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Cults of Raphael and Michelangelo: Artistic Sainthood and Memorials as a Second Life [Kietas viršelis]

  • Formatas: Hardback, 298 pages, aukštis x plotis: 246x174 mm, weight: 880 g, 43 Halftones, color; 85 Halftones, black and white; 43 Illustrations, color; 85 Illustrations, black and white
  • Serija: Visual Culture in Early Modernity
  • Išleidimo metai: 29-Jul-2022
  • Leidėjas: Routledge
  • ISBN-10: 0367254751
  • ISBN-13: 9780367254759
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 298 pages, aukštis x plotis: 246x174 mm, weight: 880 g, 43 Halftones, color; 85 Halftones, black and white; 43 Illustrations, color; 85 Illustrations, black and white
  • Serija: Visual Culture in Early Modernity
  • Išleidimo metai: 29-Jul-2022
  • Leidėjas: Routledge
  • ISBN-10: 0367254751
  • ISBN-13: 9780367254759
Kitos knygos pagal šią temą:
"This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame-or second life-from their own times through the nineteenth century. These two artists inspired fervent followings like noother artists before them. The affective response of those touched by the potency of the physical presence of their artworks, personal effects, and remains-or even touched by the power of their creative legacy-opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to that of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies"--

This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century.

These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo.

By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.



This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century.

List of figures
ix
Acknowledgements (A Million Thanks) xvi
Introduction 1(29)
Overview and intent
1(6)
Memory and memorials
7(4)
Imitation and idolization
11(7)
Scholarly context and chapter summaries
18(5)
Notes
23(7)
1 From making one's mark to artistic apotheosis
30(22)
Affirmations of accomplishment
30(4)
Surpassing Nature
34(3)
Artistic divinity and artists' hands
37(4)
Artworks as relics
41(4)
Notes
45(7)
2 Antecedents: Artist tombs before Raphael
52(28)
Funerary monuments as a second life
52(2)
Honoring architects
54(2)
Painters' tombs
56(5)
Outdoing Apelles
61(6)
Carving the way
67(6)
Notes
73(7)
3 Raphael as artifex divinus: Entombment and disciples
80(20)
Death and memorialization
80(3)
The lamentation of the artist
83(3)
Tombs of Raphael's associates
86(2)
The Virtuosi al Pantheon
88(6)
Notes
94(6)
4 Michelangelo's scrittura from beginning to end
100(19)
Signing St. Peter's Pieta and the response
100(4)
Sculptor's mark
104(5)
Carving the Florentine Pieta
109(5)
Notes
114(5)
5 Sixteenth-century self-made memorials
119(27)
Centered on Christ in central Italy
119(11)
More tombs for/by sculptors
130(3)
The Vasari family mausoleum
133(4)
Vasari's (self-)commemoration
137(2)
Notes
139(7)
6 Mourning Michelangelo
146(24)
The death of Il Divino
146(2)
The Esequie
148(6)
Monuments for Michelangelo
154(10)
Notes
164(6)
7 Brotherhood and burial
170(35)
Academies and interment
170(1)
Communal burial and the Accademia del Disegno
171(8)
In Michelangelo's wake in Venice and Bologna
179(7)
Annibale's interment near Raphael
186(2)
The Accademia di San Luca, Raphael, and Maratti
188(9)
Notes
197(8)
8 The longue duree
205(40)
Forever famous and celebrity seekers
205(6)
Cultural tourism: "In Santa Croce with no Baedeker"
211(2)
Revived renown
213(4)
Opening Raphael's grave and other celebrations
217(8)
Michelangelo centenaries
225(6)
RIP (conclusion)
231(5)
Notes
236(9)
Bibliography 245(38)
Glossary 283(4)
Index 287
Tamara Smithers is Professor of Art History at Austin Peay State University, USA.