Foreword |
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ix | |
Acknowledgments |
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xi | |
Preface: "Why Are We Reading This?" |
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xiii | |
The Tar Baby Incident |
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xiii | |
The LIST Paradigm: A Guided Approach to Teaching Literature |
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xv | |
Creating the LIST Paradigm |
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xix | |
Introduction: Culturally Responsive Reading: What It Is and Why It Matters |
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1 | (14) |
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"Moving Out Beyond Yourself": Coping With Culture Shock |
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3 | (1) |
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Defining "American" Literature: Reading Western "Classics" |
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4 | (1) |
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Exploring Postcolonial Literature: Telling Our Own Stories |
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5 | (1) |
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Achieving Agency: Rejecting "The White Criterion" |
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6 | (1) |
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Misreading Multicultural Texts |
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6 | (4) |
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10 | (5) |
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PART I THE LIST PARADIGM: A GUIDE TO CULTURALLY RESPONSIVE READING |
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1 Culture in the Classroom: Introducing the LIST Paradigm |
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15 | (20) |
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16 | (1) |
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17 | (3) |
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Exploring Definitions of "Culture" |
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20 | (2) |
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22 | (1) |
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Introducing the LIST Paradigm |
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22 | (1) |
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23 | (2) |
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25 | (1) |
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25 | (2) |
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Teaching Through the Lens of Culture |
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27 | (8) |
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2 Telling Our Stories: Exploring the Power of Narrative |
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35 | (8) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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40 | (3) |
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3 Readers, Reading, and the Reading Process |
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43 | (20) |
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44 | (1) |
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44 | (5) |
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49 | (14) |
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4 Interrogating the Text: Asking Significant Questions |
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63 | (12) |
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Conflicting Views on Reading Literature |
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63 | (1) |
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Engaging Questions From Other Disciplines |
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64 | (3) |
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Who Is "Qualified" to Speak? |
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67 | (8) |
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PART II EXPLORING THE LIST PARADIGM: FOUR "KEYS TO CULTURE" |
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5 Language: "How Does the Author Contextualize Linguistic Signs and Symbols?" |
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75 | (22) |
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76 | (1) |
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Language in Postcolonial Studies |
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77 | (1) |
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Reading Ousmane Sembene's Niiwam |
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78 | (1) |
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Language Creation: Code-Switching and Code-Meshing |
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79 | (1) |
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Language Validation: Standard English and Vernacular |
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80 | (1) |
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Language Use: Unlocking the Power of Language |
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81 | (12) |
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Significant Questions---General |
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93 | (1) |
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Significant Questions---Music |
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93 | (4) |
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6 Identity: "Who Are These People and What Do They Want?" |
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97 | (14) |
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Identity Politics (Race, Racism, and Colorism) |
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98 | (5) |
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103 | (3) |
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106 | (3) |
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109 | (2) |
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7 Space: "How Do Characters Negotiate the Text's Physical, Psychological, and Cultural Landscapes?" |
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111 | (12) |
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112 | (2) |
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114 | (1) |
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115 | (1) |
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Counterspaces (Third Space Theory) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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Cultural Landscapes: The Slave Ship |
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119 | (1) |
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119 | (1) |
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120 | (3) |
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8 Time: "How Does the Author Manipulate Time?" |
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123 | (12) |
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Cultural Perceptions of Time |
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123 | (1) |
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124 | (1) |
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124 | (1) |
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Exploring Time in Contemporary Fiction |
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125 | (5) |
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130 | (5) |
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PART III EXPLORING THE LIST PARADIGM: UNLOCKING THE TEXT |
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9 Cultural Contexts for The Brief Wondrous Life of Oscar Wao |
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135 | (7) |
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136 | (1) |
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137 | (1) |
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History: The Parsley Massacre |
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138 | (1) |
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138 | (1) |
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139 | (3) |
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10 Exploring the LIST Paradigm: Reading The Brief Wondrous Life of Oscar Wao |
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142 | (12) |
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143 | (1) |
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144 | (1) |
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Language: "How Does the Author Contextualize Linguistic Signs and Symbols?" |
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144 | (3) |
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Identity: "Who Are These People and What Do They Want?" |
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147 | (3) |
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Space: "How Do Characters Negotiate the Text's Physical, Psychological, and Cultural Landscapes?" |
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150 | (2) |
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Time: "How Does the Author Manipulate Time?" |
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152 | (2) |
Coda |
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154 | (2) |
Appendix A.1 Exploring the LIST Paradigm: A Reader's Guide |
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156 | (2) |
Appendix A.2 LIST Paradigm Worksheet |
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158 | (2) |
Appendix B Defining Elements of Morrison's Fiction |
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160 | (3) |
Appendix C Notes on Narrative Structure |
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163 | (6) |
Appendix D Suggestions for Pairing Texts |
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169 | (4) |
References |
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173 | (11) |
Index |
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184 | (10) |
About the Author |
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194 | |