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El. knyga: Dak'Art: The Biennale of Dakar and the Making of Contemporary African Art [Taylor & Francis e-book]

  • Formatas: 232 pages
  • Serija: Criminal Practice Series
  • Išleidimo metai: 29-Apr-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003085157
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 129,25 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 184,65 €
  • Sutaupote 30%
  • Formatas: 232 pages
  • Serija: Criminal Practice Series
  • Išleidimo metai: 29-Apr-2022
  • Leidėjas: Routledge
  • ISBN-13: 9781003085157
Kitos knygos pagal šią temą:
What can an art biennale in Dakar, Senegal, tell us about current discourses surrounding the place of art in the world, and in the academic study of anthropology? This volume investigates the Dak'Art biennale, ranked among the world's top 20 biennials, drawing upon fieldwork, archival research, and the experiences of those involved. In so doing, the chapters make a statement about the impact of globally-acting art biennials, contributing to current scholarship both on biennales and the anthropology of art scene more widely.

Part I opens with the history of its foundation and considers it in conjunction with the rise of contemporary art in Senegal. Part II deals with the biennale's various objectives, selection strategies, exhibition spaces, platforms for debate, and discourses between the State, the secretariat and local artists and art world professionals. Part III examines the cyclical creation of contemporary African art, and questions if the Biennial creates local canonical practices. The Epilogue uses the Dak'art biennale to question assumptions around practice in general biennale scholarship and work. Featuring a dialogic structure between practitioners of art and anthropologists, this unique volume will be of interest to students of anthropology, art history and practice, African studies and curatorial practice.
List of Illustrations
vii
Contributors x
Acknowledgements xiv
Notes on Texts xvi
Introduction 1(20)
Ugochukwu-Smooth C. Nzewi
Thomas Fillitz
Part I HISTORICAL PERSPECTIVES
Chapter 1 The Foundation and History of the Biennale of Dakar
21(16)
Ugochukwu-Smooth C. Nzewi
Chapter 2 A Politico-Economic History of Modern and Contemporary art in Senegal: From Negritude to The LOGICS of the Open Society
37(16)
Massamba Mbaye
Chapter 3 The `Distancing Children' From Senghor's Openness Take a Stance
53(14)
Viye Diba
Part II DAK'ART -- THE BIENNALE OF CONTEMPORARY AFRICAN ART
Chapter 4 Selection Committees, Selection Processes and Application Procedures
67(20)
Ugochukwu-Smooth C. Nzewi
Thomas Fillitz
Chapter 5 Encounters and Exchanges: An Intellectual History of the Biennale of Dakar
87(10)
El Hadji Malick Ndiaye
Chapter 6 Dak'Art and the Production of Its Public
97(14)
Thomas Fillitz
Chapter 7 The Biennale of Dakar and the State of Senegal
111(12)
Sylvain Sankale
Chapter 8 Reimagining the Biennale of Dakar
123(8)
Koyo Kouoh
Eva Barois De Caevel
PART III CONTEMPORARY AFRICAN ART AT DAK'ART
Chapter 9 The Making of a Canon: Historicizing Contemporary African Art at Dak'Art
131(20)
Ugochukwu-Smooth C. Nzewi
Chapter 10 All the City is an Exhibition: The Dak'Art--Off in the Biennale and in Dakar's Art World City
151(14)
Joanna Grabski
Chapter 11 Dak'Art's Ecosystem: In and Out of Senegal
165(6)
Iolanda Pensa
Epilogue: Global Biennial Discourses: A Critical View From Dak'Art 171(12)
Thomas Fillitz
Ugochukwu-Smooth C. Nzewi
Notes 183(12)
References 195(14)
Index 209
Ugochukwu-Smooth Nzewi completed his PhD at Emory University, USA. He is a Visual Artist, Art Historian and Curator. He works at the Cleveland Museum of Art, USA.Thomas Fillitz is Professor of Cultural and Social Anthropology at the University of Vienna, Austria. He is the editor of An Anthropology of Contemporary Art (2017).