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Cult Film Reader [Kietas viršelis]

4.25/5 (55 ratings by Goodreads)
  • Formatas: Hardback, 576 pages, aukštis x plotis x storis: 249x175x37 mm, weight: 1000 g
  • Išleidimo metai: 16-Dec-2007
  • Leidėjas: Open University Press
  • ISBN-10: 0335219241
  • ISBN-13: 9780335219247
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 576 pages, aukštis x plotis x storis: 249x175x37 mm, weight: 1000 g
  • Išleidimo metai: 16-Dec-2007
  • Leidėjas: Open University Press
  • ISBN-10: 0335219241
  • ISBN-13: 9780335219247
Kitos knygos pagal šią temą:
A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating. .Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK..Its about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in The Cult Film Reader will satisfy even the most ravenous zombies desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves..Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair..The Cult Film Reader is a great film text book and a fun read..John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jacksons Thriller..Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ?weird world cinema , cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world s unruliest images. ..This book is the world s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences...With editors? introductions to the volume and to each section, the book is divided into four clear thematic areas of study ? The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption ? to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings...Written in a lively and accessible style, The Cult Film Reader dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include Casablanca, The Rocky Horror Picture Show, Eraserhead, The Texas Chainsaw Massacre, Showgirls and Ginger Snaps...Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall; Umberto Eco; Nezih Erdogan; Welch Everman; John Fiske; Barry Keith Grant ; Joan Hawkins; Gary Hentzi; Matt Hills; Ramaswami Harindranath; J.Hoberman; Leon Hunt; I.Q. Hunter; Mark Jancovich; Henry Jenkins; Anne Jerslev; Siegfried Kracauer; Gina Marchetti; Tom Mes; Gary Needham; Sheila J. Nayar; Annalee Newitz; Lawrence O Toole; Harry Allan Potamkin; Jonathan Rosenbaum; Andrew Ross; David Sanjek; Eric Schaefer; Steven Jay Schneider; Jeffrey Sconce; Janet Staiger; J.P. Telotte; Parker Tyler; Jean Vigo; Harmony Wu.
Contributors ix
Foreword xvii
Cult corner: acknowledgements xix
Publisher's acknowledgements xxi
Editorial introduction: What is cult film? 1(12)
Note on the organization of materials 13(2)
SECTION 1: The concepts of cult
15(148)
Introduction
15(10)
`Film cults'
25(4)
Harry Allan Potamkin
`The work of art in the age of mechanical reproduction'
29(12)
Walter Benjamin
`Notes on ``camp'''
41(12)
Susan Sontag
`Uses of camp'
53(14)
Andrew Ross
`Casablanca: Cult movies and intertextual collage'
67(9)
Umberto Eco
`Science fiction double feature: Ideology in the cult film'
76(12)
Barry K. Grant
`Semiotics by instinct: ``Cult film'' as a signifying practice between film and audience'
88(12)
Anne Jerslev
```Trashing'' the academy: Taste, excess and an emerging politics of cinematic style'
100(19)
Jeffrey Sconce
`Sleaze mania, Euro-trash and high art: The place of European art films in American low culture'
119(14)
Joan Hawkins
`Media fandom, neoreligiosity and cult(ural) studies'
133(16)
Matt Hills
`Cult fictions: Cult movies, subcultural capital and the production of cultural distinctions'
149(14)
Mark Jancovich
SECTION 2: Cult case studies
163(112)
Introduction
163(10)
`Un chien andalou'
173(3)
Jean Vigo
`The anxiety of influence: Georges Franju and the medical horrorshows of Jess Franco'
176(10)
Joan Hawkins
`The obscene seen: Spectacle and transgression in postwar burlesque films'
186(14)
Eric Schaefer
`Orson Welles and the big experimental film cult'
200(8)
Parker Tyler
`Little cinema of horrors'
208(4)
Gary Hentzi
`What is a cult horror film?'
212(4)
Welch Everman
`Blaxploitation horror films: Generic reappropriation or reinscription?'
216(10)
Harry Benshoff
`Carter in context'
226(14)
Steve Chibnall
`The future of allusion: Hollywood in the seventies (and beyond)'
240(4)
Noel Carroll
`Hitchcock in Texas: Intertextuality in the face of blood and gore'
244(6)
Janet Staiger
`The essential evil in/of Eraserhead (or, Lynch to the contrary)'
250(7)
Steven Jay Schneider
`The cult of horror'
257(6)
Lawrence O'Toole
`The Blair Witch Project: Film and the internet'
263(12)
J.P. Telotte
SECTION 3: National and international cults
275(94)
Introduction
275(9)
`El Topo: Through the wasteland of the counterculture'
284(10)
J. Hoberman
Jonathan Rosenbaum
`Playing with genre: An introduction to the Italian giallo'
294(7)
Gary Needham
`Han's Island revisited: Enter the Dragon as transnational cult film'
301(8)
Leon Hunt
`Magical girls and atomic bomb sperm: Japanese animation in America'
309(11)
Annalee Newitz
`The Killer: Cult film and transcultural (mis)reading'
320(8)
Jinsoo An
`Trading in horror, cult and matricide: Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success'
328(11)
Harmony Wu
`Invisible representation: The oral contours of a national popular cinema'
339(10)
Sheila J. Nayar
`Mute bodies, disembodied voices: Notes on sound in Turkish popular cinema'
349(11)
Nezih Erdogan
`Ichi the Killer'
360(9)
Tom Mes
SECTION 4: Cult consumption
369(126)
Introduction
369(12)
`Cult of distraction: On Berlin's Picture Palaces'
381(5)
Siegfried Kracauer
`Introduction to Distinction'
386(6)
Pierre Bourdieu
`Portrait of a cult film audience: The Rocky Horror Picture Show'
392(11)
Bruce A. Austin
`Subcultural studies and the film audience: Rethinking the film viewing context'
403(16)
Gina Marchetti
`Fans' notes: The horror film fanzine'
419(10)
David Sanjek
```Get a life!'': Fans, poachers, nomads'
429(16)
Henry Jenkins
`The cultural economy of fandom'
445(11)
John Fiske
`The Crash controversy: Reviewing the press'
456(16)
Martin Barker
Jane Arthurs
Ramaswami Harindranath
`Beaver Las Vegas! A fan-boy's defence of Showgirls'
472(10)
I.Q. Hunter
`Menstrual monsters: The reception of the Ginger Snaps cult horror franchise'
482(13)
Martin Barker
Ernest Mathijs
Xavier Mendik
Cult bibliography 495(28)
Index of film titles 523(10)
General index 533
Ernest Mathijs heads the Centre for Cinema Studies at the University of British Columbia, Canada. Xavier Mendik is Director of the Cult Film Archive and Convenor of the MA in Cult Film and TV at Brunel University, UK.