This collection brings together international experts from different continents to examine creativity and innovation in the cultural economy. In doing so, the collection provides a unique contemporary resource for researchers and advanced students. As a whole, the collection addresses creativity and innovation in a broad organizational field of knowledge relationships and transactions. In considering key issues and debates from across this developing arena of the global knowledge economy, the collection pursues an interdisciplinary approach that encompasses Management, Geography, Economics, Sociology and Cultural Studies.
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Acknowledgements |
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1 | (20) |
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Creativity, innovation and the cultural economy: snake oil for the twenty-first century? |
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3 | (18) |
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21 | (34) |
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a Relocating creativity in advertising: from aesthetic specialisation to strategic integration? |
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23 | (18) |
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b Provincial parvenus: the subaltern sensibility of London advertising creatives |
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41 | (14) |
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55 | (36) |
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a The digitalisation of music |
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57 | (17) |
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b On music as a creative industry |
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74 | (17) |
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91 | (46) |
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a Creativity in context: content, cost, chance and collection in the organization of the film industry |
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93 | (26) |
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b The governance of innovation in the film and television industry: a case study of London, UK |
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119 | (18) |
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137 | (42) |
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a Cultural production in the transnational city: a study of new media in Vancouver |
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139 | (22) |
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b Creative biographies in new media: social innovation in web work |
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161 | (18) |
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179 | (38) |
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a Fostering a culture of design: insights from the case of Montreal, Canada |
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181 | (19) |
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b Creativity and innovation in the Scandinavian design industry: designed in Stockholm |
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200 | (17) |
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Part 7 Museums/Visual Arts/Performance |
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217 | (46) |
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a Creativity and innovation in the cultural economy: museums, galleries and the visual arts |
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219 | (22) |
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b Does Hamlet have to be naked? Art between tradition and innovation in German theatres |
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241 | (22) |
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263 | (14) |
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265 | (12) |
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Index |
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Andy C. Pratt has been researching and writing about the cultural and creative economy for more than a decade. He has advised policy makers at urban, national and international levels: most recently UNCTAD and UNESCO. Andy is a Reader in Urban Cultural Economy in the Department of Geography and Environment, and Director of the Urban Research Centre at the London School of Economics.
Paul Jeffcutt is Professor of Management Knowledge and the founding Director of Queens Universitys interdisciplinary Centre for Creative Industry. He is a published poet and has been elected to the Academy of Social Sciences (AcSS) and elected Fellow of the Royal Society of Arts, (FRSA).