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El. knyga: Critical Companion to Tim Burton

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  • Formatas: PDF+DRM
  • Išleidimo metai: 16-Oct-2017
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781498552738
  • Formatas: PDF+DRM
  • Išleidimo metai: 16-Oct-2017
  • Leidėjas: Lexington Books
  • Kalba: eng
  • ISBN-13: 9781498552738

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Unlike anything currently available, A Critical Companion to Tim Burton is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.

Recenzijos

Tim Burton has captured our imagination by creating memorable worlds from the colorful suburbia of Edward Scissorhands to the Gothic architecture of Batman and unforgettable iconic characters from the confectionery genius Willy Wonka to the Pumpkin King Jack Skellington. A Critical Companion to Tim Burton offers a compelling comprehensive examination of Tim Burtons creations from a wide range of academic viewpoints. Any scholar seeking a deeper understanding of his movies would benefit from reading this collection. -- Eric Silverman, Christopher Newport University An impressive array of contemporary critical interpretations, broad in scope, on the films of Tim Burton. An important contribution to critical studies of the master filmmaker. -- Samuel Umland, University of Nebraska This volume is not only the most complete and knowledgeable book available on the cinema of Tim Burton, it is also far and away the most exciting. For it brings together the most inventive and sophisticated interpretations the gothic filmmaker's oeuvre has inspired. I am thus grateful to this 'companion,' which will surely become the best friend of admirers of Tim Burton everywhere. -- Antoine de Baecque, PSL (Research University Paris)

Introduction ix
Section I Constructing Worlds
1(70)
1 Burton's Bowl: Constructions of Space in the Films of Tim Burton
3(12)
Jeffrey Andrew Weinstock
2 The Abject, Carnivalesque, and Uncanny
15(14)
Fran Pheasant-Kelly
3 The Dark and the Darker: The Meaning and Significance of Dark and Light Colors in Tim Burton Films
29(10)
Orsolya Karacsony
4 Traces of Surrealism in the Work of Tim Burton
39(8)
Sabine Planka
5 Tim Burton's Artists of Death
47(10)
Elsa Colombani
6 The Interconnectivity of Elfman's Film Scoring and Burton's Narrative
57(14)
Andrew S. Powell
Section II Fairy Worlds and Nightmares
71(88)
7 Nightmares and the Struggle for Existence in Alice in Wonderland and Planet of the Apes
73(16)
Antonio Sanna
8 Reading Burton's The Nightmare Before Christmas with Paul Tillich
89(18)
Christopher M. Cuthill
9 Deconstructing (and Reconstructing) the Fairy Tale in Tim Burton's The Nightmare Before Christmas and Corpse Bride
107(10)
Alissa Burger
10 Mars Attacks! as Fractured Fairy Tale under Tolkien's Principles of Recovery, Escape, and Consolation
117(10)
Nicole Pramik
11 The Heroic Journey of Ed Wood
127(12)
Carl Sobocinski
12 The Paranormal Hero as a Boundary-Crosser
139(10)
Maria Dicieanu
13 Miss Peregrine's: New Home for a Peculiar Problem
149(10)
Trip McCrossin
Section III Identity and the World
159(82)
14 A Colonial Tapestry: Race and Ideology in Pee-wee's Big Adventure
161(12)
Florent Christol
15 Willy Wonka as a Contemporary Dandy
173(12)
Radoslaw Osinski
16 Batman, Burton, and the Puzzle of Identity
185(10)
Kyle Alkema
Adam Barkman
17 Fools on the Hill: Tim Burton's Nietzschean Outcasts and Heidegger's das Man
195(12)
Siobhan Lyons
18 "My Whole Life Is a Dark Room": Nostalgia and Domesticity in Beetlejuice and Edward Scissorhands
207(14)
Renee Middlemost
19 Tim Burton and the Determinist Impulse
221(10)
Brent Peters
Adam Barkman
20 Doll Doubles: Female Identity in Tim Burton's Stop-Motion Films
231(10)
Donna Mitchell
Index 241(4)
About the Contributors 245
Adam Barkman is associate professor and chair of the Philosophy department at Redeemer University College.

Antonio Sanna is a regular contributor to Interactions: Literature and Culture, Kinema and The Quint.