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ix | |
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xi | |
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xiii | |
Introduction |
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1 | (16) |
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1 Design Education Research: Its Context, Background and Approaches |
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17 | (20) |
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Towards Generalised Models for Design Education Research |
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18 | (3) |
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Designerly Research Methods |
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21 | (3) |
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Effective Design Education Research Contributions |
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24 | (9) |
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33 | (4) |
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2 Design Education as the Passport to Practice |
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37 | (14) |
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38 | (2) |
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40 | (3) |
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The Community of Practice of Automotive Designers |
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43 | (3) |
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Engaging the Profession in Design Education |
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46 | (2) |
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48 | (1) |
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49 | (2) |
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3 Designerly Thinking and Creativity |
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51 | (18) |
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52 | (2) |
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54 | (1) |
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Design Thinking as Dual Processing |
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54 | (3) |
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The Analysis Synthesis Dual-processing Model |
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57 | (1) |
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Parallel Lines of Thought |
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58 | (2) |
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60 | (1) |
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Developing Design Thinking |
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61 | (1) |
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62 | (2) |
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64 | (1) |
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65 | (4) |
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PART 2 KEY DEVELOPMENTS IN DESIGN PEDAGOGY |
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4 Fostering Motivation in Undergraduate Design Education |
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69 | (14) |
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69 | (1) |
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70 | (3) |
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73 | (4) |
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Learning and Teaching Motivation in Design |
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77 | (2) |
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Motivated Professional Designers |
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79 | (1) |
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80 | (3) |
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5 Signature Pedagogies in Design |
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83 | (12) |
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What are Signature Pedagogies? |
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83 | (1) |
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Why is it Important to Identify Signature Pedagogies? |
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84 | (1) |
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85 | (1) |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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88 | (1) |
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Research as a Signature Pedagogy? |
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89 | (1) |
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Differing Signature Pedagogies |
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90 | (1) |
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91 | (1) |
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92 | (3) |
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6 The Experience of Teaching a Creative Practice: An Exploration of Conceptions and Approaches to Teaching, Linking Variation and the Community of Practice |
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95 | (18) |
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95 | (3) |
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98 | (1) |
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Conceptions of Teaching Creative Practices |
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99 | (4) |
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103 | (2) |
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105 | (1) |
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106 | (1) |
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106 | (2) |
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108 | (1) |
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109 | (4) |
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7 Transformative Practice as a Learning Approach for Industrial Designers |
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113 | (22) |
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Design Learning in a Contemporary Context |
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113 | (2) |
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Constructive, Abductive and Solution-led Thinking |
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115 | (4) |
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Building on the Baseline Capability of a Design Student |
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119 | (1) |
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Design Thinking for Global Competitiveness |
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120 | (1) |
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A Good Setting for Industrial Design Learning |
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121 | (3) |
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Learning to 'Unthink' Ways of Doing Design Thinking |
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124 | (1) |
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Building a Scaffolded Approach |
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124 | (1) |
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A Designerly Way of Knowing and Behaving |
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125 | (2) |
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Transformative Practice Approaches Within the Industrial Design Curriculum |
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127 | (3) |
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130 | (1) |
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131 | (4) |
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8 Industrial Design and Liminal Spaces |
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135 | (16) |
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135 | (2) |
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Threshold Concepts in Industrial Design |
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137 | (1) |
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138 | (4) |
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142 | (1) |
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The Industrial Design Curriculum |
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143 | (2) |
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145 | (1) |
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146 | (5) |
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9 Developing Tools to Support Collaboration and Understanding during Industrial Design Practice |
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151 | (30) |
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151 | (1) |
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152 | (2) |
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Phase 1 Identification of Barriers to Communication |
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154 | (4) |
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Phase 2 Investigating the Use of Design Representations |
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158 | (5) |
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Phase 3 Development of Design Tool |
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163 | (5) |
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Phase 4 Dissemination and Impact |
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168 | (5) |
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Implications of CoLab and iD Cards for Design Education |
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173 | (1) |
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174 | (1) |
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175 | (6) |
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10 The Use of Design Case Studies in Design Education |
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181 | (34) |
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181 | (1) |
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181 | (2) |
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183 | (2) |
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185 | (2) |
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187 | (3) |
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Teaching Case Studies in Design |
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190 | (2) |
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192 | (1) |
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Practice/Case-based Methodologies |
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193 | (1) |
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Experimental/Comparative Case |
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194 | (1) |
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An Illustrative Case Study |
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195 | (2) |
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The Evolution of Case-based Designing (CBD) |
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197 | (5) |
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Feedback and Learning Outcomes |
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202 | (4) |
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Issues of Rigor and Validity |
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206 | (2) |
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208 | (2) |
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210 | (1) |
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210 | (5) |
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11 Amplifying Learners' Voices through the Global Studio |
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215 | (22) |
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215 | (1) |
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The Master-Apprentice Model |
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216 | (1) |
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Pressures on Design Students |
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216 | (2) |
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Criticism of the Master-Apprentice Model |
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218 | (3) |
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Storytelling and the Design Graduate |
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221 | (3) |
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224 | (3) |
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Students' Reflections and Discussion |
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227 | (3) |
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230 | (1) |
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231 | (6) |
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237 | (6) |
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Index |
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243 | |