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El. knyga: Criminal Justice During the Long Eighteenth Century: Theatre, Representation and Emotion

Edited by (University of Western Ontario, Canada), Edited by (University of Adelaide, Australia)
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This book applies three overlapping bodies of work to generate fresh approaches to the study of criminal justice in England and Ireland between 1660 and 1850. First, crime and justice are interpreted as elements of the "public sphere" of opinion about government. Second, "performativity" and speech act theory are considered in the context of the Anglo-Irish criminal trial, which was transformed over the course of this period from an unmediated exchange between victim and accused to a fully lawyerized performance. Thirdly, the authors apply recent scholarship on the history of emotions, particularly relating to the constitution of "emotional communities" and changes in "emotional regimes".

List of Figures
vii
Acknowledgements viii
1 Historicising Emotions: Performance, Sensibility, and the Rule of Law
1(18)
David Lemmings
Allyson N. May
PART I Feminine Performances and the Criminal Trial: Women's Emotional Work in the Public Sphere
19(64)
2 `It Will Be Expected by You All, to Hear Something from Me': Emotion, Performance, and Child Murder in Britain in the Eighteenth Century
21(20)
Dana Rabin
3 The Prosecutorial Passions: An Emotional History of Petty Treason and Parricide in England, 1674--1790
41(21)
Andrea Mckenzie
4 Shame and Malice in the Eighteenth-Century Criminal Court and Community
62(21)
E.J. Snell
PART II Emotional Communities and Sensibilities: Truth, Theatre, and Blasphemy in Court
83(68)
5 Sympathetic Speech: Telling Truths in the Nineteenth-Century Irish Court
85(19)
Katie Barclay
6 Swearing and Feeling: The Secularisation of Truth-Seeking in the Victorian English Court
104(24)
Simon Devereaux
7 Irish Sensibilities and the English Bar: The Advocacy of Charles Phillips
128(23)
Allyson N. May
PART III Emotional Regimes and the Legal Process: Stories of Terror, Sensibility, and Patriotism in the Representation of Criminal Trials
151(67)
8 Theatre of Blood: On the Criminal Trial as Tale of Terror
153(24)
Hal Gladfelder
9 Doctor Dodd and the Law in the Age of the Sentimental Revolution
177(22)
Randall McGowen
10 Thomas Erskine and the Performance of Moral Sentiments: The Emotional Reportage of Trials for `Criminal Conversation' and Treason in the 1790s
199(19)
David Lemmings
List of Contributors 218(2)
Index 220
David Lemmings is Professor of History at the University of Adelaide and Leader of the Change Program in the ARC Centre of Excellence for the History of Emotions.





Allyson N. May is Associate Professor in the Department of History at the University of Western Ontario.