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Crafting Enlightenment: Artisanal Histories and Transnational Networks [Minkštas viršelis]

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  • Formatas: Paperback / softback, 416 pages, aukštis x plotis: 234x156 mm, 58 Illustrations, color; 26 Illustrations, black and white
  • Serija: Oxford University Studies in the Enlightenment 2021:06
  • Išleidimo metai: 14-Jun-2021
  • Leidėjas: Voltaire Foundation
  • ISBN-10: 1800348142
  • ISBN-13: 9781800348141
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 416 pages, aukštis x plotis: 234x156 mm, 58 Illustrations, color; 26 Illustrations, black and white
  • Serija: Oxford University Studies in the Enlightenment 2021:06
  • Išleidimo metai: 14-Jun-2021
  • Leidėjas: Voltaire Foundation
  • ISBN-10: 1800348142
  • ISBN-13: 9781800348141
Kitos knygos pagal šią temą:
A ground-breaking volume examining the transnational conditions of the European Enlightenment, Crafting Enlightenment argues that artisans of the long eighteenth-century on four different continents created and disseminated ideas that revolutionized how we understand modern-day craftsmanship, design, labor, and technology. Starting in Europe, this book journeys through France across the Atlantic Ocean to the Americas and then on to Asia and Oceania. Highlighting diverse identities of artisans, the authors trace how these historical actors formed networks at local and global levels to assert their own forms of expertise and experience. These artisans some anonymous, eminent, and outside the margins translated European Enlightenment thinking into a number of disciplines and trades including architecture, botany, ceramics, construction, furniture, gardening, horology, interior design, manuscript illustration, and mining.



In each thematic section of this illustrated volume, two leading scholars present contrasting case studies of artisans in different geographic contexts. These paired chapters are also followed by shorter commentary that reflects on pertinent themes from both chapters.



Emphasizing how and why artisanal histories around the world impacted civic and private life, commerce, cultural engagement, and sense of place, this book introduces new richness and depth to the conversations around the ambivalent and fragmented nature of the Enlightenment.

Recenzijos

The essays themselves are the real strength of the collection, and it is pleasing to see them well illustrated, with seventy-six plates overall, most in full colour, allowing for a visual grasp of the objects under discussion. A short review cannot effectively summarize the wide range of topics on display, but, there is much here to appreciate. David Andress, French Studies Crafting Enlightenment is that rare thing, an exceptionally well-crafted compendium of current thinking on an historically important topic that enlightens the reader and leaves her wanting to learn more. Katie Scott, Journal18 Inherently interdisciplinary, Cannady and Ferngs volume adds an insightful transnational consideration to the study of artisanal praxis during the long eighteenth century. Jason Nguyen, Journal of the Society of Architectural Historians The essays assembled by Cannady and Ferng call attention to the centrality of the body its manual artistry, its materiality, its movement across regions and environmental encounters in ways that profoundly shift our concept of agency and authority in the making and receiving of art. Sarah R. Cohen, The Art Bulletin On the whole, the volume provides a valuable contribution to ongoing discussions of artisanal culture in the long eighteenth century from a global perspective and opens fruitful paths for future research. Marco Storni, Technology and Culture In a deeply erudite and methodologically sophisticated contribution, Neil Kamil considers what frustrated expectations can reveal about the material culture of empire A similar sensitivity to materials is at issue in Sugata Rays innovative and ambitious account of the sacred jasmine gardens of eighteenth-century Vrindavan Crafting Enlightenment is a useful, exciting, and provocative contribution to a growing body of research at the interstices of art history and the history of science that promises rich rewards to those who wish to understand the deep origins of our globalized world and the artisans who helped make it. Dominic Bate, Journal of British Studies

List of figures
ix
Acknowledgments xix
Introduction: assembling artisanal identities across geographies 1(28)
Lauren R. Cannady
Jennifer Ferng
I Envisioning artisanal histories
Sovereign Sun King
29(20)
Chandra Mukerji
Visualizing urban festivals in the Ottoman Empire: a comparison of the sixteenth and eighteenth centuries
49(38)
Emine Fetvaci
Telling artisanal time
87(8)
Richard Taws
II Collaborative objects
The secret to success: urbanization and luxury decoration at the place Louis-le-Grand
95(20)
Frederic Dassas
The Spanish colonial world in microcosm: a Puebla desk-and-bookcase
115(32)
Dennis Carr
Artisanal agency, anonymity, and power
147(6)
Florina H. Capistrano-baker
III Religion and the commerce of empire
Mark of disgrace or matter of politeness? Materiality, trust, and expectation in early-eighteenth-century Virginia
153(50)
Neil Kamil
Interregna: the Societe des arts and the scale of time
203(38)
Lauren R. Cannady
Confessional complications in maritime trade
241(6)
Thomas Crow
IV Corporeal ecologies
A "small" story of the jasmine flower in the age of global botany
247(26)
Sugata Ray
Fire walk with me: tales of artisanal body (parts) and innovation in early modern China
273(24)
Dorothy Ko
Grounded terrains and vertical landscapes in eighteenth-century Asia
297(6)
Nancy Um
V Enlightenment technologies
Craft knowledge in the age of encyclopedism
303(32)
Valerie Negre
Miniature domination: mining the worlds of goldfields jewelry and emu eggs
335(28)
Jennifer Ferng
Artisans as thinkers in the early modern world
363(6)
Kaijun Chen
Summaries 369(6)
Bibliography 375(32)
Index 407
Lauren R. Cannady, assistant clinical professor in University Honors at the University of Maryland, is a historian of early modern art and architecture with an interest in intellectual and cultural history. Her previous publications include analyses of early modern garden patterns and French aesthetic philosophy, and her current project is a book on northern European gardens as sites of knowledge production and transmission. Jennifer Ferng is Senior Lecturer in Architecture and Postgraduate Director at the University of Sydney. She received her PhD from MIT. Her second co-edited book 'Land Air Sea' will address how architecture and environment(s) in the early modern era forecasted contemporary issues related to climate change and sustainability.