Preface |
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xiii | |
About the Authors |
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xv | |
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Creativity: Unexpected but Relevant Selling Messages |
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1 | (25) |
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2 | (1) |
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Media: The New Creative Inspiration |
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3 | (2) |
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Inspiration from Consumers |
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5 | (5) |
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That's Entertainment, but is it Advertising? |
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10 | (7) |
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17 | (1) |
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18 | (1) |
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18 | (8) |
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Briefcase: IKEA Thinks Outside [ and Inside] the Box |
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21 | (5) |
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Branding: Identity and Image Strategy |
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26 | (12) |
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27 | (1) |
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28 | (5) |
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Projecting a Unified Message |
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33 | (1) |
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Protecting Brand Identity |
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34 | (1) |
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35 | (1) |
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35 | (3) |
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Briefcase: Now that's a Large Pizza! |
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36 | (2) |
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Diversity: Targeting an Ever-Changing Marketplace |
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38 | (30) |
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40 | (3) |
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43 | (2) |
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45 | (1) |
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46 | (1) |
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47 | (1) |
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How to Reach Ethnic Minorities |
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48 | (2) |
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50 | (3) |
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53 | (1) |
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54 | (1) |
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Lessons that Apply to all Segments |
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55 | (2) |
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57 | (11) |
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Briefacase: How Sweet the Sound |
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58 | (10) |
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Uncovering Insights: The Basis for Effective Creative Work |
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68 | (23) |
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69 | (1) |
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Dig Through Secondary Sources |
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70 | (5) |
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75 | (9) |
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84 | (1) |
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Future Steps in the Process |
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84 | (1) |
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Common Mistakes in Research |
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85 | (1) |
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86 | (5) |
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Briefcase: Icelandair and Baltimore Washington International Airport Take the Travail Out of Travel |
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88 | (3) |
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Strategy: A Road Map for The Creative Team |
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91 | (20) |
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92 | (1) |
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Writing the Creative Brief |
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92 | (10) |
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Linking Strategy with the Thinking/Feeling and High-/Low-Importance Scales |
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102 | (2) |
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Checklist for Creative Briefs |
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104 | (1) |
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104 | (7) |
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Briefcase: Eat Mor Chikin or These Cows are Goners! |
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105 | (6) |
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Ideas: The Currency of the 21st Century |
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111 | (27) |
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How do You Come Up with the Big Idea? |
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111 | (2) |
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There's a Big Idea in the Creative Brief |
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113 | (1) |
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Turn an Idea into a Campaign Theme |
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113 | (1) |
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From One Big Idea to Hundreds of Ideas |
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114 | (8) |
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Guidelines for Brainstorming |
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122 | (3) |
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Using Criticism to Improve Your Ideas |
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125 | (1) |
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126 | (12) |
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Briefcase: The Cows Are Singing, ``California Here I Come!'' |
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132 | (6) |
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Words on Paper: Connecting to Consumers' Hearts and Minds |
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138 | (28) |
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Headlines Help Form Good First Impressions |
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140 | (7) |
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Body Copy Tells the Rest of the Story |
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147 | (2) |
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Mandatories: Writing the Small Print |
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149 | (1) |
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Answers to Common Questions about Writing Copy |
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150 | (4) |
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Guidelines for Writing Effective Copy |
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154 | (7) |
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Checklist for Writing Copy |
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161 | (1) |
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161 | (5) |
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Briefcase: North Carolina Plays a Starring Role |
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163 | (3) |
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Layouts: Designing to Communicate |
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166 | (25) |
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166 | (2) |
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168 | (3) |
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171 | (1) |
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Negative, or ``White,'' Space |
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171 | (2) |
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173 | (2) |
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175 | (3) |
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178 | (1) |
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179 | (3) |
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Creating the Finished Ad: Computers and Design |
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182 | (1) |
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Designing Outdoor and Transit Ads |
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183 | (1) |
