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Cultures of Forgery: Making Nations, Making Selves [Kietas viršelis]

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In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Figures vii
Preface ix
Acknowledgments xv
PART 1: Forging Nations
1 Forging Truth in Medieval England
3(12)
DEREK PEARSALL
2 Forging a Past: The Sibylline Books and the Making of Rome
15(14)
SAROLTA A. TAKACS
3 Forging Czechs: The Reinvention of National Identity in the Bohemian Lands
29(24)
ALFRED THOMAS
4 Eclectic Fabrication: St. Petersburg and the Problem of Imperial Architectural Style
53(26)
JULIE A. BUCKLER
5 The Blankness of Dali, or Forging Catalonia
79(32)
BRAD EPPS
PART 2: Forging Selves
6 The Art of Forging Music and Musicians: Of Lighthearted Musicologists, Ambitious Performers, Narrow-Minded Brothers, and Creative Aristocrats
111(16)
REINHOLD BRINKMANN
7 Jean-Etienne Liotard's Envelopes of Self
127(18)
EWA LAJER-BURCHARTH
8 Wrestling with Representation: Reforging Images of the Artist and Art in the Russian Avant-Garde
145(24)
JOHN E. MALMSTAD
9 After the "Death of the Author": The Fabrication of Helen Demidenko
169(18)
JUDITH RYAN
10 Facts, Writing, and Problems of Memory in Memoir: The Wilkomirski Case
187(12)
SUSAN RUBIN S ULEIMAN
11 The Fascination of a Fake: The Hitler Diaries
199(14)
ERIC RENTSCHLER
Contributors 213(4)
Index 217


Alfred Thomas is Professor of Slavic and Baltic Languages and Literatures at the University of Illinois at Chicago and Head of Department. From 1996 to 2002 he was John L. Loeb Associate Professor of the Humanities at Harvard University. He is the author of four books, the most recent of which are Anne's Bohemia: Czech Literature and Society, 1310-1420 (University of Minnesota Press, 1998) and Embodying Bohemia: Questions of Gender and Sexuality in Modern Czech Culture (forthcoming, University of Wisconsin Press, 2004). Judith Ryan is the Robert K. and Dale J. Weary Professor of German and Comparative Literature at Harvard University. She is the author of Umschlag und Verwandlung (on Rilke's poetry; 1972), The Uncompleted Past: Postwar German Novels and the Third Reich (1983), The Vanishing Subject:Early Psychology and Literary Modernism (1991), and Rilke, Modernism and Poetic Tradition (1999). She has also written articles on such authors as Franz Kafka, Paul Celan, Christa Wolf, and Günter Grass. She is currently at work on a book about the relation of the contemporary novel to literary theory.