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Cultural Practice of Immigrant Filmmaking: The Conditions and Practices of Migrant Minor Cinemas in Sweden 1950-1990 New edition [Kietas viršelis]

(Department of Media Studies, Stockholm University), Foreword by (University of Southern California, USA), (Centre for Languages and Literature, Lund University)
  • Formatas: Hardback, 210 pages, aukštis x plotis x storis: 23x18x2 mm, weight: 482 g, 15 Halftones, unspecified
  • Išleidimo metai: 09-Apr-2019
  • Leidėjas: Intellect Books
  • ISBN-10: 1783209860
  • ISBN-13: 9781783209866
Kitos knygos pagal šią temą:
Cultural Practice of Immigrant Filmmaking: The Conditions and Practices of Migrant Minor Cinemas in Sweden 1950-1990 New editionDidesnis paveikslėlis
  • Formatas: Hardback, 210 pages, aukštis x plotis x storis: 23x18x2 mm, weight: 482 g, 15 Halftones, unspecified
  • Išleidimo metai: 09-Apr-2019
  • Leidėjas: Intellect Books
  • ISBN-10: 1783209860
  • ISBN-13: 9781783209866
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781783209866.html
Raktažodžiai:
This book will be released as Open Access.

Based on a research project funded by the Swedish Research Council, this book examines 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic, and cultural circumstances that surround migrant filmmaking, discuss associations that became important sites of self-organization for exiled filmmakers, and explore the cultural practice of minor immigrant cinema archiving. The Cultural Practice of Immigrant Filmmaking applies film theory to immigrant filmmaking in a transnational context, exploring how immigrant filmmakers use film to find a place in a new cultural situation.

Recenzijos

This fascinating and painstakingly researched book unearths the rich history of immigrant filmmaking and film workshops in Sweden, interrogating the concept of minor cinema and the tenets of film historiography. Offering ten case studies, Andersson and Sundholm examine the films as one element in a complex process and practice encompassing filmmaker associations, film policy, audiences and archives. -- C. Claire Thomson, Associate Professor of Scandinavian Film, UCL

Foreword vii
David E. James
Acknowledgements ix
Introduction: The Cultural Practice of Immigrant Filmmaking 1(18)
Film and theory
6(1)
Minor cinemas, the public sphere and the production of locality
7(5)
Migration and diaspora: Notes on recent research
12(3)
Outline of the book
15(4)
Chapter 1 Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema
19(16)
Accented cinema
21(4)
Minor cinema
25(4)
Beyond textual models of the accented and exilic
29(6)
Chapter 2 Conditions of Production: Immigrant's Associations and Workshops in Sweden
35(32)
Immigration and culture in post-war Sweden
37(3)
Establishing experimental film culture: The Independent Film Group
40(5)
Immigrant film as cultural policy: The Stockholm Film Workshop
45(4)
The momentary agency: Cineco (Cinecooperativo)
49(2)
To be or not to be a filmmaker: Kaleidoscope
51(5)
Do it yourself: The Tensta Film Association
56(3)
The production of film, the production of experience and the public
59(8)
Chapter 3 From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden
67(48)
Fabulations in the minor key
69(1)
Studie 1 (Uppvaknandet)
70(7)
Peter Weiss
Monos by the Tensta Film Association (1974)
77(4)
Vill du folja med mig Martha? by the Tensta Film Association (1980)
81(5)
Interference by Maureen Paley (1977)
86(3)
Jordmannen by Muammer Ozer (1980)
89(4)
Hagringen by Guillermo Alvarez (1981)
93(4)
Havet ar langt borta by Reza Bagher (1983)
97(4)
Loftet by Menelaos Carayannis (1984)
101(3)
La espera by Myriam Braniff (1989)
104(4)
Fern minuter for Amerikas doda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by Cesar Galindo (1992)
108(4)
Projecting a public, creating a context
112(3)
Chapter 4 The Cultural Practice of Minor Immigrant Cinema Archiving
115(22)
The archival life of cinema
117(2)
The archival trajectories of the immigrant films
119(3)
The Stockholm Film Workshop and immigrant filmmaking
122(3)
Performing accidental archives
125(2)
Dispositif in the making, palimpsests of minor histories and the politics of recognition
127(4)
Conclusion: Immigrant Filmmaking as Minor Cinema Practice
131(6)
Bibliography 137(8)
Filmography 145(2)
Names Index 147(6)
Film Index 153(2)
Subject Index 155
Lars Gustaf Andersson is professor of film studies at Lund University.





John Sundholm is chair of the Department of Media Studies and professor of cinema studies at Stockholm University.