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El. knyga: Critical Companion to Christopher Nolan

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A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status. This volume contributes to the scholarly debates on Nolan and includes original essays that examine all his films including his short films. It is structured into three sections that deal broadly with themes of narrative and time; collaborations and relationships; and ideology, politics, and genre. The authors of the sixteen chapters include established Nolan scholars as well as academics with expertise in approaches and perspectives germane to the study of Nolan's body of work. To these ends, the chapters employ intersectional, feminist, political, ideological, narrative, economic, aesthetic, genre, and auteur analysis in addition to perspectives from star theory, short film theory, performance studies, fan studies, adaptation studies, musicology, and media industry studies.

Recenzijos

Parkinson and Labrouillčres collection successfully brings incisive analyses of Nolans auteur status and trademarks into dialogue with productive examinations of his collaborations, influences, politics, and shifting industry positions. With chapters ranging in focus from documentary and experimental shorts, to landmark indies, and Hollywood blockbusters, A Critical Companion to Christopher Nolan is a welcome addition to contemporary film scholarship. -- Kim Wilkins, University of Oslo

Introduction 1(12)
Claire Parkinson
Isabelle Labrouillere
SECTION 1 NARRATIVE AND TIME
13(82)
Chapter 1 Precursor to the Puzzle: Narrational Strategies in Following
15(16)
Warren Buckland
Chapter 2 "We All Need Mirrors to Remind Ourselves Who We Are": Anamorphosis and the Singularity of Mirror Motifs in Christopher Nolan's Memento (2000)
31(16)
Isabelle Labrouillere
Chapter 3 The Prestige, From Text to Screen: Transformation, Manipulation, Reflexivity
47(16)
Gilles Menegaldo
Chapter 4 The Trauma Chronotope in Nolan's Dunkirk and Inception: Time, Space, and Trauma
63(16)
Fran Pheasant-Kelly
Chapter 5 Back From the Future: Tenet and the Politics of Nachtraglichkeit
79(16)
Todd McGowan
SECTION 2 COLLABORATIONS AND RELATIONSHIPS
95(84)
Chapter 6 "There's a Point Where We Just Let the Music Take Over Everything": The Collaboration of Christopher Nolan and Hans Zimmer
97(18)
Bernadette Pace
Chapter 7 A "Virtual Carte Blanche": Christopher Nolan, Warner Bros., and Authorial Power in Contemporary Hollywood
115(18)
Kimberly A. Owczarski
Chapter 8 Transnational Filmmaker, Fanboy-Auteur: Screening Nolan's Inception in China
133(16)
Lara Herring
Chapter 9 Fractured Men and Cockney Boy: Michael Caine as Star Persona in the Films of Christopher Nolan
149(14)
Stella Hockenhull
Chapter 10 Christopher Nolan and the Quays: Curation, Fandom, and the Filmmaker
163(16)
Claire Parkinson
SECTION 3 POLITICS, IDEOLOGY, AND GENRE
179(100)
Chapter 11 Situating Christopher Nolan's Ideological Use of Technology: Between Romanticism and Posthumanism
181(16)
Ben Lamb
Chapter 12 Dark Vision, Global Impact: Christopher Nolan, Box Office Hit Patterns, and Interstellar
197(16)
Peter Kramer
Chapter 13 Mementos of the Afternoon: Christopher Nolan's Ambiguous Debt to Maya Deren
213(16)
Will Brooker
Chapter 14 "Some Men Just Want to Watch the World Burn": The Politics of Christopher Nolan's Dark Knight Trilogy
229(16)
Gregory Frame
Chapter 15 The Experimental Short Films of Christopher Nolan
245(16)
Stuart Joy
Chapter 16 Catwoman in All but Name: Gender and Adaptation in Christopher Nolan's Selina Kyle
261(18)
Miriam Kent
Index 279(6)
About the Editors 285
Isabelle Labrouillčre is lecturer in performing arts and film aesthetics at the ENSAV (Ecole Nationale Supérieure dAudioVisuel), Université Toulouse Jean Jaur.

Claire Parkinson is professor of culture, communication and screen studies at Edge Hill University.
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