This is a brilliant book, written with wit and vigour, in which Tabitha Stanmore explores the pre-modern places where magic was real, offering not only practical solutions for ordinary problems but a way of feeling about the world, an emotional relationship between anxious humans, cosmic forces, and the mundane mysteries of their lives * Malcolm Gaskill, author of The Ruin of All Witches * Absolutely fascinating. Cunning Folk is a much-needed book that draws attention to a little-known but important aspect of daily life. Like all good history books, it tells us about ourselves as well as the past. It will both inform and inspire readers * Ian Mortimer, author of Medieval Horizons * Eye-opening ... [ Cunning Folk] gives a human face to magic in medieval and early modern England, bringing us closer than ever to the hopes, dreams and aspirations of both clients and practitioners * History Today * Tabitha Stanmores engaging new social history of magic . . . full of such magical tips and colourful vignettes . . . Shes clearly a sharp reader of social realities, and sometimes offers clear-eyed social assessments of why magical rituals had real-world consequences . . . the result is this cheerful, colourful compendium of stories, which crackles with incident -- Kate Maltby * Financial Times * Illuminating Cunning Folk shows us that our forebears were seeking answers through the tools they had * Spectator * Spirited and richly detailed With hundreds of colourful incidents drawn from legal records, court chronicles and contemporary accounts, Stanmore hopscotches through history, exploring the uses to which cunning folk were put * New York Times * This is a fascinating book, clearly written and illuminating about the psychological necessity of magical thought * Literary Review * A fascinating and intricately researched book that opens a window into another world * Tracy Borman, author of Anne Boleyn & Elizabeth I * The best introduction to late medieval and early modern popular magic yet written ... Comprehensive, humane, lively, and a great read * Ronald Hutton, author of The Witch * This isn't just a book: it's a window on the hopes, passions and lives of Europe five centuries ago. We know the horror film version of magic. Tabitha Stanmore - uncovering a whole treasure house of long-lost private lives - adds the rich, fresh, human version * Michael Pye, author of The Edge of the World *
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