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Death, Time and Mortality in the Later Novels of Don DeLillo [Kietas viršelis]

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"This book offers the first systematic study of death in the later novels of Don DeLillo. It focusses on Underworld to The Silence along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels which mark the development of one of the most philosophical and prestigious novelists writing in English"--

This book offers the first systematic study of death in the later novels of Don DeLillo. It focuses on Underworld to The Silence, along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels, which mark the development of one of the most philosophical and prestigious novelists writing in English.

Death, in its close relation to time, temporality and transience, has been an ongoing subject or motif in Don DeLillo’s oeuvre. His later work is shot through with the cultural and sociopsychological symptoms and responses death elicits. His "reflection on dying" revolves around defensive mechanisms and destruction fantasies, immortalism and cryonics, covert and overt surrogates, consumerism and media, and the mortification of the body. His characters give themselves to mourning and are afflicted with psychosis, depression and the looming of emptiness.

Yet writing about death also means facing the ambiguity and failing representability of "death." The book considers DeLillo’s use of language in which temporality and something like "death" may become manifest. It deals with the transfiguration of time and death into art, with apocalypse as a central and recurring subject, and, as a kind of antithesis, epiphany.

The study eventually proposes some reflections on the meaning of death in an age fully contingent on media and technology and dominated by financial capitalism and consumerism. Despite all the distractions, death remains a sinister presence, which has beset the minds not only of DeLillo’s protagonists.



This book offers the first systematic study of death in the later novels of Don DeLillo. It focusses on Underworld to The Silence along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly.

1 Introduction
1(11)
The Culture of Death: Fear of Death, Responses to Death and the Management of Death or "Terror Management"
2(5)
Methodological Problems
7(3)
Notes
10(2)
2 White Noise: The Inconceivability of Death, Hitler and the Supermarket
12(19)
Consummatum Est
12(4)
"Why Can't We Be Intelligent About Death?" Capitals in Quotation?
16(4)
"Hitler Studies"
20(6)
The Fearful Beauty of Apocalypse: Apparition
26(1)
Notes
27(4)
3 Underworld and "Terror Management": Apocalypse, the Bomb, Cold War, Crowds
31(25)
"Terror Management": Apocalypse
31(1)
Socio-Cultural and Anthropological Contexts
32(3)
The Bomb and the Cold War
35(6)
Crowds
41(2)
Pop and Consumption: "Rejoice, Redeemed Flock" (J. S. Bach) or "Cocksucker Blues"
43(2)
Consumerism and Waste
45(3)
Media, Killing, Death
48(2)
Moment of Moments: Apparition
50(2)
Notes
52(4)
4 The Body Artist: Death, Mourning, Time and the "Humanity of Man"
56(17)
Mindfulness and Emptiness: Lived and Dead Time
56(4)
The Provo-Care of the Death of the Other: The "Humanity of Man "
60(7)
"Body Time" and the Sublation of Death ("Trauerspiel" or "Play of Mourning")
67(2)
Redeeming Moment
69(1)
Notes
70(3)
5 Cosmopolis: Cybercapitalism, Alienation and Death
73(29)
The Tenacity of Capitalism and Alienation
73(3)
Alienation, (Auto-)Aggression, Death
76(1)
"He Died so You Can Live"
76(2)
De-Individuation and Disembodiment
78(3)
Data, Acceleration, and the Disappearance of the Presence
81(2)
Temporal Alienation
83(4)
Monetary Alienation
87(4)
Physical Alienation
91(2)
The Journey to Self-Destruction and Death: "The desolation of reality" (W. B. Yeats)
93(4)
A "Smart" Epiphany of Death
97(1)
Notes
98(4)
6 Falling Man
102(18)
Relating Unspeakable Loss
102(1)
Images of Loss, Two Victims, Two Terrorists and Death Dealers
103(1)
Shirts
103(1)
Shrapnels
104(1)
Still Lives
105(2)
Falling Man: Performing Death and Mourning
107(3)
Keith: Trauma and Lethargy
110(2)
Lianne: Mourning, Care and an Epiphanic Moment
112(3)
Hammad and Amir: Terrorist Cult of Death
115(2)
Notes
117(3)
7 Point Omega: "When Time Stops, so Do We": The Aesthetics of Disappearance
120(15)
Temporality and Death
120(1)
The Anonymous "Man," Caillois and Lacan: "But Imagination Was Itself a Natural Force, Unmanageable." (P 81)
121(5)
Murder or not?
126(1)
Elster, Teilhard, "Dead Matter" and the Epiphany of a "Handful of Mucus"
127(6)
Notes
133(2)
8 Zero K: The Ideology and Aesthetics of Immortality
135(34)
Cryonics and a Tale of Two Worlds
135(3)
End Time: Apocalypse and Eschatology
138(2)
The Aesthetics of Apocalypse and Eschatology
140(1)
Video and Corridors
140(3)
Architecture and Sculpture
143(3)
Heidegger and the Cryonic Transhumanists: "Man Alone Exists"
146(1)
Heidegger as Antithesis: Existentialism
146(4)
The Rock as Art
150(5)
Art as Untruth
155(3)
Art in Pods
158(5)
Moment of Moments: The Affirmation of Life
163(2)
Notes
165(4)
9 The Silence and the Death of Civilization
169(11)
The End of "Being-in-the-World"
169(1)
An Electricity Failure
169(1)
The Endgame
170(8)
Notes
178(2)
10 Epilog
180(1)
Index 181
Philipp Wolf is an adjunct professor of English and American literature at the University of Giessen in Germany (Hesse). He has widely published on early modern literature, modernist and postmodernist literature, as well as on theory.