodrķguez Juliį records his feelings as he, a light-skinned, middle-class writer, confronts the world of poor black Puerto Ricans. The authors masterful shifting of linguistic registers, his acute sensitivity to Puerto Rican social codes, his broad knowledge of popular music, and his sardonic ruminations on death and immortality make this one of the most widely read books of modern Puerto Rican literature. Well-known critic and cultural historian Juan Flores has provided a scrupulous translation of Rodrķguez Juliįs text and an introduction situating the book in relation to Puerto Rican music and culture and the careers of Cortijo and Rodrķguez Juliį.
