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Creating Life on Stage: A Director's Approach to Working with Actors [Minkštas viršelis]

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  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 229x161x14 mm, weight: 367 g, Illustrations, unspecified
  • Išleidimo metai: 01-Dec-2006
  • Leidėjas: Heinemann Educational Books,U.S.
  • ISBN-10: 0325009198
  • ISBN-13: 9780325009193
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 229x161x14 mm, weight: 367 g, Illustrations, unspecified
  • Išleidimo metai: 01-Dec-2006
  • Leidėjas: Heinemann Educational Books,U.S.
  • ISBN-10: 0325009198
  • ISBN-13: 9780325009193
Kitos knygos pagal šią temą:
A five-time Tony nominated Circle Repertory Company director presents an exploration of the collaborative and creative process through which scripts are transformed into live performance, outlining the principles of a good production while explaining how effective directors can promote production concepts that will inspire aspects from scenery and lighting to music and costumes in order to create a play's atmosphere. Original.

The founding artistic director of New York City's Circle Repertory Company, Marshall W. Mason has directed plays around the world and won significant critical acclaim. In this volume, he shares his unique approach to working with actors. The emphasis is on a creative collaboration that empowers actors to become the living embodiment of the playwright's vision. Supplemental materials found in the appendix include recommendations for preproduction research, a summary of the Meisner Technique, and a checklist for setting up an improvisation. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
FOREWORD, BY WILLIAM HURT ix
ACKNOWLEDGMENTS xiii
INTRODUCTION xvii
Chapter 1: The Challenge 1(11)
Chapter 2: A Director's Vision 12(22)
Chapter 3: Preparation 34(18)
Chapter 4: Casting 52(12)
Chapter 5: First Rehearsal 64(47)
Chapter 6: Research 111(17)
Chapter 7: Discovering Movement 128(11)
Chapter 8: Reviewing Discoveries 139(7)
Chapter 9: Criticism and Notes 146(7)
Chapter 10: Improving the Work 153(9)
Chapter 11: Transferring the Work to the Stage 162(17)
Chapter 12: Enduring the Opening 179(12)
Appendices
A: More Conceptual Resources
191(8)
B: A Flawed Concept
199(8)
C: Essential Tools for Rehearsals
207(6)
D: Alternative Casting Considerations
213(8)
E: First Rehearsal of Summer and Smoke
221(6)
F: Preproduction Research
227(2)
G: A Summary of the Meisner Technique
229(2)
H: Checklist for Setting Up an Improvisation
231(2)
I: Program Notes
233(2)
J: A Different View
235(2)
Index 237