|
|
1 | (11) |
|
The Culture of Death: Fear of Death, Responses to Death and the Management of Death or "Terror Management" |
|
|
2 | (5) |
|
|
7 | (3) |
|
|
10 | (2) |
|
2 White Noise: The Inconceivability of Death, Hitler and the Supermarket |
|
|
12 | (19) |
|
|
12 | (4) |
|
"Why Can't We Be Intelligent About Death?" Capitals in Quotation? |
|
|
16 | (4) |
|
|
20 | (6) |
|
The Fearful Beauty of Apocalypse: Apparition |
|
|
26 | (1) |
|
|
27 | (4) |
|
3 Underworld and "Terror Management": Apocalypse, the Bomb, Cold War, Crowds |
|
|
31 | (25) |
|
"Terror Management": Apocalypse |
|
|
31 | (1) |
|
Socio-Cultural and Anthropological Contexts |
|
|
32 | (3) |
|
The Bomb and the Cold War |
|
|
35 | (6) |
|
|
41 | (2) |
|
Pop and Consumption: "Rejoice, Redeemed Flock" (J. S. Bach) or "Cocksucker Blues" |
|
|
43 | (2) |
|
|
45 | (3) |
|
|
48 | (2) |
|
Moment of Moments: Apparition |
|
|
50 | (2) |
|
|
52 | (4) |
|
4 The Body Artist: Death, Mourning, Time and the "Humanity of Man" |
|
|
56 | (17) |
|
Mindfulness and Emptiness: Lived and Dead Time |
|
|
56 | (4) |
|
The Provo-Care of the Death of the Other: The "Humanity of Man " |
|
|
60 | (7) |
|
"Body Time" and the Sublation of Death ("Trauerspiel" or "Play of Mourning") |
|
|
67 | (2) |
|
|
69 | (1) |
|
|
70 | (3) |
|
5 Cosmopolis: Cybercapitalism, Alienation and Death |
|
|
73 | (29) |
|
The Tenacity of Capitalism and Alienation |
|
|
73 | (3) |
|
Alienation, (Auto-)Aggression, Death |
|
|
76 | (1) |
|
"He Died so You Can Live" |
|
|
76 | (2) |
|
De-Individuation and Disembodiment |
|
|
78 | (3) |
|
Data, Acceleration, and the Disappearance of the Presence |
|
|
81 | (2) |
|
|
83 | (4) |
|
|
87 | (4) |
|
|
91 | (2) |
|
The Journey to Self-Destruction and Death: "The desolation of reality" (W. B. Yeats) |
|
|
93 | (4) |
|
A "Smart" Epiphany of Death |
|
|
97 | (1) |
|
|
98 | (4) |
|
|
102 | (18) |
|
Relating Unspeakable Loss |
|
|
102 | (1) |
|
Images of Loss, Two Victims, Two Terrorists and Death Dealers |
|
|
103 | (1) |
|
|
103 | (1) |
|
|
104 | (1) |
|
|
105 | (2) |
|
Falling Man: Performing Death and Mourning |
|
|
107 | (3) |
|
Keith: Trauma and Lethargy |
|
|
110 | (2) |
|
Lianne: Mourning, Care and an Epiphanic Moment |
|
|
112 | (3) |
|
Hammad and Amir: Terrorist Cult of Death |
|
|
115 | (2) |
|
|
117 | (3) |
|
7 Point Omega: "When Time Stops, so Do We": The Aesthetics of Disappearance |
|
|
120 | (15) |
|
|
120 | (1) |
|
The Anonymous "Man," Caillois and Lacan: "But Imagination Was Itself a Natural Force, Unmanageable." (P 81) |
|
|
121 | (5) |
|
|
126 | (1) |
|
Elster, Teilhard, "Dead Matter" and the Epiphany of a "Handful of Mucus" |
|
|
127 | (6) |
|
|
133 | (2) |
|
8 Zero K: The Ideology and Aesthetics of Immortality |
|
|
135 | (34) |
|
Cryonics and a Tale of Two Worlds |
|
|
135 | (3) |
|
End Time: Apocalypse and Eschatology |
|
|
138 | (2) |
|
The Aesthetics of Apocalypse and Eschatology |
|
|
140 | (1) |
|
|
140 | (3) |
|
Architecture and Sculpture |
|
|
143 | (3) |
|
Heidegger and the Cryonic Transhumanists: "Man Alone Exists" |
|
|
146 | (1) |
|
Heidegger as Antithesis: Existentialism |
|
|
146 | (4) |
|
|
150 | (5) |
|
|
155 | (3) |
|
|
158 | (5) |
|
Moment of Moments: The Affirmation of Life |
|
|
163 | (2) |
|
|
165 | (4) |
|
9 The Silence and the Death of Civilization |
|
|
169 | (11) |
|
The End of "Being-in-the-World" |
|
|
169 | (1) |
|
|
169 | (1) |
|
|
170 | (8) |
|
|
178 | (2) |
|
|
180 | (1) |
Index |
|
181 | |