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El. knyga: Dance, Disability and Law: InVisible Difference

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  • Formatas: PDF+DRM
  • Išleidimo metai: 15-Jul-2018
  • Leidėjas: Intellect Books
  • Kalba: eng
  • ISBN-13: 9781783208692
  • Formatas: PDF+DRM
  • Išleidimo metai: 15-Jul-2018
  • Leidėjas: Intellect Books
  • Kalba: eng
  • ISBN-13: 9781783208692

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This collection is the first book to focus on the intersection of dance, disability, and the law. Bringing together a range of writers from different disciplines, it considers the question of how we value, validate, and speak about diversity in performance practice, with a specific focus on the experience of differently-abled dance artists within the changing world of the arts in the United Kingdom.  Contributors address the legal frameworks that support or inhibit the work of disabled dancers and explore factors that affect their full participation, including those related to policy, arts funding, dance criticism, and audience reception.

Recenzijos

The six coeditors of this reference, who are variously scholars of dance and law, focus on the nexus between normative (often idealized) dance, what the British call disabled dance, and the law. The text highlights the fact that dancers with disabilities dont conform to the expected parameters of athleticism and grace that epitomize most able-bodied performance. These dancers are often marginalized, and public awareness of the vast talent expressed by dancers with disabilities is therefore limited; the audience has very different expectations of the performance of a dancer with a disability versus an able-bodied performer's. The volume's contributors are chiefly British; most are performers with a disability who share their experiences and knowledge, highlighting both the challenges faced on a daily basis as well as the passionate joy of creating an enjoyable production. Many productions described in this text aim to dismantle societal stereotypes of disability by inviting the audience to experience the dynamics of living with a disability. Equal rights and accessibility to events are mandated by the Disability Discrimination Act of Britain. Though focused on the UK, this text offers an engaging look at a relatively understudied community. -- D. J. Winchester * Choice Connect, Vol 56. No. 6 *

Preface ix
Sita Popat
Introduction 1(10)
Sarah Whatley
Charlotte Waelde
Shawn Harmon
Abbe Brown
Karen Wood
Kate Marsh
Mathilde Pavis
Section I Disability, Dance and Critical Frameworks
11(102)
Chapter 1 Disabled Dance: Barriers to Proper Inclusion within Our Cultural Milieu
13(34)
Shawn Harmon
Charlotte Waelde
Sarah Whatley
Chapter 2 Cultural Heritage and the Unseen Community
47(14)
Fiona Macmillan
Chapter 3 An Analysis of Reporting and Monitoring in Relation to the United Nations Convention on the Rights of Persons with Disabilities, the Right to Participation in Cultural Life and Intellectual Property
61(22)
Catherine Easton
Chapter 4 A Dance of Difference: The Tripartite Model of Disability and the Cultural Heritage of Dance
83(16)
David Bolt
Heidi Mapley
Chapter 5 In a Different Light? Broadening the Bioethics Perspective through Dance
99(14)
Shawn Harmon
Blog Posts
Interruption 1 11 November 2015: Dance, Medicine and Marginalisation: The Limits of Law and a Shift to Values
113(6)
Shawn Harmon
Interruption 2 27 October 2014: Language
119(4)
Kate Marsh
Interruption 3 21 November 2013: Difference?
123(4)
The Invisible Difference Team
Section II Disability, Dance and the Demands of a New Aesthetic
127(128)
Chapter 6 A Wondering (in Three Parts)
129(8)
Luke Pell
Chapter 7 A New Foundation: Physical Integrity, Disabled Dance and Cultural Heritage
137(24)
Abbe Brown
Shawn Harmon
Kate Marsh
Mathilde Pavis
Charlotte Waelde
Sarah Whatley
Karen Wood
Chapter 8 Disability and Dance: The Disabled Sublime or Joyful Encounters?
161(16)
Janice Richardson
Chapter 9 Moving Towards a New Aesthetic: Dance and Disability
177(18)
Shawn Harmon
Kate Marsh
Sarah Whatley
Karen Wood
Chapter 10 What We Can Do with Choreography, and What Choreography Can Do with Us
195(18)
Catherine Long
Nicola Conibere
Chapter 11 Dancing Identity: The Journey from Freak to Hero and Beyond
213(20)
Eimir McGrath
Chapter 12 Dance Disability and Aesthetics: A Changing Discourse
233(22)
Margaret Ames
Blog Posts
Interruption 4 1 April 2014: Difference
255(4)
Kate Marsh
Interruption 5 29 July 2015: Disability Dance and Philosophy: Liminal Spaces
259(6)
Charlotte Waelde
Interruption 6 14 September 2015: A Wider Significance for a Philosophy of Disabled Dance?
265(4)
Shawn Harmon
Section III Disability, Dance and Audience Engagement
269(64)
Chapter 13 The (Disabled) Artist Is Present
271(22)
Claire Cunningham
Chapter 14 Disability, Disabled Dance Audiences and the Dilemma of Neuroaesthetic Approaches to Perception and Interpretation
293(24)
Bree Hadley
Chapter 15 Finding It When You Get There
317(16)
Adam Benjamin
Blog Posts
Interruption 7 6 October 2015: Understanding and Appreciation
333(4)
Hetty Blades
Interruption 8 10 June 2015: Mainstream and Marginal: Have We Progressed in the Last Decade Plus?
337(4)
Charlotte Waelde
Interruption 9 29 June 2015: Mainstream or Marginal? Still on the Edge... Disabled Dance?
341(4)
Sarah Whatley
Policy Briefs
Policy Brief for Venues: Providing Space. Obligations and Approaches to Dancers with Different Bodies
345(6)
Position Brief for Dancers. Policy Brief: Asserting Copyright
351(6)
Policy Brief: For Dancers
357(8)
Blog Posts from Resilience and Inclusion
Interruption 10 27 March 2017: The Need for a Wide Approach
365(4)
Abbe Brown
Interruption 11 1 March 2017: Golden Age?
369(4)
Sarah Whatley
Interruption 12 14 March 2017: Disabled Dancers: Agents of Change?
373(4)
Shawn Harmon
Annex 1 Blog Postings 377(4)
Annex 2 Policy Briefs 381(2)
Notes on Contributors 383(8)
Index 391
Sarah Whatley is professor of dance at Coventry University. Charlotte Waelde is professor of intellectual property law at Coventry University. Shawn Harmon is a deputy director at the Mason Institute. Abbe Brown is a reader at the University of Aberdeen. Karen Wood is a dance practitioner, researcher, and educator. Hetty Blades is a research fellow at Coventry University.