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El. knyga: Cultural Disability Studies in Education: Interdisciplinary Navigations of the Normative Divide

(Liverpool Hope University, UK)

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Over the last few decades disability studies has emerged not only as a discipline in itself but also as a catalyst for cultural disability studies and Disability Studies in Education. In this book the three areas become united in a new field that recognises education as a discourse between tutors and students who explore representations of disability on the levels of everything from academic disciplines and knowledge to language and theory; from received understandings and social attitudes to narrative and characterisation.

Moving from late nineteenth to early twenty-first-century representations, this book combines disability studies with aesthetics, film studies, Holocaust studies, gender studies, happiness studies, popular music studies, humour studies, and media studies. In so doing it encourages discussion around representations of disability in drama, novels, films, autobiography, short stories, music videos, sitcoms, and advertising campaigns. Discussions are underpinned by the tripartite model of disability and so disrupt one-dimensional representations.

Cultural Disability Studies in Education encourages educators and students to engage with disability as an isolating, hurtful, and joyful experience that merits multiple levels of representation and offers true potential for a non-normative social aesthetic. It will be required reading for all scholars and students of disability studies, cultural disability studies, Disability Studies in Education, sociology, and cultural studies.

Recenzijos

'David Bolt is one of the foundational scholars working in critical disability studies, and the clear and concise outline of disability and education here showcases his extensive knowledge of the field. Well-written, accessible, and with a wide range of examples from across disciplines, this book is essential reading for everyone working in the subject areas on which it focuses.' - Professor Stuart Murray, Director, Leeds Centre for Medical Humanities, University of Leeds

Though the book was composed in the UK, its use is broader. Bolt clarifies terminology for UK and US audiences, and the book will benefit an audience of students and newer scholars, as well, due to its extensive but focused use of core terminology (supported by a glossary of 17 key terms), the artful illustration of concepts, and the well-researched bibliographies at the end of each chapter. Overview of critiques and interpretations of the primary texts, of interdisciplinary fields, and of Disability Studies concepts (like embodiment, narrative prosthesis, Speech Act theory, and performativity (51)), are especially instructive. Disability Studies Quarterly 40:1 2020.

The best thing about this book is that it can possibly inform and reform a seemingly limitless number of critical cultural conversations. In addition to the scholarly takeaways this book offers, however, is the potential for more community and relational equity in cultural learning environments by inviting cripistemology into the conversation, not just as a valid discourse, but as a guiding one. Journal of Literary and Cultural Disability Studies 14:1 2020.

Acknowledgements x
Introduction: Cultural disability studies in education: Fields, representations, and social aesthetics 1(14)
Introduction: Social sciences, humanities, and education I The tripartite model of disability: A critical framework
3(4)
Navigations of the normative divide: Social aesthetics and cultural representations
7(3)
Conclusion: Cultural Disability Studies in Education
10(5)
1 Visions from the yellow decade: Disability, aesthetics, and residual existence
15(11)
Preliminary discussion: Disability studies and aesthetics
15(1)
Divided and divided again: The imaginary of doom and gloom
16(3)
Shambolic but symbolic: Revolutionary misrepresentation
19(2)
Not so novel: The resonance of pre-surrealism and realism
21(2)
Concluding discussion: Oailaruormative aesthetics
23(1)
Indicative questions
24(2)
2 From sideshow to cinema: Disability, film, and horrification
26(11)
Preliminary discussion: Disability studies and film studies
26(1)
Narrative with a vengeance: One of us
27(3)
Nightmare scenario: From children to monsters
30(2)
Behind the monster: Unexpected praise
32(1)
Concluding discussion: Horrification and society
33(1)
Indicative questions
34(3)
3 Remembering the drowned and the saved: Disability, Holocaust, and the inadequacies of representation
37(12)
Preliminary discussion: Disability studies and Holocaust studies
37(1)
Realities of representation: Classic and critical approaches
38(2)
Darning from Did: Humanity, criticality, and dignity
40(3)
Keeping the lessons alive: The necessity of multiplicity
43(2)
Concluding discussion: Supplementing the moral imperative
45(2)
Indicative questions
47(2)
4 In the log house: Disability, gender, and resistance to social norms
49(12)
Preliminary discussion: Disability studies and gender studies
49(1)
Identity politics: Gender, disability, and juxtapositions
50(2)
Unhappy accident: Left bereft
52(3)
Man and boy: From trivialisation to infantilisation
55(2)
Concluding discussion: Her and him
57(1)
Indicative questions
58(3)
5 Stuff" happens: Disability, happiness, and the pursuit of cure
61(12)
Preliminary discussion: Disability studies and happiness studies
61(1)
The shock of happiness: Blindness is bliss
62(3)
It might never happen: From contentment to uncertainty
65(2)
As it happens: Life writing
67(1)
Concluding discussion: Happiness-cure synonymy
68(1)
Indicative questions
69(4)
6 End of the rock star: Disability, music, and the passage of time
73(12)
Preliminary discussion: Disability studies and popular music studies
73(1)
Rock star persona: Now and then
74(5)
Revolutionary representation: From normative to non-normative positivisms
79(1)
Concluding discussion: The heroes and casualties of tragic representation
80(2)
Indicative questions
82(3)
7 One of the crowd: Disability, humour, and the contradictions of comedy
85(11)
Preliminary discussion: Disability studies and humour studies
85(1)
How everyone talks: Disabling language
86(3)
Here today: Disabling narrative
89(3)
Concluding discussion: Latent disability humour
92(1)
Indicative questions
93(3)
8 On the campaign trail: Disability, mass media, and levels of representation
96(13)
Preliminary discussion: Disability studies and media studies
96(1)
Real beauty and real blindness: Wonderful representation
97(3)
The sighted face of blindness: Fearful and pitiful representation
100(3)
Dramatics and problematics: Nothing more than need
103(1)
Concluding discussion: The need for inultifaceted representation
104(1)
Indicative questions
105(4)
Epilogue 109(5)
Glossary of terms 114(2)
Index 116
David Bolt is Professor in the Department of Disability and Education at Liverpool Hope University, UK, where he is also Director of the Centre for Culture and Disability Studies. He is the editor-in-chief of the Journal of Literary and Cultural Disability Studies; a series editor of Literary Disability Studies; and a general editor of A Cultural History of Disability. Previous books include The Madwoman and the Blindman (2012); The Metanarrative of Blindness (2014); Changing Social Attitudes Toward Disability (Routledge, 2014); and Disability, Avoidance, and the Academy (Routledge, 2016).