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El. knyga: Culture, Communication, and Creativity: Reframing the Relations of Media, Knowledge, and Innovation in Society

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  • Formatas: PDF+DRM
  • Išleidimo metai: 01-Apr-2014
  • Leidėjas: Peter Lang AG
  • Kalba: eng
  • ISBN-13: 9783653043747
  • Formatas: PDF+DRM
  • Išleidimo metai: 01-Apr-2014
  • Leidėjas: Peter Lang AG
  • Kalba: eng
  • ISBN-13: 9783653043747

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Scholars of sociology, media, and other social sciences address the role of creativity from the perspective of the sociology of culture by focusing on creativity as meaning. One of their theses is that the rising importance of creativity in modern culture is related to the dramatic changes in communication. The topics include performing arts and participatory culture in the continuum from professionals to amateurs, a cultural perspective on the creative documentary film genre, exploring creativity's hidden resources and constraints, the intercultural aspect of time and space in mass media, and community as the key to creativity in wired popular culture. Annotation ©2014 Ringgold, Inc., Portland, OR (protoview.com)
Introduction: Culture, Communication, and Creativity 7(16)
Hubert Knoblauch
Mark D. Jacobs
Rene Tuma
I Culture and Creativity
Creativity as Dispositif
23(12)
Andreas Reckwitz
Cultural Conditions of Creation: A Communication-Centered Approach to Reckwitz' "Creativity Dispositif
35(12)
Michael Hutter
Creative Labor and the Production of Culture: Toward a Sociology of Commonality
47(16)
Rudi Laermans
The Networked Amateur: Performing Arts and Participatory Culture in the Continuum Professionals-Amateurs
63(18)
Giovanni Boccia Artieri
Laura Gemini
Creative Bodies and Creative "Leib" in Everyday Life
81(18)
Anna Lisa Tota
II Creativity and Communication
"Anybody got an idea?" Communicative Forms, Roles and Legitimations in the Communicative Genesis and Negotiation of Social Innovations
99(22)
Anika Noack
"Creative Documentary Film": A Cultural Perspective on a Film Genre
121(14)
Mathias Blanc
Photographing as Creative and Communicative Action
135(20)
Thomas S. Eberle
III Communication and Culture
Communication Culture and Powerpoint
155(22)
Hubert Knoblauch
Towards a Sociology of Voice: Exploring Creativity's Hidden Resources and Constraints
177(20)
Nick Couldry
IV Media and Mediatization
Culture, Communication, and the Media: The Challenges of Mediatization Research
197(14)
Andreas Hepp
The Visual, the Optical and the Scopic as Modalities of Mediatization
211(16)
Joost van Loon
Communication Regimes and Creativity
227(20)
Boris Traue
Social Media in Organizations: Fostering Creativity and Communication---Changing Culture in the Process
247(20)
Sabine Pfeiffer
V Applied Studies in Culture, Communication and Creativity
Highbrow, Omnivore, and Voracious Cultural Consumption Patterns in the Netherlands: An Explanation of Trends between 1975 and 2005
267(22)
Koen van Eijck
Gerbert Kraaykamp
Time and Space in Mass Media Discourse: The Intercultural Aspect
289(14)
Tatiana Mozhaeva
The Case of Berlin Gas Street Lighting: Translating Engagement into Innovation
303(22)
Nona Schulte-Romer
Creativity in Learning Scenarios
325(16)
Julia Walter-Herrmann
Corinne Buching
The Internet and Creativity: Children as Prosumers of Online Cultural Content
341(14)
Nuno de Almeida Alves
Ana Delicado
Ana Nunes de Almeida
Diana Carvalho
Stories of Chairs: Digital Media and Participation in Creative Communication
355(14)
Jorge Brandao Pereira
Heitor Alvelos
Serious Eats: Community as the Key to Creativity in Wired Popular Culture
369(18)
Mark D. Jacobs
Contributors 387
Hubert Knoblauch has studied sociology, philosophy and history in Konstanz (Germany) and Brighton (United Kingdom). He was Senior Researcher at Kings College London and Professor for Sociology of Religion at Zurich University. He is Chair for General Sociology/Theories of Modern Societies at the Technical University of Berlin and Chair of the European Sociological Association Research Network on Sociology of Culture. Mark Jacobs is Professor of Sociology at George Mason University, where he was founding director of the first interdisciplinary PhD Program in Cultural Studies in the USA. He is a past chair of the Section on the Sociology of Culture of the American Sociological Association, and chair of the Research Network on Culture of the European Sociological Association. René Tuma is a full-time researcher at the Chair of General Sociology and Theories of Modern Societies at the TU Berlin. He has studied sociology at the TU Berlin and at Kings College London. His research interests include sociology of knowledge, technology, visuality, and interaction as well as qualitative research methods.