Back in print 35 years after it was first published, Jim Stones classic darkroom manual provides step-by-step instructions for alternative creative darkroom techniques for experimental and manipulated photography. Each technique, presented by a photographer who is an expert in its application, includes how-to illustrations and reproductions of the photographers work. Perfect for students of darkroom photography, including those interested in experimental photography and alternative processing.
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1 | (1) |
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2 | (16) |
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The Nature of the Sabattier Effect |
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4 | (2) |
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How to Produce a Sabattier Print |
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6 | (2) |
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8 | (2) |
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Methods of Control during Exposure |
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10 | (2) |
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Methods of Control in Processing |
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12 | (2) |
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14 | (2) |
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Bas Relief and Troubleshooting |
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16 | (2) |
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Black-And-White Infrared Film |
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18 | (14) |
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20 | (2) |
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22 | (2) |
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24 | (2) |
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26 | (2) |
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28 | (2) |
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30 | (2) |
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32 | (10) |
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34 | (2) |
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36 | (2) |
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38 | (2) |
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Abstraction vs. Representationalism |
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40 | (2) |
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42 | (6) |
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44 | (2) |
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46 | (2) |
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48 | (10) |
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50 | (2) |
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52 | (2) |
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54 | (2) |
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56 | (2) |
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58 | (12) |
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60 | (2) |
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62 | (2) |
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Setting up an Enlarger Blend |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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70 | (10) |
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72 | (2) |
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74 | (2) |
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76 | (2) |
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Making Negatives Permanent |
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78 | (2) |
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80 | (8) |
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82 | (2) |
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84 | (2) |
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86 | (2) |
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88 | (20) |
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90 | (2) |
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92 | (2) |
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94 | (2) |
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96 | (2) |
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98 | (2) |
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100 | (2) |
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102 | (2) |
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104 | (2) |
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106 | (2) |
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108 | (34) |
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How to Make a High-Contrast Print |
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110 | (2) |
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Making a Film Positive and Negative |
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112 | (2) |
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Selecting a Working Film Size |
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114 | (2) |
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116 | (2) |
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118 | (2) |
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120 | (2) |
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122 | (2) |
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124 | (4) |
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Tone Separation and Tone-Line |
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128 | (2) |
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130 | (2) |
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132 | (2) |
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134 | (2) |
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Considerations When Photographing |
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136 | (2) |
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138 | (2) |
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140 | (2) |
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142 | (12) |
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144 | (2) |
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146 | (2) |
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148 | (2) |
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150 | (2) |
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152 | (2) |
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154 | (12) |
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156 | (2) |
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158 | (2) |
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160 | (2) |
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162 | (2) |
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Differential Reticulation |
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164 | (2) |
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166 | (10) |
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168 | (2) |
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170 | (2) |
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172 | (2) |
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174 | (2) |
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176 | (8) |
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178 | (2) |
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180 | (4) |
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184 | (12) |
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186 | (2) |
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The Wash-Off Relief Process |
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188 | (2) |
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190 | (2) |
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192 | (2) |
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194 | (2) |
| About The Authors |
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196 | (3) |
| Index |
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199 | |
Jim Stone is a Professor of Photography at the University of New Mexico and the author of several monographs and educational books on photography, including those he co-authored with Barbara London (Photography, A Short Course in Photography: Film, A Short Course in Photography: Digital). His photographs have been exhibited and published internationally and are in the permanent collections of major museums.
