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El. knyga: Criminal Humanities: An Introduction

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This groundbreaking anthology examines the phenomenon of crime and our historical understanding – and misunderstanding – of the criminal mind through the lens of the humanities, unpacking foundational concepts in criminology and criminal investigative analysis through disciplines such as the visual arts, cultural studies, religious studies, and comparative literature. Edited by two key figures in this burgeoning field who are also pre-eminent experts in both forensic semiotics and literary criminology, this book breathes new life into the humanities disciplines by using them as a collective locus for the study of everything from serial homicide, sexual disorders, and police recruiting and corruption to the epistemology of criminal insanity. Using a multidisciplinary framework that traverses myriad pedagogies and invokes a number of methodologies, this anthology boasts chapters written by some of the world’s key scholars working at the crossroads of crime, media, and culture as broadly defined.

This groundbreaking anthology examines the phenomenon of crime and our historical understanding – and misunderstanding – of the criminal mind through the lens of the humanities, unpacking foundational concepts in criminology and criminal investigative analysis through disciplines such as the visual arts, cultural studies, religious studies, and comparative literature.
Acknowledgments xi
List of Contributors
xiii
Introduction: Rise of the Criminal Humanist 1(10)
Michael Arntfield
Marcel Danesi
Part I Language & Literary Studies
1 A "notable newe Italionisme": Providence, Plague, and the Final Words of the Criminally Condemned in The Unfortunate Traveller
11(26)
James Johnston
2 Original Gangsta: Self-Conceptualization and Criminogenic Authenticity in Hip Hop Music
37(24)
Lee Mellor
3 Metonymy & Mass Murder: Diagnosing "Splitting" Through Automatic Text Analysis
61(12)
Yair Neuman
Yochai Cohen
James Knoll
Part II Film & Media Studies
4 Psychopaths in Film: Are Portrayals Realistic and Does It Matter?
73(26)
Joan Swart
5 The Hammer and the Hummingbird: Spectating Crime Inside the Documentary Film
99(18)
Trevor Grant
Part III Religious & Cultural Studies
6 Looking Inside the Coffin: An Overview of Contemporary Human Vampirism and Its Relevance for Forensics Professionals
117(18)
DJ Williams
John Edgar Browning
7 A Yiddishe Cop: Jewish Identity, Police, and Prisoners in Contemporary Law Enforcement
135(36)
Sonia Halpern
8 Killing for Slender Man: The Emergence of an Electronic Gospel
171(28)
Lee Mellor
Vivek Venkatesh
Jason Wallin
Tieja Thomas
Part IV Visual Arts & Museum Studies
9 Crime as Curation: Understanding Crime Through the Lens of the Museum
199(8)
Victoria Bigliardi
10 Crime and the Canvas: Depicting Criminals and Their Punishments in the Visual Arts, from Antiquity to Present
207(22)
Bethany K. Walters
Eric W. Hickey
Index 229
Michael Arntfield is Associate Professor of Literary Criminology and Forensic Writing in the Department of English and Writing Studies at Western University, as well as a previous Fulbright Chair specializing in law and literature at Vanderbilt University. He is also a former police officer and is the founder and director of the Western University Cold Case Society. His PhD (also from Western) was conferred while he was still a serving police detective and focused on police murders in Canada and the United States. Marcel Danesi is Full Professor of Anthropology and Forensic Semiotics at the University of Toronto and a member of the Royal Society of Canada. He is the founder and director of the Centre for Research in Forensic Semiotics and a recognized international authority on semiotics, language, and ritual within criminal organizations, specifically the Sicilian Mafia.