Acknowledgements |
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ix | |
Introduction |
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1 | (12) |
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1 Prefaces, Manifestos, And Declarations |
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13 | (27) |
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extract from Preface to Mademoiselle de Maupin |
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15 | (7) |
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In Praise of Make-Up: extract from `The Painter of Modern Life' |
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22 | (2) |
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Conclusion to The Renaissance |
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24 | (3) |
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27 | (3) |
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Confessions of a Young Man: extract from chapter 9 |
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30 | (2) |
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Preface to The Picture of Dorian Gray |
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32 | (1) |
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Phrases and philosophies for the use of the young |
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33 | (1) |
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Preface to the second edition of Silhouettes: Being a Word on Behalf of Patchouli |
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34 | (6) |
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40 | (46) |
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extracts from The Satyricon |
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44 | (10) |
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extracts from The Sixth Satire |
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54 | (5) |
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extracts from Tiberius, Caligula, and Nero, The Lives of the Caesars |
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59 | (8) |
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extracts from the Augustan History: The Life of Elagabalus |
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67 | (8) |
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from `Lucan, or The Decadence', Cultural-Critical Studies of the Latin Poets of the Decadence, chapter 7 |
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75 | (4) |
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extract from `Charles Baudelaire' |
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79 | (1) |
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Note to Franciscae meae laudes |
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80 | (1) |
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`Eastward stands the lofty shrine' (`Gegen osten ragt der bau') |
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81 | (1) |
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`Dashed is the goblet' (`Becher am boden') |
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82 | (4) |
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86 | (62) |
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89 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (2) |
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92 | (1) |
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Les Metamorphoses du vampire |
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93 | (1) |
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Litany to Satan (Les Litanies de Satan) |
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94 | (1) |
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Afternoon Song (Chanson d'apres-midi) |
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95 | (1) |
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A Pagan's Prayer (La Priere d'un paien) |
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96 | (1) |
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97 | (1) |
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Autumn Blues (Plainte d'automne) |
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97 | (1) |
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98 | (1) |
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99 | (1) |
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The Tomb of Charles Baudelaire (Le Tombeau de Charles Baudelaire) |
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99 | (1) |
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100 | (3) |
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103 | (2) |
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105 | (11) |
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Mystic Evening Light (Crepuscule du soir mystique) |
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116 | (1) |
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116 | (1) |
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117 | (1) |
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On the Balcony (Sur le Balcon) |
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117 | (1) |
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118 | (1) |
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118 | (1) |
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119 | (1) |
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120 | (1) |
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120 | (1) |
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121 | (5) |
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Non sum qualis eram bonae sub regno Cynarae |
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126 | (1) |
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126 | (1) |
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127 | (1) |
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127 | (1) |
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128 | (1) |
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128 | (2) |
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130 | (1) |
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131 | (1) |
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131 | (1) |
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132 | (1) |
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132 | (1) |
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133 | (3) |
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136 | (1) |
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137 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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141 | (1) |
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142 | (1) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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144 | (4) |
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148 | (93) |
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The Masque of the Red Death |
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151 | (4) |
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The Eleventh-Hour Guest (Le Convive des dernieres fetes) |
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155 | (17) |
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Philippe-Auguste Villiers de l'Isle-Adam |
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Chapter 1 and extracts from chapter 12, Against Nature (A Rebours) |
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172 | (12) |
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184 | (7) |
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Book 3, chapter 1, The Child of Pleasure (II Piacere) |
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191 | (8) |
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Funeral Oration (Oraison funebre) |
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199 | (4) |
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203 | (3) |
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The Grape-Harvest of Sodom (Les Vendanges de Sodome) |
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206 | (4) |
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The Story of Venus and Tannhauser |
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210 | (22) |
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extract from Time Regained (Le Temps retrouve) |
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232 | (9) |
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5 Diagnoses And Denunciations |
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241 | (48) |
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An Article about the Decadents (Un Article sur les Decadents) |
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244 | (2) |
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extracts from The Case of Wagner (Der Fall Wagner) |
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246 | (5) |
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The Decadent Movement in Literature |
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251 | (11) |
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extracts from Book 3, `Ego-Mania', chapter 3, `Decadents and Aesthetes', Degeneration (Entartung) |
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262 | (12) |
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274 | (1) |
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Stephane Mallarme and the Idea of Decadence (Stephane Mallarme et L'Idee de Decadence) |
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275 | (14) |
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289 | (27) |
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Editors' Notice to The Deliquescences of Adore Floupette: Decadent Poems |
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292 | (1) |
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Decadents (Les Decadents) |
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293 | (1) |
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Decadent Ball (Bal Decadent) |
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294 | (1) |
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295 | (11) |
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306 | (1) |
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To any Boy-Poet of the Decadence |
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307 | (1) |
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307 | (4) |
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311 | (1) |
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312 | (4) |
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Select bibliography |
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316 | (5) |
Index |
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321 | |