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Answers to Common Questions about Design |
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183 | (2) |
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185 | (6) |
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186 | (5) |
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Radio: Can You See What I'm Saying? |
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191 | (17) |
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191 | (1) |
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192 | (1) |
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Guidelines for Writing Effective Radio Sports |
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192 | (5) |
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Approaches to Radio Commercials |
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197 | (3) |
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200 | (1) |
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201 | (2) |
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203 | (1) |
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203 | (5) |
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Briefcase: Tom Bodett Sells Affordability and Comfort for Motel 6 |
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205 | (3) |
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Television: The Power of Sight, Sound, And Motion |
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208 | (21) |
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Combining Sight, Sound, and Motion |
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209 | (1) |
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Preparing to Write Ads for Television |
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210 | (3) |
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Formats for TV Commercials |
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213 | (3) |
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Camera Shots, Camera Moves, and Transitions |
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216 | (2) |
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218 | (1) |
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219 | (2) |
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Getting It on Paper: The TV Script |
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221 | (1) |
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Making It Clear: The TV Storyboard |
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221 | (1) |
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222 | (1) |
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223 | (1) |
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223 | (6) |
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Briefcase: Hoping to Connect with Someone a Bit on the Wild Side? |
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224 | (5) |
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Direct Marketing: The Convenience of Shopping at Home |
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229 | (24) |
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Direct Marketing: An Old Idea Improved Through Technology |
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229 | (1) |
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Advantages of Direct Marketing over Other Forms of Advertising |
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230 | (1) |
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Direct Mail: The Next Best Thing to a Door-to-Door Salesperson |
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231 | (3) |
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Catalogs: Bringing the Retail Store into the Home and Office |
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234 | (1) |
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235 | (1) |
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The Internet: The Ultimate Direct Marketing Experience |
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235 | (2) |
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237 | (1) |
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Designing for the Internet: A Four-Stage Process |
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237 | (7) |
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244 | (1) |
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Ethical Aspects of Direct Marketing |
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245 | (1) |
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246 | (7) |
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Briefcase: A Big Idea for a Small Space |
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248 | (5) |
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Integrated Marketing Communications: Building Strong Relationships Between the Brand and the Consumer |
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253 | (21) |
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Integrated Marketing Communications |
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254 | (1) |
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254 | (6) |
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260 | (4) |
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264 | (1) |
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265 | (1) |
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266 | (1) |
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267 | (1) |
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268 | (1) |
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Product Placement and Branded Content |
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268 | (1) |
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269 | (5) |
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Briefcase: IKEA Embraces Change |
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270 | (4) |
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The Law and Creativity: Making Sure Your Great Idea is a Good Idea |
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274 | (35) |
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Who Worries About Advertising? |
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275 | (1) |
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Government Regulation of Advertising |
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276 | (1) |
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Advertising Regulations: Time, Place, and Manner |
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277 | (1) |
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Avoiding Individual Disputes |
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278 | (1) |
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Invasion of Privacy and Right of Publicity |
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279 | (1) |
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280 | (1) |
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281 | (3) |
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284 | (1) |
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284 | (3) |
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Libel and Product Disparagement |
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287 | (1) |
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A Final Word: Keep Creativity Out of the Courtroom |
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287 | (1) |
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288 | (6) |
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Briefcase: ITT Industries' Corporate Advertising Campaign: Putting a Face on a Large Corporation |
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289 | (4) |
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293 | (1) |
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The Presentation is Half of the Battle |
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294 | (2) |
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296 | (2) |
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Guidelines for Making Presentations |
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298 | (1) |
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Perils and Pitfalls of Presenting |
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299 | (1) |
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How to Correct the Problems |
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300 | (1) |
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Using PowerPoint Effectively |
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301 | (1) |
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302 | (7) |
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Briefcase: What Does ``Urgent'' Mean to You? |
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303 | (6) |
How to Land a Job in the Creative Department |
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309 | (4) |
Assignments |
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313 | |