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Critical Responses About the Black Family in Toni Morrison's God Help the Child: Conflicts in Comradeship [Minkštas viršelis]

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  • Formatas: Paperback / softback, 232 pages, aukštis x plotis x storis: 230x153x15 mm, weight: 376 g
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Lexington Books
  • ISBN-10: 1793604002
  • ISBN-13: 9781793604002
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 232 pages, aukštis x plotis x storis: 230x153x15 mm, weight: 376 g
  • Išleidimo metai: 21-Oct-2021
  • Leidėjas: Lexington Books
  • ISBN-10: 1793604002
  • ISBN-13: 9781793604002
Kitos knygos pagal šią temą:
Critical Responses About the Black Family in Toni Morrison's God Help the Child explores the integral role of what Kobi Kambon has called the conscious African family in developing commercial success stories such as those of Morrisons protagonist, Bride. Initially, Brides accomplishments are an extension of a superficial cult of celebrity which inhabits and undermines the development of meaningful interpersonal relationships until a significant literal and metaphorical journey helps her redefine success by facilitating the building of community and family.

Recenzijos

Coming at the issues from the inside, the collaboration between Rhone Fraser, Natalie King-Pedroso & Company, Conflicts in Comradeship, provides a timely and useful contribution to studies on the African American family along with analyses of Toni Morrisons God Help the Child. -- Susan Neal Mayberry, Alfred University In 1937, Margaret Walker wrote , For my people standing staring trying to fashion a better way/from confusion from hypocrisy and misunderstanding,/ trying to fashion a world that will hold all the people,/ all the faces all the adams and eves and their countless/ generations Toni Morrisons 11th novel, God Help the Child rings with Walkers sentiments, and Natalie King-Pedroso and Rhone Frasiers Critical Responses about the Black Family in Toni Morrisons God Help the Child: Conflicts in Comradeship does as well. This important collection of essays tackles the novel as a culminating moment in Morrisons thought, a grief-filled extension of The Bluest Eye, and as a vessel sailing the African Ocean of mysteries. The text, like Morrisons own, reaches out to the shackled and tangled among ourselves with the aim of letting a beauty full of healing come forth. Conflicts in Comradeship offers a unique and brave approach to criticism, collaboration, and reading Morrisons under appreciated final work of fiction. -- Monifa A. Love Asante, Bowie State University

Acknowledgments ix
A Note on the 2019 Passing of Professor Toni Morrison xi
Editors' Introductions: Teaching Morrison's God Help the Child 1(10)
Natalie King-Pedroso
Navigating Lies to Experience What "Some Call Romantic Love" 11(16)
Rhone Fraser
PART I PROTAGONIST AS CHILD
27(72)
1 Raising the Inner Child: Lessons of Emotional Development in Toni Morrison's God Help the Child
29(16)
Jasmin Wilson
2 "The House That Race Built": Declarations of Toni Morrison's Prophetic Voice in God Help the Child and The Bluest Eye
45(18)
Khalilah Watson
3 Making Black Lives and Families Matter: Honoring Family and Fatherhood in God Help the Child
63(18)
Sukanya Senapati
4 Harvesting Sight and Mind: The Crippling of Community in Toni Morrison's God Help the Child
81(18)
Jericho Williams
PART II PROTAGONIST AS PROFESSIONAL
99(60)
5 "Sistah from Another Mista": Examining the Familial Bond between Bride and Brooklyn in Toni Morrison's God Help the Child
101(18)
Na'Imah Ford
6 The Loss and Regaining of Self: Identity Negotiation in Toni Morrison's God Help the Child
119(20)
Xenia Liashuk
7 "Memory Is the Worst Thing about Healing": Acknowledging Multigenerational Trauma and the Middle Passage Voyage of the Sable Venus in Toni Morrison's God Help the Child
139(20)
Yolanda Franklin
PART III PROTAGONIST AS PARTNER
159(42)
8 Socialized to Silence: A Close Reading of Booker Starbern and Lula Ann Bridewell in God Help the Child According to Kobi Kambon's Model of African Self-Consciousness Development
161(20)
Rhone Fraser
9 "You Will Love Them, No Matter How Ugly Their Truth Is": Truth, Onomastics, and Black Women's Humanity in Toni Morrison's God Help the Child and Mara Brock Akil's Being Mary Jane
181(20)
Natalie King-Pedroso
Appendix A Discussion Questions: Conflicts in Comradeship 201(6)
Index 207(10)
About the Editors 217(2)
About the Contributors 219
Rhone Fraser is independent scholar and member of the Toni Morrison Society.

Natalie King-Pedroso is associate professor in the department of English and modern languages at Florida A&M University.