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El. knyga: Design Pedagogy: Developments in Art and Design Education

  • Formatas: 290 pages
  • Išleidimo metai: 22-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317152262
Kitos knygos pagal šią temą:
  • Formatas: 290 pages
  • Išleidimo metai: 22-Apr-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317152262
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Design Pedagogy explains why it is vital for design students that their education helps them construct a ’passport’ to enter the professional sphere. Recent research into design teaching has focused on its signature pedagogies, those elements which are particularly characteristic of the disciplines. Typically based on core design theory, enlivened by approaches imported to the area, such work has utility when it recognizes the visual language of designing, the media of representation used, and the practical realities of tackling design questions. Increasingly the 21st century sees these activities in a global context where the international language of the visual artefact is recognized. This book draws on recent work in these areas. It includes a number of chapters which are developed from work undertaken during the period of special funding for centres of teaching excellence in the UK up until 2010. Two of those in design have provided the basis for research and innovative developments reported on here. They have helped to enliven the environment for design pedagogy research in other establishments which are also included. Design students need support for the agile navigation through the design process. Learning experiences should develop students’ natural motivations and professionalise motivation to create a resilient, informed and sustainable capacity. This is the essence of ’transformative learning’. This collection explores how design education is, in itself, a passport to practice and showcases how some of the key developments in education use techniques related to collaboration, case studies and experience to motivate students, enable them to express their identity, reflect and learn.

Recenzijos

Design research has led to a deep understanding of the nature of design that will be important in guiding design practice in the 21st century. In parallel a growing body of research into design education is having a similar impact on design pedagogy. This book presents excellent examples of such research with wide application across design education. Chris McMahon, University of Bristol, UK and immediate Past-President, the Design Society This is an excellent and timely contribution to the development of our understanding of design teaching. As leader of the Design Research Societys Design Pedagogy special interest group, Mike Tovey has brought together several of its leading members to crystallize thinking in the field. Research in design pedagogy is flourishing and this book provides a significant contribution to the debate. Tracy Bhamra, Dean of Loughborough Design School, Loughborough University, UK

