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El. knyga: Creative Writing and Stylistics: Creative and Critical Approaches

3.36/5 (67 ratings by Goodreads)
(University of Kent, UK)
  • Formatas: EPUB+DRM
  • Serija: Approaches to Writing
  • Išleidimo metai: 27-Jan-2014
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9781137010674
  • Formatas: EPUB+DRM
  • Serija: Approaches to Writing
  • Išleidimo metai: 27-Jan-2014
  • Leidėjas: Red Globe Press
  • Kalba: eng
  • ISBN-13: 9781137010674

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In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics can enrich the craft of creative writing. Focusing on crucial methodological issues that confront the practicing writer, Creative Writing and Stylistics: - Introduces key topics from stylistics - Provides in-depth analysis of a wide range of writing examples - Includes practical exercises to help develop creative writing skills Clear and accessible, this invaluable guide will give both students and writers a greater critical awareness of the creative possibilities of language.
Acknowledgements x
Introduction: Style, Composition, Creative Practice 1(7)
What is stylistics?
3(4)
The structure of this book
7(1)
1 Seeing through Language
8(20)
1.1 Overview
8(8)
1.2 Worlds from words: Mimesis and diegesis
16(5)
1.3 Language and creativity
21(3)
1.4 Summary
24(1)
1.5 Practice
25(3)
2 Building Blocks I: A Grammar of Creative Writing
28(21)
2.1 Overview
28(1)
2.2 Basic components of grammar
29(8)
2.3 Levels of style: language as cognitive code
37(10)
2.4 Practice
47(2)
3 Building Blocks II: Narrative and Structure (Story Narratology)
49(23)
3.1 Overview
49(2)
3.2 Definitions: the act of narration
51(10)
3.3 Discourse versus fabula
61(2)
3.4 Structure
63(3)
3.5 Narrative chronology
66(3)
3.6 Practice
69(3)
4 Through the Looking Glass: Who Sees? Who Tells? (Discourse Narratology)
72(19)
4.1 Overview
72(2)
4.2 Seeing versus telling
74(2)
4.3 Narrative voices
76(3)
4.4 Overtness and covertness
79(4)
4.6 Focalisation
83(4)
4.7 The poetic monologue
87(1)
4.8 Practice
88(3)
5 Writing Voices: Presenting Speech and Thought
91(36)
5.1 Overview
91(2)
5.2 Taxonomy
93(1)
5.3 Narrator's Representation of Action (NRA), or pure narration
94(1)
5.4 Representing speech
95(12)
5.5 Representing thought
107(5)
5.6 Narrator's Representation of Speech (NRS) and Narrator's Representation of Thought (NRT)
112(2)
5.7 Free Indirect Discourse (FID)
114(4)
5.8 Creative potentialities
118(2)
5.9 Distillation
120(1)
5.10 Practice
120(7)
6 Creating a World: Text-world Theory and Cognitive Poetics
127(21)
6.1 Overview
127(1)
6.2 A literary analogy
128(7)
6.3 Figures and grounds
135(1)
6.4 Text-world theory
136(8)
6.5 Avoiding inhibition of return
144(1)
6.5 Distillation
145(1)
6.6 Practice
145(3)
7 Creative Writing: Figurative Language
148(18)
7.1 Overview
148(1)
7.2 Types of linguistic deviation
149(5)
7.3 Is there a standard language?
154(6)
7.4 Is there a literary language?
160(2)
7.5 Connotative and denotative language
162(1)
7.6 Stylistic balance
163(1)
7.7 Practice
164(2)
8 Meaning and Play: Metaphor
166(14)
8.1 Overview
166(1)
8.2 Defining metaphor
166(2)
8.3 The cognitive roots of metaphor
168(7)
8.4 Types of metaphor
175(2)
8.5 Pitfalls: the mixed metaphor
177(1)
8.6 Why use metaphors?
178(1)
8.7 Practice
178(2)
9 Creating Soundscapes: Rhythm and Meter, Sound and Sense
180(27)
9.1 Overview
180(1)
9.2 Phonology: a brief overview
181(1)
9.3 Musical or meaningful?
182(4)
9.4 Sound and sense
186(3)
9.5 Rhythm and meter
189(7)
9.6 Parallelism revisited: repetition
196(1)
9.7 Free verse
197(5)
9.8 Practice
202(5)
Appendix: A Stylistic Sandbox 207(3)
Notes 210(10)
References and Selected Further Reading 220(7)
Index 227
Jeremy Scott is Lecturer in English at the University of Kent, UK. He has published many articles on contemporary fiction, narrative technique and stylistics-based approaches to the teaching of creative writing. He has also published several short stories and is currently working on a novel.