Atnaujinkite slapukų nuostatas

El. knyga: Cultures of Compunction in the Medieval World

Volume editor (University of Sheffield, UK), Volume editor (University of Sheffield, UK)

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society.

Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.

Recenzijos

Ranging far geographically, temporally, and methodologically, this illuminating book demonstrates the varied roles compunction played not only in the languages, gestures, and feelings of medieval devotion but also in the conceptions and practices of its daily life. * Barbara H. Rosenwein, Professor Emerita, Loyola University Chicago, USA * This fascinating re-examination of the strategies by which compunction is understood and expressed in the medieval arts provides comprehensive exploration of its subject that will appeal to anyone with an interest in emotions scholarship, whatever their discipline. * Frances McCormack, School of English and Creative Arts, National University of Ireland, Galway, Ireland *

Daugiau informacijos

Explores how emotion could be expressed, experienced and performed in the middle ages using a range of disciplinary approaches.
List of illustrations
vi
Notes on contributors viii
Acknowledgements x
Abbreviations xi
Introduction 1(14)
Graham Williams
Charlotte Steenbrugge
1 Crying out with the compunction of the Prodigal Son: Byzantine hymns, liturgical emotions and icons of repentance
15(12)
Andrew Mellas
2 Repenting in their own words: Old English vocabulary for compunction, contrition and penitence
27(34)
Daria Izdebska
3 A concept without relevance? Compunction in Old Norse-Icelandic literature
61(26)
Roland Scheel
4 William of Auvergne and compunction: Describing the world through metaphors
87(16)
Beatrice Delaurenti
5 Seawater in flame: Compunction in the Lambeth and Trinity homilies
103(16)
Ayoush Lazikani
6 The expression of remorse in Old and Middle French literature
119(24)
Corinne Denoyelle
7 Peter's three tears
143(23)
Veronique Plesch
Notes 166(53)
Bibliography 219(34)
Index 253
Graham Williams is Senior Lecturer in the History of English at the University of Sheffield, UK.

Charlotte Steenbrugge is Vice-Chancellor Fellow at the School of English, University of Sheffield, UK.