List of Figures
ix
List of Tables
xi
List of Contributors
xiii
Introduction 1(16)
PART 1 SETTING THE SCENE
1 Design Education Research: Its Context, Background and Approaches
17(20)
Eddie Norman
Towards Generalised Models for Design Education Research
18(3)
Designerly Research Methods
21(3)
Effective Design Education Research Contributions
24(9)
References
33(4)
2 Design Education as the Passport to Practice
37(14)
Michael Tovey
Communities of Practice
38(2)
Design Communities
40(3)
The Community of Practice of Automotive Designers
43(3)
Engaging the Profession in Design Education
46(2)
Conclusions
48(1)
References
49(2)
3 Designerly Thinking and Creativity
51(18)
Michael Tovey
Designerly Knowing
52(2)
Types of Intelligence
54(1)
Design Thinking as Dual Processing
54(3)
The Analysis Synthesis Dual-processing Model
57(1)
Parallel Lines of Thought
58(2)
Reflective Practice
60(1)
Developing Design Thinking
61(1)
Teaching Design
62(2)
Conclusion
64(1)
References
65(4)
PART 2 KEY DEVELOPMENTS IN DESIGN PEDAGOGY
4 Fostering Motivation in Undergraduate Design Education
69(14)
Sieve Garner
Chris Evans
Introduction
69(1)
Understanding Motivation
70(3)
Motivation and Designing
73(4)
Learning and Teaching Motivation in Design
77(2)
Motivated Professional Designers
79(1)
References
80(3)
5 Signature Pedagogies in Design
83(12)
Alison Shreeve
What are Signature Pedagogies?
83(1)
Why is it Important to Identify Signature Pedagogies?
84(1)
The Studio
85(1)
Projects and the Brief
86(1)
Materiality
87(1)
Dialogue
88(1)
The Crit
88(1)
Research as a Signature Pedagogy?
89(1)
Differing Signature Pedagogies
90(1)
Conclusion
91(1)
References
92(3)
6 The Experience of Teaching a Creative Practice: An Exploration of Conceptions and Approaches to Teaching, Linking Variation and the Community of Practice
95(18)
Linda Drew
Introduction
95(3)
Qualitative Method
98(1)
Conceptions of Teaching Creative Practices
99(4)
Quantitative Method
103(2)
Skills Items
105(1)
Practice Items
106(1)
Results
106(2)
Discussion
108(1)
References
109(4)
7 Transformative Practice as a Learning Approach for Industrial Designers
113(22)
Karen Bull
Design Learning in a Contemporary Context
113(2)
Constructive, Abductive and Solution-led Thinking
115(4)
Building on the Baseline Capability of a Design Student
119(1)
Design Thinking for Global Competitiveness
120(1)
A Good Setting for Industrial Design Learning
121(3)
Learning to 'Unthink' Ways of Doing Design Thinking
124(1)
Building a Scaffolded Approach
124(1)
A Designerly Way of Knowing and Behaving
125(2)
Transformative Practice Approaches Within the Industrial Design Curriculum
127(3)
Conclusion
130(1)
References
131(4)
8 Industrial Design and Liminal Spaces
135(16)
Jane Osmond
Introduction
135(2)
Threshold Concepts in Industrial Design
137(1)
Liminal Spaces
138(4)
Impact on the Curriculum
142(1)
The Industrial Design Curriculum
143(2)
Conclusion
145(1)
References
146(5)
9 Developing Tools to Support Collaboration and Understanding during Industrial Design Practice
151(30)
Mark Evans
Ian Campbell
Eujin Pei
Introduction
151(1)
Background
152(2)
Phase 1 Identification of Barriers to Communication
154(4)
Phase 2 Investigating the Use of Design Representations
158(5)
Phase 3 Development of Design Tool
163(5)
Phase 4 Dissemination and Impact
168(5)
Implications of CoLab and iD Cards for Design Education
173(1)
Conclusions
174(1)
References
175(6)
10 The Use of Design Case Studies in Design Education
181(34)
Seymour Roworth-Stokes
Tim Ball
Introduction
181(1)
Background
181(2)
Methodology
183(2)
Analysis
185(2)
Findings
187(3)
Teaching Case Studies in Design
190(2)
Case Based Methodologies
192(1)
Practice/Case-based Methodologies
193(1)
Experimental/Comparative Case
194(1)
An Illustrative Case Study
195(2)
The Evolution of Case-based Designing (CBD)
197(5)
Feedback and Learning Outcomes
202(4)
Issues of Rigor and Validity
206(2)
Conclusions
208(2)
Acknowledgement
210(1)
References
210(5)
11 Amplifying Learners' Voices through the Global Studio
215(22)
Aysar Ghassan
Erik Bohemia
Introduction
215(1)
The Master-Apprentice Model
216(1)
Pressures on Design Students
216(2)
Criticism of the Master-Apprentice Model
218(3)
Storytelling and the Design Graduate
221(3)
The Global Studio
224(3)
Students' Reflections and Discussion
227(3)
Conclusion
230(1)
References
231(6)
12 Conclusions
237(6)
Michael Tovey
Index 243
Mike Tovey is Reader in Design Pedagogy and Professor of Industrial Design at Coventry University. He has been responsible for the establishment and development of the, now internationally acclaimed, programme in transport design. He was Dean of the Coventry School of Art and Design for 18 years. Mike has pioneered design research. Much of his research work has been concerned with the design process and how designers work. There has been a particular focus on the use of computer support for the creative aspects of design. He also pioneered the portfolio PhD and this work is a useful summary of much of his research activity. From 2007 to 2010 he was Director for Design and responsible for leading on and co-ordinating design education and design research. In addition he was Director of the Centre of Excellence in Product and Automotive Design (CEPAD). He now leads the Design Research Society's Special Interest Group in Design Pedagogy.