"Creative Concert Production and Entrepreneurship: Concert Dramaturgy and Project Development for the Performing Arts offers a conceptual and applied introduction to the musical and dramaturgical challenges involved in developing and producing concerts. Drawing on a range of international case studies drawn from real-world experience, it explores new models for cooperation between artists, cultural institutions, government, and businesses, and argues for the importance of rooting the concert production process in artistic and ethical values. The author brings together theory and practice to help readers develop the creative entrepreneurial practices essential to success in today's music industry. With attention to artistic and classical music and cross-genre and cross-cultural collaboration, this book is relevant to a wide range of students and professionals in music and the performing arts"--
Creative Concert Production and Entrepreneurship: Concert Dramaturgy and Project Development for the Performing Arts offers a conceptual and applied introduction to the musical and dramaturgical challenges involved in developing and producing concerts.
Creative Concert Production and Entrepreneurship: Concert Dramaturgy and Project Development for the Performing Arts offers a conceptual and applied introduction to the musical and dramaturgical challenges involved in developing and producing concerts. Drawing from over three decades of real-world experience and a range of international case studies, the author explores new models for cooperation between artists, cultural institutions, governments, and businesses, arguing for the importance of rooting the concert production process in artistic and ethical values. The book presents essential knowledge and techniques to meet the demand for music and stage performances across genres, arenas, formats, and distribution channels. Relevant to a wide range of students and professionals in music and the performing arts, Creative Concert Production and Entrepreneurship marries theory with practice, providing a framework for readers to develop the creative entrepreneurial practices essential for success in todays music industry.
PART I: CREATIVE CONCERT PRODUCTION /
Chapter 1: Music, cultural
communication, and expanded professional demands /
Chapter 2: Project
development: Concepts and models /
Chapter 3: Communication across artistic
expressions and codes /
Chapter 4: Methods for composing dynamic stage
productions, concert dramaturgy / PART II: CULTURAL ENTREPRENEURSHIP /
Chapter 5: Entrepreneurial concepts /
Chapter 6: Value systems incorporating
chains, workshops, and networks in music/performing arts entrepreneurship /
Chapter 7: Experiences from a variety of integrated cultural programmes /
Chapter 8: The international music industry: A plural sector, adapting to
continuous change (Daniel Nordgård) /
Chapter 9: Music-making and production:
Value chains, policy, and protection (Paul Rutter)
Andreas Sųnning is Professor at the Norwegian Academy of Music, Oslo, as well as a Visiting Professor to universities in the Erasmus Student Network (ESN). A classical flautist, he is the Founder and Artistic Director of his own production company, Sųnning Music Performance, which has produced stage productions in 28 countries.
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